Music Technology - February 1989
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Question: when is a song not a song, and a musical instrument not a musical instrument? Answer: when they're products. Is the music industry terminology robbing music of its personality? |
Latest pre-Frankfurt equipment news, word of more software for Yamaha's new C1 computer and additions to Alesis' range of micro effects are only part of MT's regular news pages. |
Enquiries concerning the ARP Axxe and Odyssey, defence of the UK Electronica and an analysis of popular music - the view from Brazil - ensure life is never dull on MT's letters page. |
Tense, nervous headache? Then you've probably got a patching problem in your studio. Vic Leonard looks at a cost-effective solution to MIDI-patching nightmares. |
Software for the Atari STGood news for you Roland D10, D20 and D110 owners comes in the form of this Atari ST editing software. "I could do with a D", says Vic Leonard. |
Hubert BognermayrFrom the first all-electronic record label to the first ARS Electronica concert, Hubert Bognermayr has been one of electronic music's pioneers. David Bradwell makes the Austrian connection. |
The acid house explosion has turned Roland's TB303 Bassline into one of the most sought-after pieces of analogue technology. Simon Trask looks at the machine behind the myth. |
Software for the Atari STIf your music's been demanding a Steinberg sequencer but your pocket's been denying you Pro24, this new budget package could be your salvation. Baby talk: Vic Leonard. |
Noise reduction is an essential part of any professional recording; but there's more than one way of providing it and more than one way of using it. Silence is golden to Vic Lennard. |
S' ExpressTheir '88 acid house hits took Britain's clubland by storm, but now S' Express are taking their sampling a stage further. Tim Goodyer enjoys the trip. |
AES Convention 1988Los Angeles' recent AES convention pointed the way ahead for recording technology. Bob O'Donnell takes a trip to the fair and finds the rides to his liking. |
Software for the Atari STFollowing the success of C-Lab's Creator sequencing software for the Atari ST, the company have updated it and added a sophisticated scorewriting program. Simon Trask takes note. |
The move from fashion model to pop starlet is many a young girl's dream but Lizzie Tear is already over halfway there. David Bradwell counts the remixes. |
Your chance to pick up the latest version of Steinberg's classic Pro24 sequencing software for free. The price is right for the "lucky winner". |
If you intend to make samples of acoustic instruments or events, you're going to need a microphone - but which one? David Bradwell checks the various types and their uses. |
Eight-track cassette recorderWhen the first Portastudio was launched, it caused a revolution in the recording industry - now you can put eight tracks on the same tape. Vic Lennard punches in. |
The delicate chimes of a Korg EX800 join Roland D50 and JX3P basses in MT's regular selection of readers' own synth patches. Why not submit one of yours? |
Human Rhythm ComposerSince the days of the TR808, Roland have set standards for many other drum machines; now they're concentrating on the human angle. Simon Trask tests the "Human Rhythm Composer". |
From the American Dr Ts comes an Atari ST program capable of additive, FM, AM and multiwaveform synthesis as well as sample editing. Chris Meyer asks if facilities are everything. |