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Interview | The Mix, Dec 1994
Interview | Music Technology, Jun 1987
He was once the driving force behind Genesis, Yes and King Crimson, but now this brilliant percussionist has turned his attention to jazz - and new technology. Tim Goodyer talks to him.
Interview | Electronic Soundmaker, Aug 1985
Bruford & Moraz
Dissecting an unusual fusion
Interview | Music UK, Sep 1982
U.K.'s top drummer on skins v. synths
Interview | Electronics & Music Maker, Jul 1985
Moraz and Bruford Embrace the New
Patrick Moraz and Bill Bruford, two of music’s best-established virtuoso players, talk about their two-year relationship and a new LP. Interview by Dan Goldstein.
Interview | International Musician, Aug 1975
Ace Argent drummer — hopefully to be contributing to IM in the future - talks about his approach to drumming.
Interview | International Musician, Jul 1975
Discusses his transition from rock drummer to all round percussionist
Interview | Sound International, Sep 1978
Bowie's Dennis Davis and George Murray
Dennis Davis and George Murray chat to Ralph Denyer on their rhythmic station in the Bowie band.
Interview | International Musician, Dec 1975
Thoughts from the cream of Britain's drummers.
Interview | Music Technology, Nov 1987
A little-known American drummer who played on such classic recordings as 'Rappers' Delight' and 'The Message' talks to Dan Goldstein about "stretching" technology.
Interview | Phaze 1, May 1989
Interview | Music Technology, Sep 1988
From providing the backbone of Santana's Latin beat, Michael Shrieve has moved into electronic percussion and out again. John Diliberto listens to the drummer's tale.
Interview | Topic: Home Studio | Sound On Sound, Apr 1993
Interview | Music Technology, May 1988
From Weather Report drummer to hi-tech enthusiast and Mac fanatic. Bob O'Donnell talks to a drummer who's discovered technology and used his rhythmic knowledge to get the best from his programming.
Interview | Music Technology, Nov 1986
He was once electronic drummer with jazz-rockers Landscape. Now he's a successful producer for the likes of Spandau Ballet and Colonel Abrams, but the search for new ways of using new gear goes on.
Interview | Electronic Soundmaker, May 1985
Producer, performer, catalyst. Richard Burgess has been a musical traveller most of his life - we finally catch up with him.
Interview | Music Technology, Dec 1990
Once he prayed to the beat behind Re-flex, he's since become versed in high technology and worked with artists as diverse as Kate Bush and Mory Kante. Ollie Crooke talks to a rhythm programmer extraordinaire.
Interview | Music Technology, Jun 1988
Man Jumping sticksman Simon Limbrick talks about tuned percussion, sampled percussion and technology on the stage. Nicholas Rowland tunes in to the rhythm of technology.
Interview | Music UK, Dec 1982
Drums & more — guaranteed no puns about electrical goods!
Interview | One Two Testing, Feb 1984
Words and pictures for better drumming.
Interview | Electronics & Music Maker, Oct 1985
A prolonged period of silence from two ex-Japan members may have lead same to believe they've said all they have to say. Dan Goldstein and Tim Goodyer discover this is not the case.
Interview | Sound On Sound, Jun 1992
Steve Jansen & Richard Barbieri
Following a brief diversion in the form of last year's Rain Tree Crow project, Steve Jansen and Richard Barbieri are once more pursuing their creative partnership. Paul Ireson reports on the recording of their latest album.
Interview | Phaze 1, Feb 1989
Interview | Music Technology, Jul 1989
Ex-Police drummer and self-styled 'tech-head' Stewart Copeland discusses the merits of owning four Fairlight CMIs, why he's in a group called Animal Logic, and how to write an opera. Logical questions: Nicholas Rowland.
Interview | Home & Studio Recording, Dec 1983
Drummer with The Police chats about his approach to recording, at home and in the studio.