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Welcome

Editorial | Sound On Sound, Mar 1991
Synergy

Casio DA1

Review | Sound On Sound, Mar 1989
The Digital Master

Casio's DA1 is the smallest and cheapest Digital Audio Tape recorder on the market, and an ideal addition to any home studio. Paul Ireson swoons in its presence.

Casio FZ20M Sampler

Review | Sound On Sound, Aug 1989

Casio have added a SCSI interface to their FZ10M, made the hard disk optional, and called it the FZ20M. Paul Ireson investigates this born-again sampler.

Evolutionary!

Review | Sound On Sound, Aug 1990
Evolution Synthesis EVS1 Sound Expander

This British designed multitimbral synth expander offers several types of synthesis, free Atari ST editing software, built-in drum sounds, and a low price. Paul Ireson lends an eager ear.

Welcome

Editorial | Sound On Sound, Jun 1991
The Video Age

Welcome

Editorial | Sound On Sound, Jan 1992
Bye-Bye 1991, Bienvenue 1992!

Welcome

Editorial | Sound On Sound, Aug 1992
User Interfaces

XR300 SMPTE Synchroniser

Review | Sound On Sound, Sep 1988
XRI Systems

This low-cost unit from XRI brings the power of true timecode synchronisation to the masses. Paul Ireson checks it out.

A Mother's Touch

Review | Sound On Sound, Mar 1989
Roland A50 Mother Keyboard

Roland have left the business of making MIDI controller keyboards up to others for at least three years, but have now just released two new models. Paul Ireson gets carried away with Roland's latest mother keyboard, the A50.

U Got The Look

Review | Sound On Sound, Aug 1989
Roland U20 Keyboard

Is the U20 just a revamped U110 with a keyboard or does it have what it takes to de-throne the Korg M1? Paul Ireson finds out.

Fostex 454 Mixer

Review | Sound On Sound, Aug 1990

Fostex’s new 454 mixer is aimed fairly and squarely at the recording user, with features that make it an ideal companion to most 4 or 8-track recorders. Paul Ireson explains why.

Desert Island Waves

Review | Sound On Sound, Jun 1991
Ensoniq SD1 Music Production Synthesizer

The SD1 is the new flagship of Ensoniq's synthesizer/workstation range. Paul Ireson feels the quality.

A Modern Classic

Review | Sound On Sound, Jan 1992
Korg Wavestation EX

Korg's Wavestation synthesizer has won a small but devout following since its introduction 18 months ago. Paul Ireson wonders whether new sounds and effects on the updated Wavestation EX will broaden its appeal.

Kenton Electronics Pro 2

Review | Sound On Sound, Aug 1992
MIDI-To-CV Convertor

Kenton Electronics are well-known for their quality internal MIDI retrofits for analogue synths. Paul Ireson gets converted to their new stand-alone MIDI-to-CV interface.

The Production Centre

Review | Sound On Sound, Sep 1988
Roland D20 LA synthesizer

With its 8-track sequencer, rhythm composer, digital reverb and built-in disk drive, Roland's latest multitimbral LA synthesizer would be better described as a budget 'music workstation'. Paul Ireson reveals why ...

Sound Control: Alesis Quadraverb

Review | Sound On Sound, Mar 1989

Four simultaneous effects and real-time MIDI control are features found on several recent effects processors, but the Alesis Quadraverb is the first to bring both together in a single unit. Paul Ireson lends an ear.

Digital Dream Baby

Review | Sound On Sound, Sep 1989
Casio DA2 DAT Recorder

Following hot on the heels of their DA1, Casio have now released the DA2 portable DAT recorder. Paul Ireson takes a look at what's new.

King Korg and the Wave Monster!

Review | Sound On Sound, Aug 1990
Korg Wavestation

Korg's new Wavestation is a direct descendant of Sequential's long-gone vs synthesizer, but as Paul Ireson discovers, it has plenty of new tricks up its sleeve to complement the old ones.

Welcome

Editorial | Sound On Sound, Jul 1991
Dear Reader...

Heaven Sent

Review | Sound On Sound, Jan 1992
HitSound Pascal Gabriel Sample CD

Paul Ireson listens to the first of AMG's Producer Series of sample CDs.

Welcome

Editorial | Sound On Sound, Sep 1992
Can You Dig It?

Octapad II

Review | Sound On Sound, Oct 1988
The Perfect Beat

Is this the ideal way to programme rhythm patterns into your drum machine? Paul Ireson gives Roland's updated drum-to-MIDI convertor a good bashing!

Nobody's Perf/X

Review | Sound On Sound, Mar 1989
Oberheim Cyclone and Systemizer Performance Effects

Oberheim's two Performance Effects units are something of a new direction for a company associated with classic analogue synths. Paul Ireson tries them out and finds a few surprises in store - not all of them pleasant.

Roland D5

Review | Sound On Sound, Sep 1989

Roland's D5 is the latest addition to their range of LA synthesizers. Paul Ireson takes a look at a budget keyboard with some great features.

Welcome

Editorial | Sound On Sound, Nov 1990
Volume 6 Starts Here

 

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