Micro Music - October/November 1989
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Exclusive news from UK Electronica, plus all the latest in the world of MIDI music |
Jez Ford takes a look the EMT-10 sister unit, the EMT-1 |
Two multi-tasking packages, Virtuoso and Cubase, meet in the ring. Jim Spriggs plays referee |
System MessagesPaul Overaa continues his series on the intricacies of MIDI system exclusive |
Bill Collins gives us the latest news from the hi-tech percussion world |
Nicholas Rowland checks out some amazing sound sources for your sampler |
Darrin Williamson investigates the new approach of a MIDI dealer in Hampshire |
Ann Owen tests the Armadeus sampling software from music newcomers - Clares |
Ian Waugh looks at the new PC-based synth editor from Poke Systems |
Ann Owen samples the potential of the A3000, courtesy of High-Note |
Darrin Williamson takes a look at the Phillip Rees range of hardware designed to help the flow of your MIDI data |
Phil Brammer unleashes the full potential of his M-1 and his DX with two great patch editors |
John Renwick gets his axe out and processes it with the aid of this rack-mount unit from Digitech |
John Renwick takes an internal sound chip synth program for the Atari ST for a test drive |
Chris Smith enlightens us on the subject of locking music to video |
John Renwick gives in to the temptation of the MTR Series III mixer |
Brian Heywood puts the new Aries PC through its paces |
A Guy Called GeraldVie Marshall asks who is A Guy Called Gerald? |
John Renwick has a pocketful with the pocket MIDI range from Anatek |
At last the MA-36 MIDI Data Analyser is here to diagnose all your MIDI illnesses |