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Music Review | Electronics & Music Maker, Sep 1983
Music Review | Electronics & Music Maker, Sep 1983
Peter Gabriel at Selhurst Park
Review | Electronics & Music Maker, Sep 1983
Digital Drum Machine
Review | Electronics & Music Maker, Oct 1983
Portable Amp designed by Tom Scholz
Music Review | Electronics & Music Maker, Dec 1983
Judie Tzuke, Tangerine Dream, Depeche Mode, Dio
Review | Electronics & Music Maker, Dec 1983
Touch-Sensitive Polyphonic Synthesiser
The new Sequential Circuits touch sensitive programmable poly synth
Feature | Topic: Vintage Instruments | Electronic Soundmaker & Computer Music, Dec 1983
A survey of trendsetters
Preview | Electronics & Music Maker, Jan 1984
Synthesiser, Sequencer and Drum Machine Interface
An overview of the synthesiser, sequencer and drum machine interface, based around the DSX.
Using Sequencers - Part 1
Feature Series | Topic: Sequencing | Electronics & Music Maker, Jan 1984
An Introduction to the Use of Sequencers
An introduction to the use of the perennial tools of the electronic composers trade. With some explanation of programming from music and notation.
Interview | Electronics & Music Maker, Jan 1984
Jim Gilmour, principal keyboard player in the band, talks to Paul Wiffen about the host of keyboards the band use onstage and in the studio. Their recent European tour increased their reputation as one of Canada's premier music-makers. Photography by Sally Newman.
Review | Electronics & Music Maker, Jan 1984
8-Voice Polyphonic Synthesiser
The most recent polyphonic synth from Oberheim, the OB8 adds even more flexibility to the tried and tested Oberheim formula.
Interview | Electronics & Music Maker, Feb 1984
Keyboards with Magnum and Phil Lynott
Keyboard player with Magnum, Mark Stanway has also worked with Phil Lynott. Here he talks about writing, recording and performing with one of Britain's brightest rock hopes.
Using Sequencers - Part 2
Feature Series | Topic: Sequencing | Electronics & Music Maker, Mar 1984
Using Sequencers - Part 3
Feature Series | Topic: Sequencing | Electronics & Music Maker, Jul 1984
Paul Wiffen gives some useful tips on how to record sequences in real time.
Review | Electronics & Music Maker, Nov 1984
Eight-voice Polyphonic Sampling Keyboard
Paul Wiffen goes gaga over E-mu Systems' latest attempt at giving the average keyboard player complete control over the sound sampling process.
Review | Electronics & Music Maker, Jan 1985
Programmable Phase Distortion Polysynth
At last, Casio come up with the pro keyboard goods. Paul Wiffen tests the first of a whole range of synth gear from the calculator people, and concludes that it's 'probably the best Casio of all time.'
Retrospective | Electronics & Music Maker, Jan 1985
In which five of E&MM's writers pick their fave things of the year. If your personal preferences aren't there, don't take it out on us.
Review | Electronics & Music Maker, Feb 1985
Touch-Sensitive Polysynth and Programmer
Criticised in the past for their poor implementation of MIDI, Roland have given their new mid-price polysynth the full works. It sounds good, too, as Paul Wiffen discovers in this exclusive review.
Interview | Electronics & Music Maker, Feb 1985
Take one of the most influential electronic composers of the current generation, a Fairlight, an entire library of vocal recordings from all over the world, and a few more-than-talented guest musicians, and you have the recipe for Zoolook, Jean-Michel Jarre's latest album. Here he talks about its creation.
Review | Electronics & Music Maker, Mar 1985
Real Time Performance System
Paul Wiffen heads off into dreamland to sample the delights of New England Digital's latest improvement package for what's arguably the world's most prestigious computer music system. Not surprisingly, he gives it the thumbs up.
Review | Electronics & Music Maker, Apr 1985
Digital Drum Machine and Keyboard Recorder
The people who introduced the world to the concept of digital drums have now applied their expertise to MIDI keyboard recording. Paul Wiffen gives his verdict.
Interview | Electronics & Music Maker, Apr 1985
Tired of lurking in the shadows of the contemporary music scene, Keith Emerson, one of the synth world's most influential figures, is now on the verge of re-forming ELP, the band that earned him his reputation.
Group: Computer Musician
At last, the CMI frees itself from the constraints of an analogue interface and starts talking MIDI. Paul Wiffen checks out the results.
Review | Electronics & Music Maker, Jul 1985
At last - the instrument with a name on everybody's lips receives an in-depth examination of its European version. Man-on-the-spot is Paul Wiffen.
Show Report | Electronics & Music Maker, Aug 1985
...in New Orleans, Paul Wiffen takes time out to visit the NAMM show, and returns bearing news of the Series III Fairlight, the Emulator SP12 and the OSC Advanced Sound Generator, and more.