Micro Music - August/September 1989
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What's new in the world of the Micro Musician |
Intrepid reporter Paul Wiffen jets over to Chicago for an exclusive peek at the latest goodies from the States |
Ann Owen just adds water and stirs with this jamming package for the Commodore 64 and Amiga |
Colin Cat takes a look at Amstrad's first and possibly last home keyboard |
Chris Smith continues his series on synchronisation |
Phil Brammer takes the Educational version of Steinberg's Pro-24 to the top of the class |
Not the silliest piece of MIDI software in the world but... |
Eamonn Percival assesses the atributes of Amstrad's multi-track recorder |
Clive Grace writes a few notes on this sequencer for the Amiga and the Mac |
Jez Ford raps his bits round this excellent budget price sound expander from Yamaha |
John Renwick puts Yamaha's super-computer through it's paces |
Beatman Bill and the latest percussive pieces of news |
Jez Ford makes waves with Kawai's value for money synth expander |
Colin Cat takes the K-1r to greater heights with Drumware's Editor/Librarian package |
Everything you ever wanted to know about the MIDI standard but were afraid to ask - Paul Overaa explains all |
Could this be the ideal keyboard for computer musicians? John Renwick finds out |
Dave Reed finds happiness in the Channel Islands thanks to the Trackman sequencer for the ST |
Simon HarrisVie Marshall talks to record producer Simon Harris, but will he show her his Yo-Yo? |
Nicholas Rowland guides us through the tricky process of choosing the best sequencer for our money |
A MIDI Patchbay could be just what you need to make your system work efficiently. Darrin Williamson checks out one such unit from Kawai |