Review | Sound On Sound, Dec 1986
Roland DEP-5 multi-effects
Julian Colbeck brings you the key facts on Roland's improvement on the SPX90.
Review | Recording Musician, Dec 1992
Peavey SDR 20/20 Digital Multi Effects Unit
A refreshingly logical and capable multi-effects unit that successfully combines flexibility with fidelity.
Review | Electronic Soundmaker, Sep 1985
Yamaha DX21 synthesiser
The latest in the DX synth series
Retrospective (Gear) | Topic: Vintage Instruments | Music Technology, Apr 1988
Another old synth makes its comeback. This time it's Steve Howell's much-prized ARP 2600 with its graphic panel layout, modular construction and built-in amplification.
Review | Recording Musician, Oct 1992
Review | Music Technology, Apr 1989
MIDI sophistication in the humble patchbay: this modest-looking unit can store 100 routings of its 16x16 audio matrix and place the proceedings under MIDI control. Lorenz Rychner patches things up.
Review | Electronics & Music Maker, Oct 1984
First reviewed in prototype form over a year ago, the 360 has been the subject of some significant hardware modifications since then, and Paul White reports on a more recent production sample.
Review | Electronics & Music Maker, Aug 1983
With real acoustic instrument sounds
Review | Electronics & Music Maker, Jul 1986
A MIDI routing device from keyboard manufacturers 360 Systems. Our American correspondent Rick Davies puts it through its paces.
Review | Music Technology, Jun 1987
Rick Davies casts an eye on the latest box from a company that seems to specialise in designing useful, rack-mounting MIDI processors.
Review | Music Technology, Feb 1988
Looking for a be-bop bass without hassle? Matt Isaacson looks at a box of bass sounds that may help you with the bottom end of your music without tying up your favourite synth or sampler.
Review | Sound On Sound, May 1988
Why use an expensive sampler for playing bass sounds when you can take advantage of the Pro MIDI Bass and free your sampler for more worthwhile tasks? Mike Collins lets his fingers do the walking.
Review | Music Technology, Nov 1992
Review | Recording Musician, Dec 1992
A compact, well-specified amplifier suitable for studio monitoring and small PA applications.
Review | Recording Musician, Jul 1992
Review | International Musician, Mar 1975
Review | Recording Musician, Feb 1993
Zoom 9001 Multi-Effects Processor
Big effects, small package — Mike Simmons thinks it must be a Zoom.
Review | Sound On Sound, Sep 1986
We gathered together five different types of microphone from the current Shure product range and gave them to sound engineer Dave Lockwood to test. Read his report in this issue.
Review | Electronic Soundmaker, Aug/Sep 1984
MXR 1500 Digital Delay
The MXR 1500
Review | Electronic Soundmaker, Jun 1985
M.P.C. Percussion Roundup
The MPC percussion system: DSM1/2; DSM 8 Auto Tom; DSM 32 x 4 drum synth; Programmers Rhythm Sequencer.
Review | Electronic Soundmaker, Apr 1985
CMC 24 Mixer
On the cheapest computer-assisted mixer yet, the AHB CMC 24. We take a look.
Review | Micro Music, Jun/Jul 1989
Darrin Williamson looks at an Amiga sampling package and MIDI interface all in one
Review | Sound On Sound, Mar 1989
Roland A50 Mother Keyboard
Roland have left the business of making MIDI controller keyboards up to others for at least three years, but have now just released two new models. Paul Ireson gets carried away with Roland's latest mother keyboard, the A50.
Review | Sound On Sound, May 1989
Yamaha TQ5 Expander
Stylish or ugly, don't let the TQ5’s unconventional casing distract you from the fact that with its 8-track integral sequencer and digital effects, this 4-operator FM expander packs a pretty powerful punch for the money. David Hughes reports from his ring-side seat.
Review | Sound On Sound, Feb 1987
Want to know how the electret principle functions? Or the difference between pressure and pressure-gradient microphones? Then read the review, as recording engineer Gareth Stuart field tests the most recent additions to the famous Beyer range.