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1..2.. 3,4,5 - How To Bring Your Sounds Alive

Review | Sound On Sound, Dec 1986
Roland DEP-5 multi-effects

Julian Colbeck brings you the key facts on Roland's improvement on the SPX90.

20/20 Vision

Review | Recording Musician, Dec 1992
Peavey SDR 20/20 Digital Multi Effects Unit

A refreshingly logical and capable multi-effects unit that successfully combines flexibility with fidelity.

21 Today

Review | Electronic Soundmaker & Computer Music, Sep 1985
Yamaha DX21 synthesiser

The latest in the DX synth series

2600 Paths to Happiness

Retrospective (Gear) | Topic: Vintage Instruments | Music Technology, Apr 1988

Another old synth makes its comeback. This time it's Steve Howell's much-prized ARP 2600 with its graphic panel layout, modular construction and built-in amplification.

2D Speaker cable

Review | Recording Musician, Oct 1992

360 Systems Audio Matrix 16

Review | Music Technology, Apr 1989

MIDI sophistication in the humble patchbay: this modest-looking unit can store 100 routings of its 16x16 audio matrix and place the proceedings under MIDI control. Lorenz Rychner patches things up.

360 Systems Digital Keyboard

Review | Electronics & Music Maker, Oct 1984

First reviewed in prototype form over a year ago, the 360 has been the subject of some significant hardware modifications since then, and Paul White reports on a more recent production sample.

360 Systems MIDI Patcher

Review | Electronics & Music Maker, Jul 1986

A MIDI routing device from keyboard manufacturers 360 Systems. Our American correspondent Rick Davies puts it through its paces.

360 Systems MIDIMerge+

Review | Music Technology, Jun 1987

Rick Davies casts an eye on the latest box from a company that seems to specialise in designing useful, rack-mounting MIDI processors.

360 Systems Pro MIDI Bass

Review | Music Technology, Feb 1988

Looking for a be-bop bass without hassle? Matt Isaacson looks at a box of bass sounds that may help you with the bottom end of your music without tying up your favourite synth or sampler.

360 Systems Pro MIDI Bass

Review | Sound On Sound, May 1988

Why use an expensive sampler for playing bass sounds when you can take advantage of the Pro MIDI Bass and free your sampler for more worthwhile tasks? Mike Collins lets his fingers do the walking.

3G HP200 Power Amplifier

Review | Recording Musician, Dec 1992

A compact, well-specified amplifier suitable for studio monitoring and small PA applications.

3M DAT Library Case

Review | Recording Musician, Jul 1992

9001: A Space Odyssey

Review | Recording Musician, Feb 1993
Zoom 9001 Multi-Effects Processor

Big effects, small package — Mike Simmons thinks it must be a Zoom.

A Bunch Of Five...

Review | Sound On Sound, Sep 1986
Shure Microphones

We gathered together five different types of microphone from the current Shure product range and gave them to sound engineer Dave Lockwood to test. Read his report in this issue.

A Desirable Delay

Review | Electronic Soundmaker & Computer Music, Aug/Sep 1984
MXR 1500 Digital Delay

The MXR 1500

A Different Drum

Review | Electronic Soundmaker & Computer Music, Jun 1985
M.P.C. Percussion Roundup

The MPC percussion system: DSM1/2; DSM 8 Auto Tom; DSM 32 x 4 drum synth; Programmers Rhythm Sequencer.

A Fresh Mix

Review | Electronic Soundmaker & Computer Music, Apr 1985
CMC 24 Mixer

On the cheapest computer-assisted mixer yet, the AHB CMC 24. We take a look.

A Nice Pair

Review | Sound On Sound, Feb 1987
Beyer microphones

Want to know how the electret principle functions? Or the difference between pressure and pressure-gradient microphones? Then read the review, as recording engineer Gareth Stuart field tests the most recent additions to the famous Beyer range.

A Runway Success

Review | Electronic Soundmaker & Computer Music, Jan 1985

Is what Roland's TR707 digital drum machine is set to become. Great sounds, great facilities... and a great price.

A Sound Design

Review | Electronic Soundmaker & Computer Music, Jan 1985
Design Studio Programs

A set of programs for the Spectrum to enable you to unravel the mysteries of DX synthesis.

A Taste of Paradise

Review | Sound On Sound, Mar 1986
Ensoniq Mirage Multi-Sampler

Manufacturers of keyboard samplers are now turning their attentions to the studio market by offering enhanced rack-mount versions of their products. Mark Jenkins waited anxiously at Heathrow for the first device to hit our shores - the budget-priced, 8-voice multi-sampler from Ensoniq. Read his report.

A Thousand Sounds

Review | Electronics & Music Maker, Jul 1986
Simmons SDS1000

Simmons successor to the SDS800 combines the best of analogue and sampling technology. Nigel Lord approves.

AB Graphic EQ

Review | Recording Musician, Oct 1992

AB Model 200 Power Amp

Review | Recording Musician, Jan 1993

 

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