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Interview | Music Technology, Jan 1987
...Is one of the producers responsible for the new wave of guitar-based pop. Paul Tingen finds he has plenty to say about modern music technology, not all of it favourable.
Interview | Music Technology, Sep 1987
The co-producer of Level 42's last two records has also lent his keyboard playing skills to the likes of Grace Jones, Robert Palmer, Mick Jagger and Talking Heads. He discusses his roles as programmer, synth player and producer with Paul Tingen.
Interview | Electronics & Music Maker, Jan 1986
Penguin Cafe Orchestra
Obscure orchestra leader, Simon Jeffes intrigues Paul Tingen with stories of self-discovery in Japan, and finding music in one note.
Interview | Music Technology, Feb 1987
Veteran songwriter Peter Hammill and programmer Paul Ridout have used some revolutionary applications of MIDI technology in the creation of Hammill's latest album. Paul Tingen interviews them, and comes away suitably impressed.
Interview | Music Technology, Oct 1987
Currently enjoying the success of U2's 'The Joshua Tree' album, this French-Canadian producer talks to Paul Tingen about his hand in this, Peter Gabriel's 'So' and other projects.
Interview | Electronics & Music Maker, Feb 1986
In his first-ever interview with the British press, the ‘musician’s producer’ lets Paul Tingen in on a few of his most heavily-guarded studio secrets.
Feature | Topic: Music Business | Music Technology, Nov 1986
Recording your own music is only the first step to getting it heard; to do that, you need to deal with A&R people at record companies. Paul Tingen meets them, and discovers why so few bands succeed in impressing them.
Interview | Music Technology, Dec 1987
After an apprenticeship under the wing of the Frankies' Trevor Horn, Simon Darlow spreads his own; he talks to Paul Tingen about the hazards of writing, playing and producing your own album.
Interview | Electronics & Music Maker, Apr 1986
Few producers begin their careers with experimental bands, become world-renowned for their work with electronic pop, and then turn their attention to traditional rock music. Paul Tingen talks to Mike Howlett, a man of many talents.
Interview | Music Technology, Aug 1987
Japan's most respected technopop pioneer has recently finished an album that breaks new ground for him - it involves live musicians. He discusses his new LP and his other projects with Paul Tingen.
Interview | Music Technology, Jan 1988
When a Liverpudlian keyboard player lost faith in Immaterial things he found salvation in the Christians. Paul Tingen listens to the confessions of Henry Priestman.
Interview | Sound On Sound, Feb 1992
D'Cuckoo are hardly your average MIDI band: they build their own instruments; they're all women, and they play "post-industrial cyber-tribal world-funk". Paul Tingen investigates.
Interview | Music Technology, Apr 1988
With the title track from the film Dragnet currently on release, the Art of Noise are still newsworthy. Paul Tingen talks to JJ Jeczalik about sampling, Frankie Goes To Hollywood and court cases.
Interview | Recording Musician, Jan 1993
JJ Jeczalik And The Art Of Toys
Best known for his pioneering sampling work and his role in The Art of Noise, JJ holds strong views on the creative use and abuse of studio equipment.
Interview | Sound On Sound, Mar 1992
Stephen Hague has demonstrated considerable talent as a producer of classy electronic pop, riding the faders for the Pet Shop Boys and New Order. But his recent work on albums by Robbie Robertson and Siouxsie & The Banshees shows that he has more strings to his bow. Paul Tingen lends an ear.
Interview | Music Technology, Nov 1988
Could you make music using only samples from natural sources? Paul Tingen talks to a band who've done just that in an attempt to draw attention to our environment.
Interview | Recording Musician, Mar 1993
A new slant on production for Suzanne's latest album, 99.9F°.
Interview | Sound On Sound, Mar 1992
Crowded House's Woodface album won widespread acclaim for the sheer quality of its songs. Paul Tingen quizes main man Neil Finn on perfecting the three-minute pop song.
Interview | Home & Studio Recording, Mar 1989
Jethro Tull's main man takes us behind the fish farmer exterior and into his home studio.
Interview | Sound On Sound, Dec 1990
Creating The Future
Anyone can dream about the studio of the future, but it takes a unique talent to build it in the present. Wally Badarou's personal studio defies conventional ideas of studio design, substituting voice-controlled DMP11s for a large console, and putting the musician first. Paul Tingen listens in.
Interview | Sound On Sound, May 1992
Thomas Dolby is back after a four year break, without the mad professor image but with an excellent new album in Astronauts & Heretics, his most personal recording to date. Paul Tingen spoke to him about the long road from solo synthesist to globe-trotting collaborator.
Interview | Electronics & Music Maker, Oct 1986
While many producers are content to work within one or two musical styles, Peter Collins casts a much wider net - using high technology to increase the number of possibilities open to him.
Feature | Sound On Sound, Jan 1991
To help you get into the festive mood, we asked a few artists and producers, and a handful of our regular contributors, what they'd like for christmas this year... In a hi-tech music kind of way. Paul Tingen collected the wish-lists.
Interview | Sound On Sound, Jun 1992
Michael Brook, inventor of the Infinite Guitar, is a guitarist, composer and producer with a good deal of talent and a taste for the unusual. Paul Tingen met him to talk about his forthcoming Cobalt Blue album.
Interview | Recording Musician, Jul 1992
An exclusive look inside Genesis' private studio retreat deep in the heart of Surrey.