Search / Filter Reviews


Gear Reviews

Showing results matching the filter form:

1..2.. 3,4,5 - How To Bring Your Sounds Alive

Review | Sound On Sound, Dec 1986
Roland DEP-5 multi-effects

Julian Colbeck brings you the key facts on Roland's improvement on the SPX90.

20/20 Vision

Review | Recording Musician, Dec 1992
Peavey SDR 20/20 Digial Multi Effects Unit

A refreshingly logical and capable multi-effects unit that successfully combines flexibility with fidelity.

2600 Paths to Happiness

Retrospective (Gear) | Topic: Vintage Instruments | Music Technology, Apr 1988

Another old synth makes its comeback. This time it's Steve Howell's much-prized ARP 2600 with its graphic panel layout, modular construction and built-in amplification.

2D Speaker cable

Review | Recording Musician, Oct 1992

360 Systems Audio Matrix 16

Review | Music Technology, Apr 1989

MIDI sophistication in the humble patchbay: this modest-looking unit can store 100 routings of its 16x16 audio matrix and place the proceedings under MIDI control. Lorenz Rychner patches things up.

360 Systems Digital Keyboard

Review | Electronics & Music Maker, Oct 1984

First reviewed in prototype form over a year ago, the 360 has been the subject of some significant hardware modifications since then, and Paul White reports on a more recent production sample.

360 Systems MIDI Patcher

Review | Electronics & Music Maker, Jul 1986

A MIDI routing device from keyboard manufacturers 360 Systems. Our American correspondent Rick Davies puts it through its paces.

360 Systems MIDIMerge+

Review | Music Technology, Jun 1987

Rick Davies casts an eye on the latest box from a company that seems to specialise in designing useful, rack-mounting MIDI processors.

360 Systems Pro MIDI Bass

Review | Music Technology, Feb 1988

Looking for a be-bop bass without hassle? Matt Isaacson looks at a box of bass sounds that may help you with the bottom end of your music without tying up your favourite synth or sampler.

3G HP200 Power Amplifier

Review | Recording Musician, Dec 1992

A compact, well-specified amplifier suitable for studio monitoring and small PA applications.

3M DAT Library Case

Review | Recording Musician, Jul 1992

9001: A Space Odyssey

Review | Recording Musician, Feb 1993
Zoom 9001 Multi-Effects Processor

Big effects, small package — Mike Simmons thinks it must be a Zoom.

A Bunch Of Five...

Review | Sound On Sound, Sep 1986
Shure Microphones

We gathered together five different types of microphone from the current Shure product range and gave them to sound engineer Dave Lockwood to test. Read his report in this issue.

A Nice Pair

Review | Sound On Sound, Feb 1987
Beyer microphones

Want to know how the electret principle functions? Or the difference between pressure and pressure-gradient microphones? Then read the review, as recording engineer Gareth Stuart field tests the most recent additions to the famous Beyer range.

A Taste of Paradise

Review | Sound On Sound, Mar 1986
Ensoniq Mirage Multi-Sampler

Manufacturers of keyboard samplers are now turning their attentions to the studio market by offering enhanced rack-mount versions of their products. Mark Jenkins waited anxiously at Heathrow for the first device to hit our shores - the budget-priced, 8-voice multi-sampler from Ensoniq. Read his report.

A Thousand Sounds

Review | Electronics & Music Maker, Jul 1986
Simmons SDS1000

Simmons successor to the SDS800 combines the best of analogue and sampling technology. Nigel Lord approves.

AB Graphic EQ

Review | Recording Musician, Oct 1992

AB Model 200 Power Amp

Review | Recording Musician, Jan 1993

AB Software Midistudio

Review | Music Technology, May 1989
Software for the Atari ST

If computer-based sequencing seems too complicated or too expensive for you, AB Software's Midistudio could change your life. Ian Waugh boots up a friendly and inexpensive sequencer for the Atari ST.

Accessit Sound Processor Units

Review | Home & Studio Recording, Apr 1984
Dual Sweep EQ & Stereo Reverb

Accupower UPS

Review | Music Technology, Apr 1991

When you put your faith in a software-based sequencer, little can be as demoralising as a computer crash caused by mains fluctuation. Vic Lennard looks at one means of protecting your music.

ACES 12-4-2 Mixer

Review | Home & Studio Recording, Apr 1984

ACES 27 Band Graphic Equaliser

Review | Home & Studio Recording, May 1984

ACES B1816

Review | Sound On Sound, Feb 1986
Could it be the perfect match?

Ever since Fostex released the B16 multitrack, mixer manufacturers have been claiming their models to be the ideal match for it. Dave Simpson reckons ACES' latest attempt comes damn close to being the perfect match at only £1300.

AHB Inpulse One Drum Computer

Review | Electronics & Music Maker, Mar 1984

 

muzines_logo_02

Small Print

Terms of usePrivacy