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Sennheiser MS80-2 HeadphonesReview | Home & Studio Recording, Nov 1983 |
Eko EM-10 KeyboardReview | Electronics & Music Maker, Nov 1983 |
Heathrow Penta Hi-Fi Exhibition ReportShow Report | Home & Studio Recording, Nov 1983A look at the shape of things to come in the recording world. |
John FoxxInterview | Electronics & Music Maker, Nov 1983Founder of Ultravox, John Foxx talks here about his new projects, new album and his return to the live stage. |
Korg MM-25 MonitorReview | Electronics & Music Maker, Dec 1983A powerful new addition to the Korg range, a home, stage or studio monitor with a myriad of capabilities |
GlassworksInterview | Electronics & Music Maker, Dec 1983Fashionably minimalistic, America's premier avant garde composer recently visited the UK for an all too brief concert tour. He has been cited by many international stars as one of their first influences, yet commercial success has eluded him. Dan Goldstein listens to what he has to say |
Gary NumanInterview | Electronics & Music Maker, Dec 1983One of the most successful, certainly the most consistent, of Britain's electronic musicians, Gary Numan has succeeded in taking his eclectic and compelling music into the mass market. Gary talks of his songwriting and recording techniques, his past career, and what he plans for the future |
Somebody Up There Likes YouInterview | Electronics & Music Maker, Jan 1984A group of new faces for the 1980's, Simple Minds have expanded the original conception of 'pop' music with a series of exciting and refreshing releases and stage shows. Mike McNeil and Charlie Birchill talk here to Dan Goldstein. |
Sony Fontopia Mini Stereo EarphonesReview | Home & Studio Recording, Jan 1984 |
Danse ElectroniqueInterview | Electronics & Music Maker, Jan 1984One of the foremost composers of electronic film music, here he talks about his celluloid career and his more recent excursion into the world of popular music producing, and his own Danse Electronique. |
Siel CruiseReview | Electronics & Music Maker, Jan 1984SynthesiserA versatile mono/poly combination keyboard from the Siel stable comes under examination. |
Eko EM12 KeyboardReview | Electronics & Music Maker, Feb 1984A new personal keyboard with 'stereo symphonic' voices. |
Sennheiser HD230 HeadphonesReview | Home & Studio Recording, Feb 1984 |
Yamaha PS-55 KeyboardReview | Electronics & Music Maker, Feb 1984The advance of the personal keyboard continues with this exciting new model. |
Crisis? What Crisis?Interview | Electronics & Music Maker, Feb 1984From humble beginnings CC have grown into a major force in 80s music. Here, they explain their approach to writing and performing, and their rise to chart success. |
Siel PX Electronic PianoReview | Electronics & Music Maker, Feb 1984A ten preset voice electronic piano with touch sensitive keyboard and separate bass section. |
BlancmangeInterview | Electronics & Music Maker, Mar 1984With their second album just released, Neil Arthur and Stephen Luscombe take a rest to talk here about the trials of their rise to fame, and their musical and equipment plans for the future. Dan Goldstein (a trifle agog) listens in... |
Sequential Circuits Six Trak PolysynthReview | Electronics & Music Maker, Mar 1984This exciting six voice polyphonic synth comes under scrutiny. |
AHB Inpulse One Drum ComputerReview | Electronics & Music Maker, Mar 1984 |
Downstairs At EricsInterview | Electronics & Music Maker, Mar 1984Founder member of Depeche Mode and Yazoo, Vince Clarke is joined here by Eric Radcliffe, his partner in a new band, The Assembly, air their views on writing and recording in the 1980's. |
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Fad GadgetInterview | Electronics & Music Maker, Apr 1984In which the man behind the mask - Frank Tovey - explains his attitudes to playing, writing, and recording his own particular brand of idiosyncratic electronic music. |
Roland TR909 and MSQ-700Review | Electronics & Music Maker, Apr 1984Rhythm Composer and Digital Keyboard RecorderA matching analogue/digital drum-machine and digital keyboard recorder come under the gaze of Dan Goldstein and Geoff Twigg. |
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