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Feature | Topic: Sampling | Sound On Sound, Mar 1990
Not all sampler owners have access to every instrument they might wish to sample, hence the appearance of Sample CDs containing all manner of digitally recorded sounds. But how useful are they? Are they value for money? Keyboardist Dave Stewart recently spent many hours sorting the wheat from the chaff. Here are his findings.
A Vocal Chord - Part 2
Feature | Topic: Sampling | Music Technology, Jun 1988
In the second part of his piece on sampling the human voice, Tom McLaughlin discusses making up vocal multisamples and how to solve the problems you can expect to encounter.
A Vocal Chord - Part 1
Feature | Topic: Sampling | Music Technology, May 1988
As you've probably already got your sampler playing drums, horns and strings, getting it to sing to you may sound deceptively easy. Tom McLaughlin explains there may be more to sampling the human voice than you'd heard.
Feature | Topic: Sampling | Music Technology, Apr 1988
Stuck for a good string sound or one you haven't used a hundred times before? Tom McLaughlin explains how an old guitar, a violin bow and a little ingenuity can work wonders.
Feature | Topic: Electronics / Build, Maintenance / Repair / Modification, Sampling | Electronics & Music Maker, Jun 1985
Well, not quite, but a hardware add-on for the original Powertran DDL that brings it up to scratch in the contemporary world of sound-sampling. Circuit designer Patrick Shipsey reveals all.
Feature | Topic: Sampling | Music Technology, Oct 1988
If you're short of a new source of samples you could do worse than to turn to the glass (not the bottle). Tom McLaughlin explains how a wine glass can provide a wide variety of unusual tone colours.
Feature | Topic: Sampling | Music Technology, Jul 1988
It may be at the bottom of the mix, but it's often the heart of the song: the bass. Tom McLaughlin offers some sound advice on sampling the electric bass guitar.
Feature | Topic: Microphones, Recording, Sampling | Music Technology, Feb 1989
If you intend to make samples of acoustic instruments or events, you're going to need a microphone - but which one? David Bradwell checks the various types and their uses.
Feature | Topic: Copyright, Sampling | Music Technology, Sep 1988
Sampling and the law: where do you stand when you plug your record deck or CD player into your sampler? David Bradwell investigates the legal position and the attitudes of the music industry.
Copyrights & Wrongs - Part 2
Feature | Topic: Copyright, Sampling | Music Technology, Nov 1992
Ignore them at your peril!
Feature | Topic: Sampling | Sound On Sound, May 1988
Using Samplers for Vocals
With a creative mind and a decent digital sampler you can work wonders for your music. Brian Howarth provides a sampling strategy for constructing and manipulating vocal arrangements.
Criminal Record? - Part 1
Feature | Topic: Sampling | Music Technology, Mar 1992
First they were sampling off other peoples' records, now they're selling records to sample off. Tim Goodyer listens while Simon Harris, Pascal Gabriel, Norman Cook, Ed Stratton and Coldcut put the case for sampling CDs.
Feature | Topic: Mixing, Sampling | Sound On Sound, Aug 1990
With Sampling Keyboards
Vocal line out of tune? Lead guitarist fluffed his solo again? Craig Anderton reveals some ways of using a sampler to fix these, and other problems, in the mix.
Feature | Topic: Sampling | Sound On Sound, Jun 1991
Even the biggest sample library never seems to have quite enough drum sounds. The solution? Roll your own. Craig Anderton passes on some hot hints and tips on how to get the best possible drum sounds out of your sampler.
Dumping Grounds - Part 2
Feature | Topic: MIDI, Sampling | Music Technology, Jun 1987
The industrious Chris Meyer again, with the latest news on MIDI Sample Dump Standard. What exactly is the value of transferring a sample from one machine to another?
Dumping Grounds - Part 1
Feature | Topic: MIDI, Sampling | Music Technology, Apr 1987
The start of another series, in which Chris Meyer reveals just how useful the new MIDI Sample Dump Standard can be in everyday applications.
Feature | Topic: Digital Audio, Sampling | Music Technology, Nov 1987
Sound quality has long been a grey area in the world of sampling. Chris Meyer finds out it takes more than "bits" to make a sampler sound good.
Fairlight Explained - Part 8
Feature | Topic: Sampling, Synthesis & Sound Design | Electronics & Music Maker, May 1985
Another world first for E&MM: Jim Grant takes us through the creation of a sound without using the CMI's sampling facility.
Feature | Topic: Sampling | Sound On Sound, Jul 1987
With A Sampling Keyboard
Sampling keyboards offer far more creative scope for sound manipulation than most people give them credit for and they can be a real life-saver during studio mixdowns. Craig Anderton reveals some modern day production tips that will allow you to put your sampler to good use.
Feature | Topic: Sampling, Synthesis & Sound Design | Sound On Sound, Jul 1991
Emu Emax II
The first in an occasional series in which David Mellor looks at well-established and respected pieces of musical and audio equipment, and tells you what you need to know to start making music with them.
Feature | Topic: Sampling | Sound On Sound, Feb 1992
There's an S1000 in every studio — almost. David Mellor presents an introduction to this popular sampler.
Feature | Topic: Sampling | Sound On Sound, Sep 1992
David Mellor throws away the Roland S750 manual and gets down to some practical advice for novice users.
Feature | Topic: Sampling | One Two Testing, Dec 1983
Sampling The Emulator
Share reality with Culture Club producer Steve Levine, the Attractions' Steve Nieve, and keyboard whizz Dave Stewart.
Feature | Topic: Drum Programming, Sampling | Music Technology, Jun 1991
Such a simple thing, a tambourine line, yet it's one of the lines drum machines can't handle. The Sample Workshop's Tom McLaughlin explains how to make convincing samples.
Feature | Topic: MIDI, Sampling | Electronics & Music Maker, Aug 1986
As sound-sampling becomes accepted as a technique, what will musicians do with their machines after the novelty has worn off? Chris Meyer takes a sideways look.