mu:zines is the result of thousands of hours of effort, and will require many thousands more going forward to reach our goals of getting all this content online.
If you value this resource, you can support this project - it really helps!
Review | In Tune, Jul 1986
Review | Sound On Sound, Oct 1987
S900 owner David Mellor receives a package in the post from Akai, which rekindles his enthusiasm in the sampler which was one of the first to combine a wealth of facilities with a reasonable price. Will the Version 2.0 software update bring the Akai into line with the latest samplers on the market or has it become old technology - just after its first birthday?
Review | Electronics & Music Maker, Jul 1986
Akai's super-sampler carries on where their S612 left off. Paul Wiffen finds its ease of use belies its sophistication.
Review | International Musician, Jul 1986
Paul Fishman gets weird — again
Review | Sound On Sound, Dec 1988
How To Upgrade Your Akai S900
What do you do when your 12-bit Akai S900 sampler starts to seem a little underspecified in comparison with the latest models? Upgrade it with a '16-bit injection' from Marion Systems. David Mellor reports.
Review | Sound On Sound, Jul 1986
Akai S900 Sampler
Akai's first foray into the sampling market, the S612, was a resounding success. Their new sampling system, aimed more at studios, is considerably more advanced yet still a respectable price. Eventually it will incorporate a multitrack event recorder and harmonic synthesis module, but just released is the first system component - the S900 rack-mount sampler. Mark Jenkins checks it out.
Review | Music Technology, Sep 1987
Akai S900 V2.0 & ASK90 and Steinberg Soundworks
Already a well-established sampler, the Akai S900 is on the receiving end of a series of software and firmware updates from Akai and Steinberg. Chris Jenkins boots them up.
We found these other (non-review) articles that are linked to this gear
Getting The Most From... Mono Mode - Part 3
Feature Series | Topic: MIDI | Electronics & Music Maker, Oct 1986
In the third part of this series on the growing uses of multiple MIDI channelisation, Paul Wiffen looks at the advantage of using separate audio outputs on the Akai S900.