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Review | In Tune, Jul/Aug 1985
Review | Electronics & Music Maker, Jul 1985
At last - the instrument with a name on everybody's lips receives an in-depth examination of its European version. Man-on-the-spot is Paul Wiffen.
Review | Electronics & Music Maker, Jan 1986
Annabel Scott takes a look at what a reduction in price and an increase in facilities has done for the first budget sampling keyboard...
Review | Electronic Soundmaker, Apr 1985
An exclusive review of the Mirage Sampling Synth — A price breakthrough?
We found these other (non-review) articles that are linked to this gear:-
Making The Most Of Your Mirage - Part 1
Feature | Topic: Sampling | Sound On Sound, Oct 1986
Tony Hastings begins a new series of valuable hints and tips aimed at helping owners of Ensoniq Mirage samplers get the best from their instruments.
Making The Most Of Your Mirage - Part 2
Feature | Topic: Sampling | Sound On Sound, Nov 1986
Back with another fascinating instalment of hints and tips, Tony Hastings offers further guidance to those Ensoniq Mirage owners wishing to develop their sampling skills.
Making The Most Of Your Mirage - Part 3
Feature | Sound On Sound, Dec 1986
Tony Hastings brings you his third instalment of Mirage hints and tips which begins to unravel the confusion that surrounds the use of the MASOS functions - including 'ramp scaling'.
Feature Downloads | Topic: Synthesizer Patches | Music Technology, May 1989
A review of the Desert Island sample collection for the Mirage joins readers' own patches for the Roland D110, Ensoniq ESQ1 and Casio CZ5000 in this month's action-packed edition of Patchwork.
Feature Downloads | Topic: Synthesizer Patches | Music Technology, Apr 1989
The theme of this month's edition of Patchwork is decidedly traditional, as Casio's CZ101 joins the ubiquitous DX7 and D50 as the subjects for readers' programming dexterity.
Feature Downloads | Topic: Synthesizer Patches | Music Technology, Nov 1986
Trish McGrath gets the lowdown on a whole stack of readers' own synth sounds, while Paul Wiffen gives an appraisal of a new library of samples for the Ensoniq Mirage.