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Carlsbro Sound Centre | |
Dealer of the MonthArticle from International Musician & Recording World, November 1975 | |
Carlsbro Sound Centre, Mansfield


The shop moved to the new premises just about a year ago and today it's bulging with stock — the exotic beside the prosaic — that's turning over as fast as Keith and Manager Malcolm McDowell can order it.
"Most of the work round here is club-cabaret kind of stuff and the bands work up a good cabaret act. If they have that they can work all the time. But the gigs they really like doing are the dance gigs and they're few and far between. At those gigs they can play the music they write and play the sort of music they want to play. So the bands who survive usually have the two acts; the music they want to play, and the music they have to play."

The mixture of instruments and amps in the Sound Centre is as varied as can be imagined. New Gibsons and Fenders adorn one wall, old acoustics and electrics another. There's a willing and helpful attitude to part exchange deals at the shop and for this reason it's an exceptionally good place to find good secondhand instruments and amps.
The basement of the shop is currently being turned into a disco centre and there's also a lighting section, a large service centre and, most important, room to PARK.
"Getting the parking space was one of the main reasons we bought this building," says Keith, "Most of our customers are going to drive to see us — you can't really take an amp home on the bus — and it's important that they're able to park."
The Carlsbro retail operation started humbly as a small shop in Station Street Mansfield, primarily set up to sell Carlsbro sound equipment. Stuart Mercer — Carlsbro boss — naturally chose his home of Mansfield as starting point and in partnership with Keith established a shop that fulfilled the dual role or promoting the sound equipment and serving the "equipment starved" musicians of the area.


"We've got a large electronic service department that can handle almost anything a customer brings in — usually very rapidly indeed — and we also have a guitar specialist who undertakes the delicate repairs that are sometimes called for. Over the years we've developed a relationship with finance houses that allows us to arrange credit for customers with very little trouble."
The design system that has been used in the new centre is based upon the scaffolding system pioneered by the ill-fated Fender Soundhouse in Tottenham Court Road, London. This system effectively gives the shop two floors in one and the double tier system allows the most enormous amount of gear to be stocked.


Part of the ground floor showroom is given over to electronic keyboards. These are strictly limited to the portable variety and the usual Farfisas, Korgs, Moogs and Gems are on show.
The drummer isn't neglected in this particular shop. There's a staggering selection of used kits and new kits available including Premier and Pearl.
"People are as anxious as ever they were to make music. Bands are constantly forming and if they're any good at all there's plenty of work for them — providing they can do the cabaret stuff. The area's very good for musicians, consequently it's good for us, but I wonder if we'll ever see the days again when bands like Ten Years After, Black Sabbath and Deep Purple call in during a tour and pick up some gear. I'd like to see more work of the type that allows the bands a chance to play what they'd like to play."
In the meantime Keith, Malcolm and the boys at Mansfield's Carlsbro Sound Centre are concentrating on making the supply end of the musician's routine as professional and trouble free as possible. All the indications are that they are succeeding.
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