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Review | Sound On Sound, Dec 1986
Roland DEP-5 multi-effects
Julian Colbeck brings you the key facts on Roland's improvement on the SPX90.
Review | Recording Musician, Dec 1992
Peavey SDR 20/20 Digital Multi Effects Unit
A refreshingly logical and capable multi-effects unit that successfully combines flexibility with fidelity.
Review | In Tune, Nov 1986
Review | One Two Testing, Feb 1985
delay/chorus/flanger in one
Review | Home & Studio Recording, Feb 1985
Review | Making Music, Aug 1986
Multiple Effects Unit
Review | International Musician, Oct 1986
The MIDIverb set new standards for low-price, high quality digital reverb. Can the MIDIfex do the same for even more digital effects? Curtis Schwartz reports.
Review | Sound On Sound, Aug 1986
Several months after the MIDIVERB turned the world of stereo digital reverb on its head, Alesis look set for a repeat performance with their latest unit - a combination of digital delay, reverb and stereo enhancer. Paul Gilby seems lost for words.
Review | Music Technology, Apr 1989
Digital Multi-effects Processor
Following the success of their Midiverbs and Microverbs, Alesis have developed a unit capable of providing no less than four audio treatments simultaneously. Ian Waugh practices his four-play.
Review | Home & Studio Recording, Mar 1989
The long-awaited new box from Alesis gives the user access to up to four simultaneous high quality effects.
Review | Music Technology, Apr 1991
Possibly the most popular budget multi-fx processor currently available, the Quadraverb has just been upgraded and promoted to the rank of 'Plus'. Nigel Lord investigates.
Review | Recording Musician, Jan 1993
ART SGX T2 Guitar And Studio FX
ART have what is probably the most confusing product range on the market — and this is one of the latest models.
Review | Sound On Sound, Dec 1992
ART Multiverb Alpha 2.0 & DRX 2100
Review | Sound On Sound, Jan 1989
In this age of the preset, you need all the help available to stamp your personality on the sounds you produce. Paul Ireson finds a new ally in the fight for individuality - ART's fully programmable, four-effects-at-once signal processor.
Review | Sound On Sound, Jan 1992
The Multiverb Alpha is the latest and greatest in ART's series of studio multi-effects processors. Dave Lockwood checks it out.
Review | Music Technology, Jun 1992
In their efforts to establish their signal processors as strongly in the UK as they have in the States, ART can't seem to bring out enough effects units. Nigel Lord evaluates the ART with aspirations to be number one.
Review | Music Technology, Nov 1989
Taking the Multiverb as their starting point, ART have a new multi-effects processor with which to enhance your music. Ian Waugh says the verb is "to want".
Review | Music Technology, Aug 1990
ART Multi-fx Processor
As even the most modest MIDI studio becomes a powerful tool for the creation and recording of music, sound processing becomes a more essential part of it. Tim Goodyer checks out ART's latest multi-fx processor.
Review | Music Technology, Jul 1992
ART's ever-expanding range of signal processors is intended to cater for musicians of all styles and financial means. Nicholas Rowland test drives a new effects unit whose price belies its power.
Review | Music Technology, Dec 1989
Multi FX Processor
With multi-fx processors appearing faster than dissenting conservative back-benchers, the pressure is on to come up with something different. Simon Trask investigates a processor that uses analogue circuitry for its unique character.
Review | Sound On Sound, Oct 1989
Multi Effects Processor
David Mellor samples the delights of a multiple effects unit that can create up to nine high quality effects at the same time.
Review | Sound On Sound, Sep 1992
Guitar Multi-Effects Processor
A multi-effects processor for the guitarist who wants instant gratification without all that tedious mucking about in hyperspace? Paul White plugs into the ART SGX-LT.
Review | Recording Musician, Dec 1992
Review | Micro Music, Jan 1990
Jez Ford is seriously effected by Digitech's latest signal processor - the DSP-128
Review | Electronics & Music Maker, Mar 1986
Paul White gets to grips with the first digital reverb to be fully touch-sensitive over MIDI, and finds it throws a whole load of additional effects into the bargain.