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All Revved UpReview | Home & Studio Recording, Mar 1986The Yamaha REV1, possibly the most sophisticated digital reverb on the market. |
Interior DesignsReview | Sound On Sound, Nov 1987Yamaha REV5 ReverbIs there room at the top for yet another digital reverb unit? Mark Badger thinks so — provided it's 16-bit, has a 20kHz effect bandwidth, analogue and digital parametric EQ, can stack two reverb effects and goes by the name of REV5! |
Jack Of All TradesReview | Home & Studio Recording, May 1986Yamaha SPX90Is it a reverb? Is it a sampler? Yes and no; it's Yamaha's new digital Jack of all trades and it offers surprising value for money. |
Roland SRV2000 & Yamaha REV7 ReverbsReview | One Two Testing, Feb 1986Every sussed studio should have one - which? |
SPX AppealReview | Sound On Sound, Sep 1993Yamaha SPX990 20-Bit Digital Multi EffectsWe put the first affordable 20-bit processor through its paces. |
The Hot 100Review | Sound On Sound, Jul 1991Yamaha EMP100 Multi-Effects ProcessorThe latest addition to Yamahas highly affordable 100 series, the EMP100, could prove to be its best buy yet. Paul Ireson explains why. |
The Magnificent Seven...Review | Electronic Soundmaker, Dec 1984...Reverbs. An across-the-range selection put through their paces, demonstrating both conventional and creative uses... |
The Power Behind the ButtonReview | Electronics & Music Maker, May 1986Yamaha SPX90With the help of new software technology, Yamaha's new multi-FX unit does the job of a half-dozen outboard machines. Paul White gives a rundown of what it can do, and how well it does it. |
Wide Open SpacesReview | Electronics & Music Maker, Sep 1985A special, report on budget digital reverb, with the spotlight focussed firmly on two groundbreaking new machines, the Yamaha REV7 and Roland SRV2000. Paul White and Simon Trask take up the story. |
Yamaha Compressor & Graphic EQReview | In Tune, Jul/Aug 1985 |
Yamaha D1500Review | Electronics & Music Maker, Nov 1984MIDI Digital DelaySomehow, it had to be Yamaha who'd be first to put MIDI on a digital delay. The possibilities are endless, claims Paul White. |
Yamaha D1500 MIDI Digital DelayReview | Home & Studio Recording, Nov 1984 |
Yamaha EMP700Review | Sound On Sound, Aug 1992Stereo Effects ProcessorIt's slim, dark and sexy, flashes alluringly in a rack and has multiple uses - it's Yamaha's latest sound processor, the EMP700. Derek Johnson opens up the black magic box. |
Yamaha FX500Review | Sound On Sound, Mar 1990Multi-Effects ProcessorThe best things come in small packages, decides Paul Ireson as he puts this budget six-effects-at-once processor through its paces. |
Yamaha FX500 Multi EffectsReview | Music Technology, Sep 1989Never mind Starwars fx, this is the war of the star fx. Vic Lennard patches in Yamaha's latest budget multi-fx unit and likes what he hears. |
Yamaha GC2020 Compressor/LimiterReview | Home & Studio Recording, Jun 1985 |
Yamaha GQ1031 Graphic EqualiserReview | Home & Studio Recording, May 1985 |
Yamaha R-1000 Digital ReverbReview | Electronics & Music Maker, May 1983 |
Yamaha R1000 Digital ReverbReview | Home & Studio Recording, Jan 1984 |
Yamaha REV-7 Digital ReverberatorReview | Sound On Sound, Nov 1985Yet Another MilestoneLow cost digital reverb comes of age according to Producer Robin Lumley. |
Yamaha REV7Review | Home & Studio Recording, Oct 1985Digital ReverbThis long awaited product is now available and offers first class digital reverb along with a host of stereo DDL effects. |
Yamaha REX50Review | Sound On Sound, Feb 1988Martin Russ reveals the hidden features of Yamaha's budget digital multi-effector and explains how it can be coaxed into supplying more than one effect at once. |
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