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Higher Hatting | |
Article from Making Music, June 1987 |
Bible! drummist Dave Larcombe came up with a swell hi-hat playing tip during a recent interview. "I developed this technique while I was in the Roaring Boys. Because we were a very busy sounding band, there was less room for fills. So to provide variation, I'd develop little things on the hi-hat."
It works like this: when playing regular rhythms on the hi-hat, simply move the stick backwards and forwards across the hi-hat, so you vary where it strikes from the bell to the rim, and back. This broadens the hi-hat sound, making a simple pattern sound more interesting. Do it slowly, and it has roughly the same effect as phasing; faster, and the rhythm will sound less straightforward, and more syncopated.
"If you can stand the boredom, it's really good practice to sit and just play the hi-hat on its own, without going near any of the other drums."
Chord of the Month - Guitar |
Stick Trix |
Chord of the Month - Guitar |
Fret Fax |
Key Lines |
Coverage - Lloyd Cole & The Commotions - Cut Me Down |
Outside Of C - ...and left hand keyboard techniques |
Skill Centre: Mark Brzezicki - Mark Brzezicki Drums On Nik Kershaw's 'LABATYD' |
Do The Slide Guitar |
Synth Sense |
Sonics & Harmonics |
Coverage - ZZ Top - Sharp Dressed Man |
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