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The Celtic Macintosh - Part 1

Feature Series | Topic: Computing, Sequencing | Sound On Sound, Sep 1986
AN ALBUM PRODUCED ENTIRELY ON A PERSONAL COMPUTER

Part 1. American, Paul D. Lehrman, documents how he recently recorded an album of synthesized Irish music entirely on an Apple Macintosh computer using the Southworth Music Systems 'Total Music' software.

The Celtic Macintosh - Part 2

Feature Series | Sound On Sound, Oct 1986
AN ALBUM PRODUCED ENTIRELY ON A PERSONAL COMPUTER

Part 2. Paul D. Lehrman takes up where he left off last month in his detailed description of how he recorded and digitally mastered an entire album using an Apple personal computer, the Total Music multitrack software, and a bunch of MIDI synths. Read all about it!

The Snap Shot Mix

Review | Sound On Sound, Mar 1987
Akai MIDI Mixer

Akai's forthcoming MPX-820 MIDI mixer may not compare with a top-class SSL desk but its fully programmable controls and onboard memories offer the budget-conscious user some of the benefits of a 'total recall' system. Paul D. Lehrman investigates.

Digidesign Sound Tools

Review | Sound On Sound, Aug 1989

With a Macintosh computer and Digidesign's new CD-quality digital audio system, you can cut, splice, and create extended remixes to your heart's content. Paul D. Lehrman discovers what it is like to go tapeless in the studio.

My Life With MIDI Time Code

Feature | Topic: MIDI, Syncronisation | Sound On Sound, Jan 1990

Just as MIDI itself has gone far beyond what its developers imagined, so MIDI Time Code has the potential to take MIDI technology into areas quite removed from the synthesis and sequencing worlds in which it has become so familiar. MTC user Paul D. Lehrman explains how.

Digidesign Deck

Review | Sound On Sound, Nov 1990

Who says multitrack hard disk recording has to cost the earth? Digidesign's Deck allows four tracks of digital audio to be played back and mixed on a Macintosh II, with full 16-bit/44.1khz digital fidelity. Paul D. Lehrman investigates.

Studio Vision

Review | Sound On Sound, Feb 1991
The Freedom Factor

Opcode's ground-breaking sequencer, Studio Vision, lets you manipulate audio data as easily as MIDI events. All you need is a hard disk recording system like Digidesign's Sound Tools, a fast Macintosh computer with plenty of storage capacity, and some creative ideas. Paul D. Lehrman reports.

Digidesign Samplecell

Review | Sound On Sound, Mar 1991

Samplecell is a top-quality RAM sample playback card for the Macintosh II, and the latest addition to Digidesign's impressive range of digital audio hardware and software. Paul D. Lehrman enthuses.

Making A Video Demo

Feature | Topic: Composing for Business, Video / Film / Picture | Sound On Sound, Jun 1991
...On A Shoestring Budget

Having a problem getting your music listened to by film production companies? Paul D. Lehrman tells the tale of how he put together a showreel of his music without it costing him the earth.

Roland SC55 Sound Canvas

Review | Sound On Sound, Sep 1991

The Roland Sound Canvas is far more than a successor to the MT32— it's the first of a whole new generation of MIDI instruments, conforming to the General MIDI standard. Special Agent Paul D. Lehrman investigates.

The Myths Of MIDI

Feature | Topic: MIDI | Sound On Sound, Oct 1991

MIDI has been with us for almost a decade, yet most users still labour under Misconceptions about what it actually can and cannot do. Paul D. Lehrman explodes some of the more common myths about MIDI.

Digidesign Pro Tools

Feature | Sound On Sound, Jan 1992
"It's Cruel To Make A Computer Work This Hard..."

Digidesign, pioneers of low-cost professional digital audio tools, have broken the multitrack barrier, pushing the Macintosh to its limits to offer four to 16 tracks of (relatively) affordable hard disk recording. Paul D. Lehrman can hardly believe his eyes...

Why MIDI Music Stinks

Feature | Topic: MIDI, Sequencing | Sound On Sound, Apr 1992
(Sometimes)

Just as MIDI has made it as easier to produce great music, so it has facilitated the production of worthless garbage. Paul D. Lehrman explains the problem and how to avoid it.

Radio Days

Feature | Topic: Digital Audio Workstations, Live, MIDI, Performing, Sequencing | Sound On Sound, Aug 1992
Technology On The Air

When Paul D. Lehrman was asked to use his technological expertise to help create a radio quiz show, he rose to the challenge — and discovered it was just about the best fun he could have standing up.

Macromedia SoundEdit Pro

Review | Sound On Sound, Nov 1992
Mac Digital Audio Software

Good Enough For The Pro?

Feature | Topic: MIDI, Mixing, Syncronisation | Sound On Sound, Jan 1993
Thoughts on MIDI's Next Decade

Feline Groovy

Review | Sound On Sound, Jun 1993
KAT dk10 Percussion Controller

Orchestrating with MIDI - Part 1

Feature Series | Topic: Arranging / Songwriting, MIDI, Sequencing | Sound On Sound, Jul 1993

Kurzweil K2000 Sampling Option

Review | Sound On Sound, Aug 1993

We sample the delights of Kurzweil's long-awaited K2000 sampling option.

Orchestrating with MIDI - Part 2

Feature Series | Topic: Arranging / Songwriting, MIDI, Sequencing | Sound On Sound, Aug 1993

For The Benefit Of Mr Lennon

Feature | Topic: Composing / Art, Sequencing | Sound On Sound, Dec 1993
Using the Kurzweil K2000 to create and perform a tribute to John Lennon

 

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