Global Search

- Search looks for the phrase you typed.
- Advanced Mode looks for individual terms:

eg: +roland +"great synth" -juno

See the Search Help page for more details.





Help Support The Things You Love

mu:zines is the result of thousands of hours of effort, and will require many thousands more going forward to reach our goals of getting all this content online.

If you value this resource, you can support this project - it really helps!

Donations for May 2026
Issues donated this month: 0

New issues that have been donated or scanned for us this month.

Funds donated this month: £0.00

All donations and support are gratefully appreciated - thank you.


Magazines Needed - Can You Help?

Do you have any of these magazine issues?

> See all issues we need

If so, and you can donate, lend or scan them to help complete our archive, please get in touch via the Contribute page - thanks!

Search results

Metadata matches from your search
Plain text global search results

Roland W30 Music Workstation

Review | Music Technology, May 1989

In an exclusive preview of Roland's forthcoming W30 workstation, Bob O'Donnell checks out Roland's idea of the facilities a MIDI workstation should offer.

Roland W30 Workstation

Review | Sound On Sound, Jun 1989

Is Roland's new W30 just another sampling workstation? Paul Ireson checks it out and finds features that allow it to excel both as a stand-alone system and as the heart of a more extensive MIDI setup.

Roland W30

Review | Music Technology, Jul 1989
Music Workstation

The cynics will say the W30 is nothing but a repackaging exercise on Roland's part, but Simon Trask looks a little deeper. Do a combined sampler and sequencer make the ideal workstation?

The Lone Raver

Interview | Music Technology, May 1992

The drug culture of the rave scene continues to attract the attention of both the pop charts and the tabloid press. Tim Goodyer talks Ecstasy, agony and technology with one of the genre's heroes.

The Help File

Feedback | The Mix, Apr 1995

Your questions answered

Dial 0274 For Bass

Interview | Music Technology, Feb 1991

Having helped to create Britain's Northern techno scene, Unique 3 claim it doesn't actually exist. Simon Trask listens to this and other enigmas from one of the country's most creative dance outfits.

Grief

Feedback | Music Technology, Dec 1993

Questions! Answers!

Voodoo Chile

Interview | Music Technology, Apr 1990

You can't discuss the Manchester dance movement without A Guy Called Gerald. Simon Trask talks success and setbacks to one of Britain's most influential young artists.

Wayne's World

Interview | Sound On Sound, Aug 1992
Mission In Action

Instead of recording their latest opus in expensive pro studios, the Mission have been laying tracks in a rural barn. It might seem they've fallen from grace; Robert Michael finds it ain't necessarily so.

The Help File

Feedback | The Mix, May 1995
Where everything clicks

Your questions answered

Partners In Rhyme

Interview | Music Technology, Feb 1992

Felton Pilate's success spans "traditional" funk to the rap revolution - just now he's writing, producing and playing keys for Hammer. Nick Batzdorf raps tech with the Hammer man.

Strange Changes

Interview | Music Technology, Dec 1991

MT fans and stars of the underground rave scene, Bizarre Inc regularly party down with high technology. Simon Trask meets the men and discusses hardcore issues.

Shape Of Things To Come

News | Sound On Sound, Aug 1990

Our colourful round-up of whats new in hi-tech music and recording.

Yamaha Studio 100 Series

Review | Music Technology, Mar 1990
Studio Modules

The 100 Series is Yamaha's compact, cost- effective line of studio modules. Simon Trask tests a selection of units from mixer through effects to monitors.

Dynacord ADS Sampler

Review | Sound On Sound, Feb 1990

The ADS sampler has the look and feel of a German sports car - expensive, no-nonsense, and high performance. Craig Anderton takes it for a test drive.

 

muzines_logo_02

Small Print

Terms of usePrivacy