Magazine Archive

Home -> Magazines -> Issues -> Articles in this issue -> View

A Cynic Writes...

Einsturzende Neuplatten

Article from Music Technology, May 1993


Never mind all this talk of DCC vs. DAT vs. CD vs. cassette vs. CDI. Vinyl was king for one reason and one reason only: cardboard. Album sleeves had a quality of world-shattering simplicity - you could take the record out and put it back in again as many times as you liked WITHOUT THE SODDING PACKAGING FALLING APART IN YOUR HANDS! God knows why, but it only takes a pressure of 0.0006mg per square inch to reduce any cassette or CD's plastic container to its constituent parts, plus a few more which, despite being invisible without an electron microscope and consequently gone forever in the deep recesses of the shag pile, are absolutely critical in the reconstruction of anything like a useable box.

My collection of cassettes is divided into three categories: Naked - meaning I've long since given up the laughable pretence that the item has a case at all; Virgin - meaning I haven't dared open it yet, and with some albums that can be a tad frustrating; and Modular - meaning the box divides easily into two handy components, either of which can be conveniently dropped to the floor and trodden into splinters. The CDs are no better. Exactly the same stringent guidelines have been applied to the design and manufacture of CD cases as to cassettes, with great emphasis placed on two main patented principles: a) The 'Locktite' Plastic Clip, an invention which actually secretes Superglue from tiny pores immediately on contact with its corresponding flange; and b) The Disappearing Hinge principle, by which opening the hinge more than 15 degrees releases the joint entirely making closure not only impossible but redundant.

I think that we can safely assume that; in the ensuing battle between formats for the mass consumption of recorded music, these principles will not be forgotten, as were those which governed the LP sleeve. Self-destruction is built into so many products these days, in a desperate attempt to ensure continued turnover in the consumer markets, and recorded music has far too long a shelf-life as it is. It won't be long before they're selling us dissolving plastic on the grounds that it's ecologically desirable. And when they do, you can bet your early Camel albums that the first stuff off the production line will be little, hinged boxes for DCCs that start to smoke after three months...

(Brian Aspirin is terminal)



Previous Article in this issue

Communique

Next article in this issue

Incoming Data


Publisher: Music Technology - Music Maker Publications (UK), Future Publishing.

The current copyright owner/s of this content may differ from the originally published copyright notice.
More details on copyright ownership...

 

Music Technology - May 1993

Opinion by Ken Bath

Previous article in this issue:

> Communique

Next article in this issue:

> Incoming Data


Help Support The Things You Love

mu:zines is the result of thousands of hours of effort, and will require many thousands more going forward to reach our goals of getting all this content online.

If you value this resource, you can support this project - it really helps!

Donations for April 2024
Issues donated this month: 0

New issues that have been donated or scanned for us this month.

Funds donated this month: £7.00

All donations and support are gratefully appreciated - thank you.


Magazines Needed - Can You Help?

Do you have any of these magazine issues?

> See all issues we need

If so, and you can donate, lend or scan them to help complete our archive, please get in touch via the Contribute page - thanks!

Please Contribute to mu:zines by supplying magazines, scanning or donating funds. Thanks!

Monetary donations go towards site running costs, and the occasional coffee for me if there's anything left over!
muzines_logo_02

Small Print

Terms of usePrivacy