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Battle of the AlgorithmsReview | Micro Music, Apr/May 1989Ian Waugh takes a side by side look at Fingers and Tunesmith. | |||
Creative Sounds ImproviserReview | Sound On Sound, Apr 1992Improvisation SoftwareAuto-accompaniment software seems to be growing up, offering real interaction and creativity in place of tacky preset patterns. Martin Russ looks at Improviser, an ST program that does just what its name suggests. | |||
Creative Sounds Improviser SoftwareReview | Music Technology, Sep 1992Atari ST SoftwareComputer improvisation - genuine inspiration or deep bleep? | |||
Datamusic Fractal MusicReview | Music Technology, Oct 1991Atari ST SoftwareRecently we looked at the theoretic applications of fractal maths in music. This month Ian Waugh composes a complex number with this ST software... | |||
Datamusic Fractal MusicReview | Sound On Sound, Jun 1992Fractal Composition SoftwareMartin Russ looks at one of the current rash of fractal music programs and finds it anything but chaotic... | |||
Dr T's FingersReview | Music Technology, Oct 1988Atari ST SoftwareThe latest sequencer from the Dr T's stable takes interactive composition by the horns. Ian Waugh examines the software and the merits of mathematical music making. | |||
Dr T'S TunesmithReview | Music Technology, Jan 1989Software for the Atari STWhen the conventional approaches to composing music wn't deliver the goods, this Atari ST program may help provide the inspiration. Ian Waugh investigates computer-generated music. | |||
Fractal ActionReview | Sound On Sound, Feb 1992Fractal Music ComposerMartin Russ looks at a program that generates music from chaos. | |||
HMM Piip Oy John The ComposerReview | Music Technology, Jul 1993for the Atari STBefore you ask, it’s not a typo: HMM Piip Oy is the name of the Finnish manufacturer of this auto-composition software called John - and why not? If you still don’t believe a computer can write music, ask Ian Waugh. | |||
Hybrid Arts LudwigReview | Music Technology, Apr 1989Software for the Atari STContinuing the theme of computers and composition, Ludwig is Hybrid Arts' contribution to the growing selection of algorithmic composers currently available. Ian Waugh walks the dog. | |||
Hybrid Arts Ludwig SoftwareReview | Home & Studio Recording, Mar 1989Software for the Atari STThis program could clear a few creative cobwebs and give your music a bit of a boost. | |||
Intelligent MusicReview | Sound On Sound, Aug 1988Intelligent Music's M SoftwareHere's a program that will banish your lack of inspiration forever! Version 2.0 of Intelligent Music's 'M' (for Macintosh and Atari computers) is considerably more than an isochronic pulse sequencer. Ed Jones puts on his thinking cap and delves deeper... | |||
Intelligent MusicReview | Music Technology, Mar 1987Software for Apple MacintoshAfter the Jam Factory comes "M", an advanced music composition and manipulation system for the Mac. Jim Burgess investigates a variation on the theme of MIDI recording. | |||
Intelligent Music Jam FactoryReview | Music Technology, Feb 1987Software for Apple MacintoshIf you're lucky enough to have an Apple Macintosh computer, you can now take advantage of a revolutionary new program that improvises its own music based on the data you feed it. Review by Jim Burgess. | |||
Intelligent Music MReview | Music Technology, Mar 1988Software for the Atari STPreviously exclusive to Mac owners, Intelligent Music's M compositional software is now available for the Atari ST. Intelligent Ian Waugh investigates its application to a variety of musical styles. | |||
Twelve Tone Systems Sound GlobsReview | Music Technology, Aug 1990Software for the IBM PCSomewhere between human composers and sci-fi music systems of the future are the algorithmic composition programs of the present. One of the few such programs for the IBM PC finds favour with Ian Waugh. | |||
We found these other (non-review) articles that are linked to this gear | |||
Making the Most of 'M'Feature | Topic: Algorythmic Composition | Sound On Sound, Nov 1988Martin Russ describes some ways to use Intelligent Music's 'M' program as an effective aid to structured composition. |
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