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Erasure - You And Me BothInterview | Electronics & Music Maker, Aug 1986Electropop veteran Vince Clarke and latest partner, Andy Bell, discuss composing, sampling and singing following their debut album release. Tim Goodyer takes notes. | |||
Erasure - Clarke TechniquesInterview | Making Music, May 1986Computers have made Vince Clarke a different Keyboardist. And you'll never guess why. | |||
Erasure - A Clean SlateInterview | International Musician, Apr 1986Erasure head man Vince Clarke and his new band face the horror of a Tony Reed interview | |||
This artist was mentioned in these interviews | |||
Vince Clarke - Waiting For The Perfect SongInterview | Sound On Sound, Dec 1988Since introducing the world to the delights of pure synth-pop in 1981, Vince Clarke has continued to demonstrate his mastery of the popular song form through the medium of synth technology. Paul Ireson investigates. | |||
Vince ClarkeInterview | Sound On Sound, Dec 1991Sold on the 3-Minute SongErasure's fifth album sees the duo of Vince Clarke and Andy Bell going from strength to strength, delivering electro-pop at its finest. But the doyens of synthesizer pop recorded Chorus with almost no MIDI instruments at all. Vince Clarke tells Paul Ireson how he made a hit album with 10-year old technology. | |||
Home is where the art isInterview | The Mix, Jul 1994Someday, all home studios will be built this way - an exclusive survey | |||
Vince Clarke - In Clarke's ShoesInterview | Music Technology, Aug 1992Unbitten by the digital bug, Vince Clarke only drives analogue. | |||
Vince Clarke - Vince Clarke’s Wall Of SoundInterview | Music Technology, Jun 1993Here’s your ticket to Amsterdam, Vince will meet you at the studio and show you all his favourite classic synths. A dream? No, a reality, thanks to Ian Masterson and Music Technology. Ian gets an exclusive guided tour around Erasure’s secret analogue powerhouse, just for you. You can almost taste the Amstel beer | |||
Road WarriorsInterview | Sound On Sound, Jul 1992On Tour With Nitzer EbbNitzer Ebb are using the tools of technology to recreate their abrasive, challenging sound in a live context. Nigel Humberstone talks to the man who helps to put the show on the road. | |||
Remixing With Phil KelseyInterview | Sound On Sound, Nov 1993The art of remixing laid bare by DMC's top remixer. | |||
Fifty feet high and risingInterview | The Mix, Nov 1994Lion Rock’s main man and individualist deckmaster | |||
Hit Man HagueInterview | Sound On Sound, Mar 1992Stephen Hague has demonstrated considerable talent as a producer of classy electronic pop, riding the faders for the Pet Shop Boys and New Order. But his recent work on albums by Robbie Robertson and Siouxsie & The Banshees shows that he has more strings to his bow. Paul Tingen lends an ear. | |||
Wayne's WorldInterview | Sound On Sound, Aug 1992Mission In ActionInstead of recording their latest opus in expensive pro studios, the Mission have been laying tracks in a rural barn. It might seem they've fallen from grace; Robert Michael finds it ain't necessarily so. | |||
Grid ReferenceInterview | Sound On Sound, Nov 1992 | |||
Musical YouthInterview | Sound On Sound, Jan 1993 | |||
Modus OperandiInterview | Sound On Sound, Jul 1993Depeche Mode: Songs Of Faith And DevotionThe boys in black talk technical in this UK exclusive interview. | |||
The DMC StoryInterview | Topic: Music Business | Sound On Sound, Nov 1993Tony Prince & The Disco Mix ClubThe ingenuity and foresight of DJ Tony Prince resulted in the creation of the DMC record label, the hub of the thriving UK dance remixing scene. Wilf Smarties talks to Tony about how and why the label was set up and persuades remixer Phil Kelsey to take us through a typical remix. | |||
William OrbitInterview | Sound On Sound, Oct 1991Urban GuerillaPaul Tingen meets William Orbit, re-mix maestro and the man behind Bass-O-Matic. | |||
Bomb the Bass - Bass StudiesInterview | Music Technology, Oct 1988In his career as disc jockey, audio engineer and pop star Tim Simenon has called upon musical influences as diverse as Rick James and Kraftwerk. Tim Goodyer talks tech with a DJ who intends to take cut-up records on the road. | |||
DNA - Genetic EngineeringInterview | Music Technology, Apr 1992It began with an illicit remix of Suzanne Vega and it's already earned them their own album release. Simon Trask tracks down the elusive DNA musical partnership to ask who, how and why. | |||
Pascal Gabriel - Made in HeavenInterview | Music Technology, May 1989After producing artists ranging from Bomb the Bass and S 'Xpress to Bryan Ferry and Wet Wet Wet, Pascal Gabriel is about to begin his own career as a recording artist. Tim Goodyer discovers a Lovechild. | |||
Renegade Soundwave - Renegade ActionInterview | Music Technology, Jan 1989The band called it music, the press called it confrontational noise, and the public bought it and danced to it. Stephen Hillier talks to the men behind Renegade Soundwave. | |||
Stock, Aitken & Waterman - Production LineInterview | Music Technology, Jun 1987The words "Stock, Aitken & Waterman" have adorned 50 hit singles in the last two years. Tim Goodyer finds there are two secrets to their success: determination and new technology. | |||
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