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Paul Hardcastle - The WizardInterview | Music Technology, Nov 1986The whizz-kid that made a number one hit out of a spoken-word soundtrack and a sampler with 19' is now The Wizard, courtesy of a new signature tune for 'Top of the Pops'. Tim Goodyer meets the man, the Synclavier, and the passion for new technology. | |||
Paul Hardcastle - When The Tape Runs OutInterview | Sound On Sound, Jul 1986Intrepid reporter/cameraman Ralph Denyer ventures into the wild suburban jungle of East London to capture the rarely heard thoughts of this lesser-spotted songbird and re-mix producer who has recently taken delivery of his very own Synclavier system. | |||
Paul Hardcastle - 19 Ways to Number 1Interview | Electronic Soundmaker, Aug 198519 ways to the top: exclusive | |||
Paul Hardcastle - Re-Mixed BlessingsInterview | International Musician, Nov 1985The Remix Man. But he was stumped by Adrian Deevoy | |||
Paul HardcastleInterview | Sound On Sound, Sep 1991Success On The SidePaul Hardcastle, despite his low profile of late, has been a busy man. Paul Ireson reports. | |||
Paul Hardcastle - The Remix MasterInterview | Topic: Advertisement Feature | International Musician, Mar 1986The re-mix master at work | |||
This artist was mentioned in these interviews | |||
Divine ProductionInterview | Electronics & Music Maker, Jul 1985German producer Zeus B Held - the man behind the name - shares sampling secrets and delaying tactics with Tim Goodyer. | |||
Culture ChronicleInterview | International Musician, Nov 1986Smile please! Tony Reed raps with the Cockney Translator about schooltime chronicles, writing styles, and the pressures of success | |||
Gary Numan - Just Can't StopInterview | Sound On Sound, Aug 1986'Are Friends Electric?' and 'Cars' will go down in the musical history books as classics of their genre but the writer of those hits, Gary Numan, has yet to match his early successes. Mark Jenkins met up with him during sessions for a forthcoming album at Rock City studios, Shepperton, only to discover that the Numan of today is finding it tough to get airplay for his recent work... | |||
Man Machine - Machine HeadInterview | Music Technology, Jul 1991The line between man and machine is blurred; today there exists an entity whose purpose is to make music. Simon Trask discovers that its sights are locked on the dance charts and it absolutely will not stop. | |||
OMD - Power In The DarknessInterview | Music Technology, Dec 1991After five years in the wilderness, Orchestral Manoeuvres in the Dark are back with a new LP and tour. Tim Goodyer talks to Andy McCluskey about the value of technology. | |||
Paul Dakeyne - Remix, Remake, RemodelInterview | Music Technology, Jul 1987Are record producers losing their touch now they've regained their influence? Are DJs better-equipped to make music that moves? Simon Trask gets the answers from an objective source - one of Britain's top remix DJs. | |||
Steve Parsons - State of PlayInterview | Music Technology, Apr 1987As film music becomes a more popular means for composers to earn a living, Tim Goodyer talks to soundtrack expert Steve Parsons about his work on the new British film, 'Empire State'. | |||
This artist was mentioned in these other articles | |||
Product NewsNews | Electronic Soundmaker, Aug 1985 | |||
Sample ShopReview | Sound On Sound, Mar 1993 | |||
The Rhythm MethodFeature | Topic: Drum Programming | International Musician, Mar 1986Beat Box HitsOr, the much-maligned art of drum machine programming. Tony Reed talks to the experts, and Richard Walmsley dissects some classic tracks. | |||
WelcomeEditorial | Sound On Sound, Mar 1987 | |||
The ProfessionalsFeature | Topic: Music Business | Sound On Sound, Mar 1987PRS - The Performing Right SocietyThe first of an occasional series in which David Mellor takes a look at the organisations that help musicians and composers earn an honest crust in this hard world. This month: the Performing Right Society. | |||
WelcomeEditorial | Sound On Sound, Aug 1986 | |||
I Want Your SamplesFeature | Topic: MIDI, Sampling | Electronics & Music Maker, Aug 1986As sound-sampling becomes accepted as a technique, what will musicians do with their machines after the novelty has worn off? Chris Meyer takes a sideways look. | |||
The Sound On Sound Guide To SamplersFeature | Topic: Buyer's Guide, Sampling | Sound On Sound, Nov 1987Everything you ever wanted to know about samplers... 48 models compared! Paul Gilby surveys the current sampler market, exposes the 'spec wars', dispels the 16-bit myth and explains in simple terms how sampling really works, before telling you what to look out for when buying secondhand. | |||
DOD PDS2000 Sampling DelayReview | In Tune, Oct 1985 | |||
Sampling Confidential: Anything To Declare? - Part 1Feature Series | Topic: Music Business, Sampling | Music Technology, Apr 1993The first of our new series on the very live issue of sampling, taking all the technicalities into account. Dom Foulsham begins with an examination of the law as it currently effects all involved. An indispensable guide, if you're concerned about clearance and want to avoid that nasty little rubber glove | |||
Composer's Desktop ProjectReview | Sound On Sound, Feb 1990The CDP is a non profit-making co-operative formed by a group of professional composers and researchers at York University, whose intention was to create an affordable personal workstation — a ‘desktop IRCAM’ - on which to run powerful synthesis and signal processing programs. Richard Dobson reveals the power of this Atari ST-based system. |
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