Music Technology - March 1988
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What is a producer's role in making music? Come to that, what is a producer? With today's technology bringing the recording studio into peoples' homes, the rules are changing. |
The latest news from the world of hi-tech musical equipment. If it's worth knowing about, you'll read it here first. |
Software piracy, BBC 2's presentation of "new music" and manufacturers' broken promises all come under discussion in this month's open forum. |
MIDI Files, polyphonic aftertouch and problems with sync codes are among the subjects aired in this month's readers' question time. |
Before you try to win one in our competition, this preview of Kawai's latest synth (and rack-mount alternative) should help whet your appetite. |
After analogue synthesis, FM synthesis, additive synthesis and sampling comes resynthesis - the ability to reconstruct a sampled sound. Bob O'Donnell introduces the Acxel; the first dedicated resynthesiser. |
BeatmastersHouse from home. Nicholas Rowland talks to a British house band who have developed their music from television advertising jingles to chart success. |
Reverb UnitA budget reverb unit for budget studios - although big studios might like it too. John Renwick plugs it in and gets a pleasant ringing in his ears. |
Don't delete those unsatisfactory samples until you've tried resampling them. Tom McLaughlin explains how you can turn a bad sample into a good one. |
Korg's DS8 presented FM synthesis in a more friendly light than originators Yamaha. Now their latest synth makes the price more friendly too. Simon Trask looks at a sine of the times. |
Akai S900 Editor for the Atari STThis comprehensive visual sample-editing package from America could be the answer to many S900 owner's prayers. Vic Lennard says: have ST will travel. |
At last it's here: Zyklus' sequence sequencer, MIDI control station, performance instrument... You sort it out with the help of Simon Trask's review. |
Ensoniq SQ80 & ESQ1 SynthesizersFrustrated by the limitations of sequencing with MIDI mono mode 4? Simon Trask discusses the benefits of multi mode and investigates its implementation on Ensoniq's SQ80 and ESQ1 synths. |
Stephen HagueBuilding his career on productions of Jennifer Warnes, Malcolm McLaren and the Communards, Stephen Hague has found his greatest success with The Pet Shop Boys. David Bradwell talks shop. |
Patches for the Yamaha DX21, Roland MKS80, Casio CZ101 and Ensoniq ESQ1 make up this month's selection of readers' sounds for you to try for yourself. |
What is networking and how can it be of use to the musician using MIDI-equipped instruments? Harvey P Newquist III investigates the working relationship between machine and machine. |
A drum machine that sounds more like a drum kit than anything Ludwig ever made? True or not, Alesis' beat box is going to find its way into a lot of recording studios. Nicholas Rowland returns to his roots. |
Jerry HarrisonTalking Heads keyboard player Jerry Harrison talks to Nicholas Rowland about a forthcoming Heads LP and a solo project he calls The Casual Gods. |
Master Keyboard ControllerTwo new master keyboards from Elka change Deborah Parisi's mind about the merits of silent keyboards. |
THE NAMM REPORTAnaheim recently played host to 1988's Winter NAMM show. MT's American correspondents were on hand to send back news of the latest developments in hi-tech musical equipment. |
Software for the Atari STPreviously exclusive to Mac owners, Intelligent Music's M compositional software is now available for the Atari ST. Intelligent Ian Waugh investigates its application to a variety of musical styles. |