Magazine Archive

Home -> Magazines -> Issues -> Articles in this issue -> View

Article Group:
News and Reviews

News

Article from Making Music, November 1987


Anyone still wandering around London's Barbican Centre looking for the way out of the 1986 Guitar Weekend will (probably) be pleased to hear that the 1987 Guitar Weekend is about to start. Scheduled for the last weekend in the month, the guitar craft exhibition promises a slew of exhibitors including Frank Lernaux, Heart, Jaydee, Alligator, Chris Eccleshall, Labtek, the Mansons, James How strings, Kent Armstrong pickups, and Goodfellow basses, amongst many others. Piles of guitars — acoustics and electric — will be on sale, free concerts are also promised, as well as a number of seminars and clinics. Last year's show was not an organisational success, partly because of the labyrinthine nature of the Barbican itself; this year, improvements (like maps and signposts) are promised. Timings are as follows: Friday 27th November, 7.30pm-10.30pm; Saturday 28th, 10.30am-9pm; Sunday 29th, noon-8.30pm...

Probably coincidentally, Foulds Music of Nottingham will be holding their fifth annual guitar show on Sunday 22nd November, in the Albany Hotel, James Street, Nottingham. Free admission to see instruments by Fender, Martin, Kincade, Columbus, Encore, Larkin, and Lowden. Details on (Contact Details)...

Six hot new items coming soon from Yamaha, our Japanese spy Lobin tells us. The TX16W is the long-awaited Yamaha sampler, with stereo sampling and a maximum sample time of 120 seconds at an average 33.3k rate, and looking much like a REV7; the RX7 is a new drum machine with zillions of sounds, and is seemingly very attractively priced; there's a centennial version of the DX7II in a 'special colour' (white?); the V2 is a brand new FM synth looking a bit like an ironing board; the DEQ7 is a digital EQ unit, giving EQ presets in SPX90 style; and the TX1P is a piano tone-generator unit. Can't wait to get our 'ands on 'em...

Turnkey say hello to CAMP types (it stands for Composer/Arranger/Musician/Producer, they say). Come on down to the Hands On Show in central London for the weekend of the 14th and 15th November, between 10am and 5pm. Oxford Street's towering Centrepoint will be the venue for this year's 'get your mits on this' event. Names and makes at the show include Revox, Teac, Fostex, Synclavier, AKG, and Gateway. There'll be DAT tape machines, SMPTE and MIDI processors, and loads of seminars on anything to do with products. The organisers hope to have 'name producers' on display (well, talking), and even a Juke Box Jury for demoes. It's £2 for one day, or £3 for the weekend, and the price includes money-off vouchers...

As the nights draw in, the tour trucks take to the road. Latest motorway madmen are the Yamaha Centenary Roadshow team, which includes Bob Jenkins (drums), Tim Stone (guitar), Alan Thomson (bass), Mike Harchard (keys), Richard Ingham (WX7 MIDI wind controller, as it were), and Ronnie Westhead (guitar). All sorts of handsome equipment will be doing its thing at Haydock Park, Warrington — 30-31st October; Novotel, Nottingham, 13-15th November; and the Novotel, Hammersmith, 20-23rd November. Get down, etc...

Status' new Series 3000 bass is now available. It's got a bolt-on carbon graphite/composite two octave neck, two Status TM J pickups, and new active circuitry. And it's only £834. Yeah, well, that's cheap for a Status...

The Simmons Workshop Tour paradiddles on: how are Baz and Lloyd bearing up? Go along and find out at Dawsons, Warrington, 29th October-1st November; Jones & Crossland, Brum, 2nd; A1, Manchester, 3rd; Gwent Music, Newport, 4th; Carlsbro, Mansfield, 9th; Carlsbro, Sheffield, 10th; Carlsbro, Leicester, 11th; Supersonic, Rugby, 12th; Drum Cellar, Bristol, 17th; John Homes, Swindon, 18th; Music Village, Cambridge, 24th; Gigsounds, Streatham, 26th; Future, Brighton, 30th; Future, Southampton, 1st December. More next month...

We all went down to the Nomis rehearsals complex ("... say Amplex") the other week, had a few drinks, a few canapes, the odd sandwich, and peered at a guitar said to have belonged to "Jimmi Hendrix". Fender were launching their new A&R Centre in Nomis, a room stuffed to the gills with £250,000 worth of guitars, basses, and amps — including the new L Rick Clapton model. Old codgers like 'Handkerchief Marvin, Bert Weedon and Joe Brown, were joined by Hal Lindes from Dire Straits for the ceremonial glass-lifting. Fender hope that the A&R Centre will become a meeting place for guitarists (they mention Dave "Gilmore"), and promise 'exciting projects', such as an appearance by rather good American player Eric Johnson, and the presence of prototype models such as the Mary K Strat and Precision, and the "Fednder" Power Bass. Visiting Fender endorsees will be able to loan gear, and no doubt a good few instruments will be flogged to the choice selection of pop stars passing through Nomis. It remains to be seen whether the Fender Centre will be quite as efficacious as the Yamaha R&D Centre seems to be. We hope it's more successful than their spelling...

T C Electronic, the Danish manufacturers of the generally spiffing TC2290 Sampler/Multi-effects, have made a video of their owner's manual. Said video is 50 minutes long, and TC promise you'll be able to "utilize all the fantastic opportunities this machine offers" once you've seen it. Smart idea, we say. It's available at cost price "without profits or other price-raising things". We hope the video commentary is as elegantly phrased...

Coming this month from the wossnames (hallowed portals?) of Elka Orla will be the new Commander Electronics Lynex 16-bit sampler. Designed for use with the increasingly ubiquitous Atari ST 'puter, the Lynx has a pretty spiffing set of specifications, including ten seconds of stereo sampling at full bandwidth, eight separate outputs, full editing software, and enough clever features to frighten someone really clever. The Lynex will cost around £1500 from Argent's in London, Streetwise in Manchester, or McCormacks in Glasgow...

MTR are making a ten-band stereo graphic for only £122. Then there's a 40 way patchbay for £55, and a DI box for £30. More info on (Contact Details)...

Executive Audio (Contact Details) are offering 1024 sounds for the DX7 at 19p per sound. They all come together on a ROM cartridge for £195...

Hacksaw fans will look forward to the opportunity of cutting holes in their ageing MIDI-less Juno 6s or 60s. It just so happens that Groove Electronics have prepared a MIDI interface for installation in those keyboards, and all for a mere £100 (fitted). The Groovey persons are also making a MIDI thing to replace the DCB outputs in the Jupiter 8. Details on what you get for your £125 from (Contact Details)...

ROLAND JAPAN STOP PRESS

This month, a large chunk of the news page comes direct from Japan, in fact from a Japanese hotel room not far from Roland's main factories in Hamamatsu. Yes, we've been out east to eye up some of the new products first hand — lucky us, ha, ha.

Lucky you when the Roland 5550 rack version of Roland's top sampler comes along, twice the memory capacity (1.5 megabytes), eight separate polyphonic outputs, a newly developed time variant filter for real time control of samples, and a computer mouse to aid editing as part of the deal. It's the same price as the S50 (about £2300) and you can get an optional remote control unit so you don't constantly have to stroll to the rack. There's also a hard disc on the way.

When Roland speak about "open-ended systems" they mean units like the S50 or MC500 Microcomposer whose RAM can be put to other uses, notably extra sequencing software. The System 503 loads into the S50's disc drive like any other, but then grabs all the memory normally used for editing and fills it with an extremely versatile sequencer (viewed over an attached monitor), running the sampled sounds in the rest of the RAM. A live performance disc for the MC500 does a similar edit-clearing trick, producing more space for songs, and the Bulk Librarian package lets you store masses of sound patch information for all your synths, again on the MC500. That's right, all your synths, whatever model or manufacturer. The Bulk Librarian has tables to cope with every different MIDI variation, so will run your entire stage keyboard set-up. Think what that means when you're hiring a different set-up every night on a long tour.

Not on show to us but announced at the AES fair was a pro digital reverb, the E880, and a more unusual digital parametric EQ, the E660. In total 99 memories for EQ set-ups, low, low-mid, high-mid, and high bands, a vast 96x32 dot matrix LCD to display frequency curves, and 16-bit linear quantisation. It employs what Roland term their advanced digital signal processing technology — a philosophy which states that the more bits of the job you can keep in the digital domain, the fewer exchanges you have to do between A/D and D/A converters, therefore the lower the price and the higher the quality. Most of the new products have settled on a sampling frequency of 48kHz which can drop to CD standard of 44.1kHz. That's planning for the days soon ahead when digital data will be pumped directly from CDs and DAT.

A little closer to earth, in fact on the ground, there'll be two new Boss pedals, the Turbo Distortion (DS2) and the Digital Metalizer (MZ2), the latter of which seems to include a short digital delay in its fuzz circuitry for a doubling effect. If you haven't already heard, there's the TR626 drum machine — 30 sounds at about £350 and likely to do big numbers. (For those of a statistical bent, Roland have apparently produced over 100,000 TR505s.)

Your Making Music journalist is now about to leave the hotel room for dinner with Roland's Research & Development department — it's a hard life, isn't it? What we will discuss are vital matters such as Sally, Roland's self-designed sound-analysing software for better sampling. But that will have to be squeezed in next month. In the time being, chew on this little poser donated by Roland president Mr Kakehashi. When their SRV2000 digital reverb first came out not so very long ago it was the same price as the newly released D50 synth... except that the D50 now has an SRV2000 built into it. As Mr Kakehashi said, "The synthesiser comes free, yes?"



Previous Article in this issue

Demology Special

Next article in this issue

Fostex X30 Portastudio


Publisher: Making Music - Track Record Publishing Ltd, Nexus Media Ltd.

The current copyright owner/s of this content may differ from the originally published copyright notice.
More details on copyright ownership...

 

Making Music - Nov 1987

News and Reviews

News

Previous article in this issue:

> Demology Special

Next article in this issue:

> Fostex X30 Portastudio


Help Support The Things You Love

mu:zines is the result of thousands of hours of effort, and will require many thousands more going forward to reach our goals of getting all this content online.

If you value this resource, you can support this project - it really helps!

Donations for May 2024
Issues donated this month: 0

New issues that have been donated or scanned for us this month.

Funds donated this month: £0.00

All donations and support are gratefully appreciated - thank you.


Magazines Needed - Can You Help?

Do you have any of these magazine issues?

> See all issues we need

If so, and you can donate, lend or scan them to help complete our archive, please get in touch via the Contribute page - thanks!

Please Contribute to mu:zines by supplying magazines, scanning or donating funds. Thanks!

Monetary donations go towards site running costs, and the occasional coffee for me if there's anything left over!
muzines_logo_02

Small Print

Terms of usePrivacy