talks to Ralph Denyer

Well... what can you say? You know how good he is and what a writer our Ralph D is. But don't let's give the game away: read on!

Ralph Denyer gets gizmological with Kevin 'n' L

Initially, the consequences of RD's actions could be Kevin or L — there'LL be L to K. (2 down).

Three Guitarists

Yes, we can READ too! And to prove it

Three Guitarists

Why has this top record producer - the man behind Culture Club's phenomenal success on vinyl - given up using the Fairlight in favour of a Steinberg Pro-24 system? Why is he so upset about the myths that surround digital recording? Ralph Denyer went along to Levine's new studio to find out...

This one would have been called Vangelis Odyssey Papathanassiou and Keith Spencer-Allen talk to Ralph Antidisestablishmentarianism Denyer, but there wasn't room.

Big in America, big in rehearsal rooms — but why isn't this dead good pop group dead big here?

The phenomenal rise to success of Gary Stevenson came about through his dynamic production work on the first Go West album. Ralph Denyer extracts the details of the saga and discovers what Gary has planned for the future.

Where do you go to learn more about the subjects covered in this magazine? The answer is the Gateway School of Recording & Music Technology. Ralph Denyer investigates.

The continuing story of Francis Vincent Zappa who, out on the road with a rock band for the first time in weeks, relates to one Ralph Denyer just how musicians get their action.

Tony Bacon longs to talk to some Rich Kids' ghost, but ends up with the decidedly solid Rusty Egan and Glen Matlock.

Sly Dunbar & Robbie Shakespeare

Filling in the musical background, Ralph Denyer talks to Peter Tosh's back line, Sly Dunbar and Robbie Shakespeare.

The Ever-Ready Studio Complex

Ralph Denyer takes the lid off this top London studio complex to discover how it and the people that work their tick.

Bowie's Dennis Davis and George Murray

Dennis Davis and George Murray chat to Ralph Denyer on their rhythmic station in the Bowie band.

Intrepid reporter/cameraman Ralph Denyer ventures into the wild suburban jungle of East London to capture the rarely heard thoughts of this lesser-spotted songbird and re-mix producer who has recently taken delivery of his very own Synclavier system.

You don't know his name but you'll have heard his refrains. Composer Paul Bliss writes hits for the best of 'em using a UMI-2B sequencer package and several synthesizers. Ralph Denyer finds out how.

Three Guitarists