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Build a Wa/Anti-Wa PedalFeature | Topic: Electronics / Build | Polyphony, Apr 1976Using the PAIA/DeARMOND Foot Pedal |
Interfacing External Signals with the Gnome Micro-SynthesizerFeature | Topic: Electronics / Build, Maintenance / Repair / Modification | Polyphony, Oct 1976Guitar/Gnome Interface |
Update Gnome / Guitar InterfaceFeature | Polyphony, Jul 1977 |
How To Make An EGG ModFeature | Topic: Electronics / Build, Maintenance / Repair / Modification | Polyphony, Jul 1977 |
The Ultimate Blinky LightFeature | Topic: Electronics / Build | Polyphony, Nov 1977LED Wall Art - Visual Environment Machine |
Dod Mod II: ChorusFeature | Topic: Maintenance / Repair / Modification | Polyphony, Jan/Feb 1981 |
Editor’s NoteEditorial | Polyphony, Jan/Feb 1981 |
Build a Pulse Width MultiplierFeature | Topic: Electronics / Build | Polyphony, Jan/Feb 1981 |
Editor's NoteEditorial | Polyphony, Jul/Aug 1981 |
Fix it in the MixFeature | Topic: Sampling | Sound On Sound, Jul 1987With A Sampling KeyboardSampling keyboards offer far more creative scope for sound manipulation than most people give them credit for and they can be a real life-saver during studio mixdowns. Craig Anderton reveals some modern day production tips that will allow you to put your sampler to good use. |
How Analogue Synthesizers WorkFeature | Topic: Synthesis & Sound Design | Sound On Sound, Dec 1987They've been a mainstay of electronic music for over 20 years, they're less expensive than ever before, and they still make sounds the digital machines can't. Analogue synthesizers have been receiving some digital assistance of late, but at heart they're still analogue synthesizers - and if you want to make them perform magic, you need to speak their language. Craig Anderton is your interpreter... |
Shopping For A SynthFeature | Topic: Buyer's Guide | Sound On Sound, Jan 1988Sometimes The Little Things CountWhen shopping for a synthesizer, most people know to look for major features like the amount of patch storage, whether split and layered keyboard configurations are possible, and so on. But paying attention to features that make it easier to programme sounds is very important if you want to attain your maximum level of creativity. Craig Anderton offers guidance. |
AES New YorkShow Report | Sound On Sound, Jan 1988New York was the setting for the 83rd Convention of the Audio Engineering Society, where audio manufacturers gathered to show off their new wares. Craig Anderton provides a rundown of the main highlights. |
Customising Synth PatchesFeature | Topic: Synthesis & Sound Design | Sound On Sound, Feb 1988Craig Anderton offers some valuable hints and tips to help liven up your synthesizer's factory presets. |
Sampling EnsoniqFeature | Topic: Design, Development & Manufacture | Sound On Sound, Feb 1988Craig Anderton goes behind the scenes at Ensoniq's US headquarters to discover more about the company that made sampling technology truly affordable. |
Ensoniq SQ-80Review | Sound On Sound, Feb 1988Cross Wave SynthesizerThe onboard 8-track sequencer and sampled waveforms of the ESQ-1 make it a hard act for any manufacturer to follow. So what further features does Ensoniq's new SQ-80 synthesizer have that could possibly outshine its stablemate? Craig Anderton explores... |
Ensoniq Performance SamplerReview | Sound On Sound, Feb 1988The ability to load new samples whilst playing is only one of many performance-related features which make the 20-voice EPS stand out from the current crowd of sampling keyboards. Craig Anderton reveals the others... |
Digital Audio WorkstationsFeature | Topic: Digital Audio Workstations | Sound On Sound, Apr 1988The coming of age of the Digital Audio Workstation has implications that go far beyond being simply another item of interest to electronic musicians. Craig Anderton brings us up to date on what’s happening at the top-end of the professional recording world and how it will affect us mere mortals. |
Prosonus CD Sound LibraryReview | Sound On Sound, Jul 1988Searching for new samples? Craig Anderton lends an ear to three discs from this new American CD sound library. |
40 Sequencer EssentialsFeature | Topic: Sequencing | Sound On Sound, Aug 1988In this lengthy article, Craig Anderton explains all the features found on sequencers, from the simple to the esoteric. It is intended for those who are trying to make an intelligent purchasing decision about a sequencer and don't fully understand all the options that are available. |
Integrating MIDI & The StudioFeature | Topic: MIDI | Sound On Sound, Sep 1988MIDI has revolutionised the way we make and record music. But it has developed at such an incredible pace that it is easy to lose sight of MIDI's many benefits. In this lengthy article, Craig Anderton provides a lucid explanation of how you can make MIDI work for you - whether you have a small home studio set-up or a full-blown professional system. |
Making Quantisation Work For YouFeature | Topic: Sequencing | Sound On Sound, Nov 1988Used effectively, quantisation can do much more for your sequenced music than simply cleaning up a sloppy playing technique. Craig Anderton supplies some helpful guidelines... |
Using the Alesis HR16 as an ExpanderFeature | Topic: Drum Programming | Sound On Sound, Nov 1988Sure, it's a drum machine - but the HR16 also makes a great drum expander module if you know a few crucial tricks about applying it. Craig Anderton explains all. |
How To Create More Expressive Drum Machine PartsFeature | Topic: Drum Programming | Sound On Sound, Jan 1989Craig Anderton explains how you can add some 'humanity' to your drum machine patterns. |
Using Your Sequencer As A MIDI System AnalyserFeature | Topic: MIDI, Sequencing | Sound On Sound, Jan 1989Craig Anderton reveals how you can use your sequencer as a MIDI system analyser. |
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