Games Feature

Now that computer games are available on CD, they’re no longer restricted to naff sound effects and music. We talk to games producers Ocean and composer Debbie Wiseman about the arrival of serious sound for games...

BBC Radiophonic Workshop

Plenty has changed since E&MM last ventured into the hallowed chambers of Maida Vale. Simon Trask reports from the studio that started it all, but now seems aloof from the modern music scene.

Richard Mitchell explains his use of electronic music for film.

Just the ticket? How to do it yourself explained by Richard Walmsley

...On A Shoestring Budget

Having a problem getting your music listened to by film production companies? Paul D. Lehrman tells the tale of how he put together a showreel of his music without it costing him the earth.

We've now reached Part 4 where Robin Lumley surveys the technology of syncing sound and vision.

An Introduction to the Art Form

Producer/jingle composer Robin Lumley commences a new series that explores the role and function of music in the visual world.

Part 6: It's A Wrap! Composer/musician Robin Lumley packs away the manuscript paper, switches off the Steenbeck viewer and submits his final thoughts on writing music for films in this concluding episode of his series.

Getting Started

This month film music composer Robin Lumley discloses his own route to fame and fortune in an effort to get you started on yours...

So You Want To Be A Screen Music Writer?

Producer/composer Robin Lumley continues this series designed to take the mystery out of writing and recording music for film and television.

How To Actually Set About It

Producer/Composer Robin Lumley details what's involved in writing and recording your first piece of music for a TV commercial.

No television drama would be complete without a soundtrack, but how do you write them? Nicholas Rowland tunes in to the music channel.

What goes on behind the apparently calm world of soundtrack-writing, by Steve Howell, who's been through it all himself.

Ever tried to put music to pictures? Then the odds are you've discovered just how difficult it actually is. Chris Many explains "hit points" and "cues" and shares some of the secrets of the professionals.

David Mellor looks at the world of advertising, and how music is created and mated with the visuals in a TV commercial.

Film Score Writer

James Betteridge goes to Hollywood, or thereabouts, to find out all about sound and vision

Bryan Ferry

You know all those classic sixties and seventies songs you keep hearing on TV ads these days? Well, almost every one you hear is not in fact the original recording but a completely new version. To give you an idea of how such reconstructions are produced, Nigel Beaham-Powell of Streets Ahead Music Productions recounts how he went about reproducing a Bryan Ferry track.

Part 1. Regular contributor Tony Hastings recounts a personal tale of how a lucky break resulted in his first commission in the lucrative world of advertising jingles and soundtracks.

Tony Hastings provides plenty of inside information as he concludes his tale of how a lucky break resulted in his first commission in the lucrative world of advertising jingles and soundtracks.

BBC Radiophonic Workshop

Radiophonically speaking

Composing music for television can be both exciting and frustrating, as Ian Assersohn and Stephen Frost of Sequenza Music Production discovered when they began writing music for a documentary film about India.

Producer & Composer

Janet Angus talks to Dave about making the change between audio and video recording and the issues and problems involved.

There's more than one way to a living out of music. Nicholas Rowland talks to the Pync Brothers about writing and recording music specifically for use in TV and radio advertising jingles.