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Review | Electronics & Music Maker, May 1986
With the help of new software technology, Yamaha's new multi-FX unit does the job of a half-dozen outboard machines. Paul White gives a rundown of what it can do, and how well it does it.
Review | Sound On Sound, Apr 1986
£600 (almost) buys you this boxful of MIDI-controlled digital effects processors. But can they be good quality? Ian Gilby dragged himself out of the studio long enough to give us his opinions.
Review | Making Music, Apr 1986
Review | International Musician, May 1986
A multitude of digital effects in a single box for only £600
Review | Electronics & Music Maker, Mar 1986
Yamaha's rack effects box to end all rack effects boxes. Tim Goodyer finds out why you might want two.
We found these other (non-review) articles that are linked to this gear:-
Feature | Topic: Effects Processing | Sound On Sound, Dec 1991
David Mellor offers advice to the studio newcomer on the original multi-effects unit.
Feature | Topic: Effects Processing, MIDI | Sound On Sound, Oct 1988
Using System Exclusive Bulk Dumps
Have you ever wished you could save your SPX90 effects programs to disk or into your MIDI sequencer for instant recall at the right point in your music? Using the power of MIDI’s System Exclusive Bulk Dump commands, Mike Collins explains how it can be done.
Mono Mode - Part 4
Feature | Topic: MIDI | Music Technology, Nov 1986
You thought multi-timbral MIDI was only for synthesisers and samplers? You thought wrong, as Paul Wiffen proves with his analysis of Mode 4 on the Yamaha SPX90 effects processor.