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Review | Recording Musician, Oct 1992
Review | Home & Studio Recording, Apr 1984
Dual Sweep EQ & Stereo Reverb
Review | Home & Studio Recording, May 1984
Review | Sound On Sound, Nov 1988
David Mellor tries out three new effects units from ADA — a MIDI programmable stereo equaliser, MIDI valve preamp, and a pitch transposer - and finds one that gives his secret studio weapon a run for its money.
Review | In Tune, Jan 1985
IT On FX: Hot-Foot Review
Review | Sound On Sound, Dec 1992
Review | Home & Studio Recording, Aug 1985
For people with very narrow studios, Boss have introduced a very narrow effects rack... Martin Sheehan investigates.
Review | Home & Studio Recording, Apr 1985
Twin Function Equaliser
Review | In Tune, Jun 1985
Review | Electronics & Music Maker, Oct 1981
Noise reduction explained.
Review | Home & Studio Recording, Feb 1984
Review | Sound On Sound, Mar 1988
Akai MB76 Programmable Mix Bay, PEQ6 Programmable Equaliser
Used together, the Akai MB76 Mix Bay and PEQ6 Equaliser can bring a limited but useful degree of automation to the MIDI-based home studio. Ian Gilby explains how.
Review | Electronics & Music Maker, Aug 1983
Review | Home & Studio Recording, Jan 1984
Review | Home & Studio Recording, Oct 1984
Multi Signal Processor
Review | International Musician, Apr 1975
Review | Home & Studio Recording, Nov 1985
Rane PE15 Parametric Equaliser
The Rane PE15 Parametric Equaliser.
Review | Electronic Soundmaker, Aug 1985
Boss Micro Rack
Five new effects for the home studio
Review | Sound International, Aug 1978
Mark Unpronounceable puts a new graphic through its PA:CEs (what else?).
Review | Sound On Sound, Mar 1990
MIDI Programmable Graphic Equaliser/Real Time Analyser
The new Peavey Autograph not only analyses your EQ problems, it fixes them too! David Mellor investigates.
Review | Sound On Sound, Jun 1990
Dynamic MIDI control of EQ curves is only one of the creative benefits of this stereo 14-band equaliser, which offers tremendous tone-shaping power to those enlightened enough to explore its functions. Dave Lockwood sees the light and reports back.
Review | Music Technology, Oct 1988
Digital Parametric Equaliser
The advantages of programmability and the power of MIDI spread further into the studio environment. Vic Lennard checks out Roland's programmable parametric equaliser.
Review | In Tune, Apr 1985
Review | Home & Studio Recording, Dec 1983
Review | International Musician, May 1975