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AlchemyReview | Sound On Sound, Aug 1988Stereo Sample Editor for the MacintoshSampling keyboards have come a long way in the last three years, and as a result, the visual editing software available has rather fallen behind the specifications and features of current machines. Until now that is, with the advent of Alchemy from Blank Software, boasting a whole bunch of features new to computer-based sample editors. Paul Wiffen investigates. |
Alchemy in the UKReview | Micro Music, Jun/Jul 1989Sample editing was never so simple thanks to this Mac package |
Apple HyperCardReview | Music Technology, Jan 1988Software for the Apple MacintoshA computer program that teaches you how to use your gear? Jim Burgess checks out a package for the Apple Macintosh that threatens to make the users' manual a thing of the past. |
Audio additionsReview | The Mix, Sep 1994Steinberg Cubase Audio v2.0D-to-D meets MIDI - properly this time |
AudioshopReview | Music Technology, May 1993for the Apple MacIan Waugh logs in to a new Mac program that's a virtual CD player and virtually a sampler, allowing you to build your own library of alternatives to that irritating monkey squeak. What you do with your existing CD remote control is your own affair |
Band AidReview | Recording Musician, Feb 1993Band-In-A-Box Auto-Accompaniment SoftwareYou've never had it so easy — Band-in-a-Box adds intelligence to auto-accompaniment, as Mike Simmons finds out in his look at the latest version of this popular software package. |
Band In A Box V5Review | Sound On Sound, Oct 1992Accompaniment SoftwareThis popular auto-accompaniment program is gaining in features and sophistication with every upgrade. Martin Russ plays with himself... |
Band-In-A-Box V4.1Review | Sound On Sound, Jul 1991Auto-Accompaniment — With StyleMartin Russ gets inside version 4.1 of Band-In-A-Box — now with user styles! |
Blank Software AlchemyReview | Music Technology, May 1988Sample Editing SoftwareA sample editing package to beat all sample editing packages? Robert Rich test-drives a universal editor that may be the answer to many a sampling studio's prayers. |
Boxing CleverReview | Sound On Sound, Dec 1990Band-In-A-Box SoftwareIs it really possible to get more music out of a program than you put in? David Hughes looks at software that takes auto-accompaniment and makes it work for the musician. |
C-Lab Notator LogicReview | Music Technology, Apr 1993Software for the Apple MacintoshA logical development for Notator users? Maybe, but as Ian Waugh discovers, someone still has to cross the T's and dot the I's on this latest software sequencer from C-Lab. |
Coda Music FinaleReview | Music Technology, Dec 1988Software for the Apple MacintoshPossibly the most sophisticated and powerful scorewriting program to date comes from American company Coda. Bob O'Donnell keeps the score. |
Connectix RAM DoublerReview | Music Technology, May 1994for the MacDouble your Mac's RAM without doubling your overdraft. |
Deluxe RecorderReview | Micro Music, Feb 1990Ann Owen gets to grips with this budget sequencer for the Mac |
Digidesign Burner SoftwareReview | Electronics & Music Maker, Oct 1986Fancy putting that percussion sound you sampled with your keyboard into your digital drum machine? Rick Davies discovers that all things are possible in California. |
Digidesign DeckReview | Sound On Sound, Nov 1990Who says multitrack hard disk recording has to cost the earth? Digidesign's Deck allows four tracks of digital audio to be played back and mixed on a Macintosh II, with full 16-bit/44.1khz digital fidelity. Paul D. Lehrman investigates. |
Digidesign Session 8Review | Music Technology, Nov 1993Direct-to-disk PC recording systemIt's getting closer... the home 8-track, gone digital. |
Digidesign Session 8 Digital StudioReview | Sound On Sound, Jul 1993The Personal Studio Of The Future?Your PC becomes your best friend in the studio with this eagerly awaited digital system. |
Digidesign SoftSynthReview | Music Technology, Nov 1987Software for the Atari STSimultaneously making the transition from Mac to Atari ST and crossing the Atlantic, this software package gives sampling a new slant. Chris Jenkins boots it up. |
Digidesign SoftSynth Version 2.0Review | Music Technology, Mar 1987The program that can turn your sampler into a synthesiser has added an FM synthesis string to its bow, yet doesn't promise to be a DX replacement. Mac addict Chris Meyer takes a look. |
Digidesign Sound ToolsReview | Sound On Sound, Aug 1989With a Macintosh computer and Digidesign's new CD-quality digital audio system, you can cut, splice, and create extended remixes to your heart's content. Paul D. Lehrman discovers what it is like to go tapeless in the studio. |
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