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International Musician & Recording World - March 1985 | |||
Editorial | Article Group: |
The Big Ten - 1975 | |||
The Big Ten - 1976 | |||
The Big Ten - 1977 | |||
The Big Ten - 1978 | |||
The Big Ten - 1979 | |||
The Big Ten - 1980 | |||
The Big Ten - 1981 | |||
The Big Ten - 1982 | |||
The Big Ten - 1983 | |||
The Big Ten - 1984 | |||
The Big Ten - 1985 |
Someone you can rely on, a shoulder to cry on
Snippets, bitlets, whippets...
The King and the President of Nigerian music explain the effect Juju and Afro-Pop have had on white Rock music. Report by Michael Shore
Budget digital sampling at the flick of a switch or two
While most musicians flounder attempting to play one instrument, Phil Collins has his cake and eats it. Tony Horkins pieces together the multiple talents and discovers the complete musician
Phil 'Distortion' Walsh and the continuing saga of signal processors
Tony Mills discusses sounds and concepts with the Frenchman who made instrumental synthesizer music respectable
Chas Chandler unleashes some tales of yore and gives some astoundingly simple tips for would-be managers
From Folkie to MIDI. Chris Maillard finds out how the hard bitten acoustic veteran has been bitten hard by the electronic bug
The prettiest people in Pop meet the ugliest person in journalism
Jim Betteridge wades through the swirling, ethereal ambience that is the Cocteau Twins' music
The 'Andy Summers' Chorus | |||
TR-707 - The Record Maker | |||
Roland at Frankfurt | |||
The Sync-ing Feeling | |||
Get a PA rise | |||
Dear Roland - Letters |
The most revolutionary instrument since the Stylophone. Review by Curtis Schwartz
Bob Henrit draws a line between the Maxwin and the Professional and finds a good-looking, clean-sounding kit
Do we really need more Strat copies? Dave Burrluck ponders the question
A veritable jamboree bag of effects in one rackmounting unit
An electro-acoustic and the cheapest Strat copy this side of War On Want. Review by Dave Burrluck
A sneak look at what you could well be buying in the forthcoming financial year
A Yamaha DX7, a Simmons SDS8, a Fender Squier bass plus, plus, plus. Our biggest best competition ever!
Studio Diary | |||
Studio Test | |||
Studio Of The Month | |||
The Producers | |||
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