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Issues donated this month: 3

New issues that have been donated or scanned for us this month.

Funds donated this month: £12.00

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Gear

'Phone Calls

Review | In Tune, Dec 1986
Epiphone V-2

...but is it professional?

Review | Sound On Sound, Feb 1991
Sony DTC55ES DAT Recorder

Sony's DTC55ES is their contribution to the first wave of domestic DAT recorders. Richard Aaron looks at what it can offer in a recording context.

1..2.. 3,4,5 - How To Bring Your Sounds Alive

Review | Sound On Sound, Dec 1986
Roland DEP-5 multi-effects

Julian Colbeck brings you the key facts on Roland's improvement on the SPX90.

100 Things To Do With FM

Review | Electronics & Music Maker, Feb 1986
Yamaha DX100 Polysynth

The latest addition to the DX family is the cheapest yet at just £349. Simon Trask slings it round his neck and takes it for a test drive: will it bring FM to the masses?

101 Uses For A...

Review | Sound On Sound, Feb 1992
Friend-Chip K..AT

You've tried the mouse; now check out its computer-friendly feline counterpart, which offers remote control of Atari keyboard equivalents. Martin Russ prowls around the Friend-Chip K..AT.

12 Good Strings and True

Review | One Two Testing, Dec 1984

the electric revival examined

12-Track Recording Studio

Review | Electronics & Music Maker, Dec 1984
Software Surplus

20/20 Vision

Review | Recording Musician, Dec 1992
Peavey SDR 20/20 Digital Multi Effects Unit

A refreshingly logical and capable multi-effects unit that successfully combines flexibility with fidelity.

21 Today

Review | Electronics & Music Maker, Aug 1985

Yamaha's DX21 polysynth offers FM sound quality at a low, low price, plus a few features even the DX7 doesn't have. Simon Trask investigates.

21 Today

Review | Electronic Soundmaker, Sep 1985
Yamaha DX21 synthesiser

The latest in the DX synth series

2600 Paths to Happiness

Retrospective (Gear) | Topic: Vintage Instruments | Music Technology, Apr 1988

Another old synth makes its comeback. This time it's Steve Howell's much-prized ARP 2600 with its graphic panel layout, modular construction and built-in amplification.

2B Or Not 2B

Review | Electronics & Music Maker, Nov 1985
UMI 2B Software

The 1B version was good, but Simon Trask has spent a month with its successor, and reckons it deserves its reputation as the most professional sequencing package designed round a home computer.

2D Speaker cable

Review | Recording Musician, Oct 1992

360 Systems Audio Matrix 16

Review | Music Technology, Apr 1989

MIDI sophistication in the humble patchbay: this modest-looking unit can store 100 routings of its 16x16 audio matrix and place the proceedings under MIDI control. Lorenz Rychner patches things up.

360 Systems Digital Keyboard

Review | Electronics & Music Maker, Oct 1984

First reviewed in prototype form over a year ago, the 360 has been the subject of some significant hardware modifications since then, and Paul White reports on a more recent production sample.

360 Systems Digital Keyboard

Review | Electronics & Music Maker, Aug 1983
With real acoustic instrument sounds

360 Systems Keyboard

Review | One Two Testing, May 1984

We hold a sample

360 Systems MIDI Bass

Review | Electronics & Music Maker, Apr 1986

At last, someone has come up with a sample-playing device that specialises in reproducing bass voices - from a double bass to a Moog synth. Brian Devereux reports.

360 Systems MIDI Bass

Review | International Musician, Jun 1986
ExpanderCheck

An idea whose time has come — a sample-based expander. Tony Reed slaps it around

360 Systems MIDI Patcher

Review | Electronics & Music Maker, Jul 1986

A MIDI routing device from keyboard manufacturers 360 Systems. Our American correspondent Rick Davies puts it through its paces.

360 Systems MIDIMerge+

Review | Music Technology, Jun 1987

Rick Davies casts an eye on the latest box from a company that seems to specialise in designing useful, rack-mounting MIDI processors.

360 Systems Pro MIDI Bass

Review | Music Technology, Feb 1988

Looking for a be-bop bass without hassle? Matt Isaacson looks at a box of bass sounds that may help you with the bottom end of your music without tying up your favourite synth or sampler.

360 Systems Pro MIDI Bass

Review | Sound On Sound, May 1988

Why use an expensive sampler for playing bass sounds when you can take advantage of the Pro MIDI Bass and free your sampler for more worthwhile tasks? Mike Collins lets his fingers do the walking.

3D Sound Effect CD

Review | Music Technology, Nov 1992

3G HP200 Power Amplifier

Review | Recording Musician, Dec 1992

A compact, well-specified amplifier suitable for studio monitoring and small PA applications.

 

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