mu:zines is the result of thousands of hours of effort, and will require many thousands more going forward to reach our goals of getting all this content online.
If you value this resource, you can support this project - it really helps!
Review | Electronic Soundmaker, Apr 1985
CMC 24 Mixer
On the cheapest computer-assisted mixer yet, the AHB CMC 24. We take a look.
Review | Home & Studio Recording, Apr 1985
Yamaha MT44D Recording System
Review | Home & Studio Recording, Apr 1984
Review | Sound On Sound, Feb 1986
Could it be the perfect match?
Ever since Fostex released the B16 multitrack, mixer manufacturers have been claiming their models to be the ideal match for it. Dave Simpson reckons ACES' latest attempt comes damn close to being the perfect match at only £1300.
Review | Home & Studio Recording, Jun 1985
Review | Home & Studio Recording, Nov 1984
Review | Home & Studio Recording, May 1985
Review | Sound On Sound, Jul 1986
Who wants a programmable modular mixer and three-band sweep EQ system that offers full MIDI control of channel routing/muting and all fits neatly into a 19-inch rack? "I do!" shouts Paul Gilby. Read why...
Review | Sound On Sound, Mar 1990
Alesis are known, more than anything, for their digital signal processing expertise, yet their new mixer is an all analogue 16:2:2 design - but employing a revolutionary construction technique. Paul Ireson lends an ear.
Review | Music Technology, Jul 1990
Already renowned for producing high-quality budget equipment, Alesis have introduced a new 16-channel mixer. Ian Waugh discovers Monolithic Circuit Technology is behind the 1622's amazing performance.
Review | Electronics & Music Maker, Nov 1982
Review | Sound On Sound, May 1992
With features enough for a low-end one-inch 24-track studio, and a price low enough for the top end of the quarter-inch 8-track market, Dave Lockwood finds the Allen & Heath GS3 too good to be ignored.
Review | Sound On Sound, Sep 1991
Not content with offering most of the Saber's facilities in the highly affordable Spectrum, Allen & Heath have now produced in the S2 an even cheaper fully-featured recording console. Dave Lockwood tries it on for size.
Review | Sound On Sound, Jun 1989
Moving upmarket? David Pickering Pick presents this user report on Allen & Heath's Saber console.
Review | Sound On Sound, Mar 1991
With on-board midi mute automation, six auxiliaries, 16 inputs and 16 monitors, Allen & Heath's new pint-sized Saber looks set to emulate the success of its larger brethren. Dave Lockwood checks it out.
Review | Home & Studio Recording, Nov 1983
Review | Music UK, Aug 1982
12 channel mixer for £300???
Review | Sound On Sound, Dec 1991
Mackie CR1604 Mixer
The mixer market is dominated by British manufacturers, with a range of Japanese designs also popular in MIDI setups. However, a new American compact mixer offers impeccable audio quality, and outstanding features and value that look hard to beat. Dave Lockwood welcomes the newcomer.
Review | International Musician, Nov 1975
Review | Recording Musician, Feb 1993
Soundcraft Spirit Folio
A quality name, a quality product, an affordable price tag — Soundcraft's new portable mixer seems to have it all. Derek Johnson wants to carry one home.
Review | Music Technology, Aug 1993
Professional mixing desk
Professional DJ mixing starts here...
Review | One Two Testing, Jan 1983
Clarion XD5500 4-track, XA5500 mixer. Fostex X-15
Review | Electronics & Music Maker, Jun 1983
Recording system review
Review | Music UK, May 1983
The CLARION Home Studio — Best yet cassette?
Review | The Mix, Jul 1994
Affordable digital mixer previewed