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3rd Generation GR2 Reverb

Review | Home & Studio Recording, Jul 1985

Accessit Sound Processor Units

Review | Home & Studio Recording, Apr 1984
Dual Sweep EQ & Stereo Reverb

Akai AR900

Review | Music Technology, May 1989

Aimed at the higher end of the market, Akai's latest reverb unit forsakes digital clarity in favour of more realistic sound treatment. Vic Lennard goes au naturel.

Akai EX90R

Review | Music Technology, Mar 1988
Reverb Unit

A budget reverb unit for budget studios - although big studios might like it too. John Renwick plugs it in and gets a pleasant ringing in his ears.

Alesis Microverb

Review | Music Technology, Dec 1986

Take the successful MIDIverb, remove the MIDI bit, reduce the number of programs to 16, and you've got the cheapest digital reverb in the world. Paul White lends it an ear.

Alesis Microverb III

Review | Music Technology, Mar 1991
Reverb Unit

Now in its third revision, the popular Microverb has attained full rackmount status and boasts an incredible 256 effects programs. Nigel Lord is drowning in reverb.

Alesis Midiverb

Review | Making Music, May 1986
digital reverb

Alesis Midiverb

Review | International Musician, Apr 1986
Studio Test

Jim Betteridge opines on a resounding success


Review | Sound On Sound, Jul 1987

When it comes to the MIDIVERB II, Phil South discovers that sequels can sometimes be better than the originals!

Alesis MIDIverb III

Review | Sound On Sound, Jan 1990

This latest release from the purveyors of low-cost signal processing is more a reverb unit with supplementary effects than a full-function multi-effects processor. Paul Ireson journeys into deep space to check it out.

Alesis Midiverb III

Review | Music Technology, Mar 1990
Digital Reverb

In the beginning was the Midiverb; the Midiverb begat the Midiverb II and the Midiverb II. Nigel Lord checks the latest incarnation of Alesis' standard-setting reverb.

Alesis XT Digital Reverb

Review | Home & Studio Recording, Aug 1985

For even less than the price of a semi in Rotherham, you too can experience high quality digital reverb in the privacy of your own home.

AMS RMX-16 Digital Reverb

Review | Home & Studio Recording, Mar 1984


Review | Music Technology, Apr 1987
Programmable Digital Reverb

...While Simon Trask gets to grips with a more expensive model from America, with more parameters, a remote-control unit, and various other goodies; is it worth the extra?

ART DR1 digital reverb

Review | Sound On Sound, Feb 1987

Mark Jenkins auditions the latest 16-bit stereo digital reverb with Performance MIDI.

ART DR2 Digital Reverb

Review | Home & Studio Recording, Sep 1985

A surprisingly flexible and easy to use unit that offers first class results.

Control freak

Review | The Mix, Dec 1994
Lexicon Reflex

MIDI controllable reverb

Cutec Reverb/Delay

Review | Home & Studio Recording, Sep 1984

Digital Dance

Review | Electronics & Music Maker, Mar 1986
Lexicon PCM70

Paul White gets to grips with the first digital reverb to be fully touch-sensitive over MIDI, and finds it throws a whole load of additional effects into the bargain.

Digitech TSR24

Review | Sound On Sound, Dec 1993
True Stereo Reverb & Effects Processor

Dynacord DRP15

Review | Sound On Sound, Feb 1993
Multi-effects Processor

Dynacord DRP16 Digital Reverb

Review | Home & Studio Recording, Dec 1984

Fostex 3180 Stereo Reverb

Review | Home & Studio Recording, Sep 1983

Getting Teknikal

Review | Home & Studio Recording, Nov 1985

Great British Spring Mk 3.

Review | Home & Studio Recording, Jun 1984



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