All Change
Editorial | Music Technology, May 1989
There are changes afoot in the Music Technology offices; people moving on and moving up means that MT's looking for new staff - could be we're looking for you.
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All ChangeEditorial | Music Technology, May 1989There are changes afoot in the Music Technology offices; people moving on and moving up means that MT's looking for new staff - could be we're looking for you. |
Yamaha WX7Review | Music Technology, Jun 1988Wind ControllerYamaha's WX7 MIDI wind controller has already attracted the attention of professional sax players like Courtney Pine. Man Jumping saxophonist Andy Blake gets his second wind. |
The American WayShow Report | Music Technology, Mar 1989Winter NAMM 1989Californian sunshine, sea and sand - with all this on offer, why should MT's intrepid reporters want to visit a trade show in Anaheim? Bob "El Bobo" O'Donnell, Chris "El Macho" Meyer and Dan "La" Rue have the answer. |
Roland Super-MRC Sequencing SoftwareReview | Music Technology, Mar 1989Competing with the flexibility of computer-based recording systems is a problem for a dedicated sequencer, but Roland's latest MC500 software update makes it as competitive as ever. J Eshleman begs for MRC. |
Kawai Q80Review | Music Technology, Nov 1988MIDI SequencerAs software writers continue to flood the market with sequencing packages, Kawai go dedicated. Dave Bertovic investigates the hardware alternative. |
Casio VZ1Review | Music Technology, Sep 1988iPD Digital SynthesiserCasio's latest synthesiser employs the successor to the company's own PD synthesis system - interactive Phase Distortion. Bob O'Donnell investigates a new phase in synthesis. |
Roland D110Review | Music Technology, Sep 1988LA SynthesiserRoland's MT32 LA synth expander proved so popular with pro musicians, the company had trouble explaining that it was aimed at the domestic market. Now Thomas Clement test-drives the professionals' LA expander. |
Yamaha TX16WReview | Music Technology, May 1988Digital Wave Filtering SamplerYamaha's first sampler has been a long time a-coming. Chris Meyer puts it to the test to discover if the big "Y" have learned from other manufacturers' mistakes. |
Roland S550Review | Music Technology, Jun 1988Sampling moduleRoland follow up their successful S50 sampler with a more highly-specified rack-mount alternative that includes sample display capabilities. Bob O'Donnell monitors its performance. |
Softwind SynthophoneReview | Music Technology, Nov 1988MIDI SaxophoneThe latest MIDI wind controller comes from Switzerland and uses a conventional sax body. Michael Andreas checks out the traditionalists' alternative. |
Waldorf Electronics MicrowaveReview | Music Technology, Jan 1990Synthesiser ModuleFrom the ashes of the classic PPG Wave synthesisers rises the Microwave - a synth expander that combines the unique qualities of PPG's wavetables with late '80s technology. Cooking with Simon Trask. |
Grey Matter Response E! BoardReview | Music Technology, May 1988For the DX7IIGrey Matter Response's E! expansion for the DX7 virtually gave it the power of the DX7II; E! for the DX7II represents another quantum leap in DX capability. Chris Many checks it out. |
E-Mu Systems Emulator III Version 1.21Review | Music Technology, Aug 1988Digital Sound Production WorkstationThe latest version of E-mu's popular Emulator sampler incorporates stereo 16-bit sampling and a hard disk drive. Chris Meyer can't believe his ears. |
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