You can't discuss the Manchester dance movement without A Guy Called Gerald. Simon Trask talks success and setbacks to one of Britain's most influential young artists.

Vie Marshall asks who is A Guy Called Gerald?

By ignoring the charts and treating dance music as a live phenomenon, Adamski has won himself a huge following and a chart placing. Simon Trask talks about the live applications of studio music.

The man responsible for the UK's first genuine acid house single discusses basslines, bitonality and the grin factor. Baby talk: David Bradwell.

Winning the '89 Technics World DJ Mixing Championship has allowed Cutmaster Swift to plough the prize money into his studio. Simon Trask talks samples and scratches with the Champion.

Vie Marshall raps with the bad young brother himself about Ataris, Creator and reader-friendly manuals

Now making a huge impact in the north of Britain, Detroit's techno music owes its roots to a handful of far-sighted pioneers - amongst them Derrick May. Simon Trask discusses the future of electronic music.

As well as being famous for the size of his record collection, DJ Mark is currently one of the major forces in hip hop sampling. The 45 King tells Simon Trask about the biters and the bitten.

John "Jellybean" Benitez is the leader of the current trend of DJs turned recording artists. Tim Goodyer talks to him about the relationship between the dancefloor and the recording studio.

Co-founder of the techno movement, Model 500's Juan Atkins discusses yesterday's technology and influences, and tomorrow's music. Technospeak: Simon Trask.

Techno music, the true successor to late seventies synth-pop, translates the desolation of post-Motown Detroit into electronic dance rhythms. Simon Trask listens to the programmer's tale.

From the New York roots of hip hop, KRS One talks about street-level production values and samples as the poor musician's alternative to real musicians. Simon Trask listens to the Music of the Spheres.

From his remixes of dance music through his record releases with LA Mix, Les Adams has specialised in making a lot out of a little equipment. His latest project is a solo LP, as Simon Trask finds out.

Lion Rock’s main man and individualist deckmaster

The originator of acid house claims the secrets of good music are feel and emotion rather than a Roland Bassline and an Akai sampler. Simon Trask gets in the mood.

Ambient, techno and the internet

The distinctly eighties phenomenon of remixing is playing a significant part in the development of today's popular music. Tim Goodyer discusses the art of remixing with Norman Cook.

Are record producers losing their touch now they've regained their influence? Are DJs better-equipped to make music that moves? Simon Trask gets the answers from an objective source - one of Britain's top remix DJs.

Prince Paul

Already an established musical force from his work with Stetsasonic, Prince Paul has gone on to produce De La Soul's brilliant debut LP. Steven Daly talks technology and sampling ethics with a Prince.

Rene van der Weyde

Holland's top producer on how computer graphics can add that inspirational spark to music making

Explains his complex minimalism

From the chart success of 'Bass (How Low Can You Go)' to an album and a 24-track studio in his lounge - Simon Harris talks sounds and samples with Tim Goodyer.