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The Past And Present Of PA | |
PA HistoryArticle from Making Music, October 1987 |
PA is a history of noise and coincidence. You don't believe us? Tony Bacon will convince
1927 Loud, good quality sound requirements for big audiences take shape as Western Electric produce the first 'talkie' film "The Jazz Singer", premiered on Broadway, New York. The first prophetic talking sequence was Al Jolson saying: "Wait a minute. Wait a minute. You ain't heard nothing yet!"
c1935 An American telephone company invents the 19-inch rack mounting system.
1930s/1940s/1950s American companies Altec and RCA (particularly) and British firm Vitavox develop and perfect the cinema sound systems that would later influence rock sound systems.
1965 Selmer produce their TC300 100 watt PA system — four mike inputs, and two 4x10 speaker columns, soon competing in the UK with similar systems from Vox and Marshall.
1967 Pink Floyd buy a mega-loud 800 watt WEM system from Charlie Watkins, maker of the dead fashionable WEM systems (WEM = Watkins Electric Music). This unheard-of power came about thanks to the brand new WEM 100 watt slave amps — eight of these stacked up produced the 800 watts. Later that same year, WEM's first 1000 watt system premiered at the Windsor Jazz & Blues Festival; WEM also introduced the Audiomaster five-channel powered mixer.
1968 Charlie Watkins invents the sidefill and the stage monitor thanks to bluesman Tal Farlow and Family vocalist Roger Chapman at the Kempton Park Festival. Charlie, positioned at the side of the main stage, had linked up a single 12in speaker to the PA on the second stage so he could hear what was going on. Tal Farlow, performing on the main stage, insisted it be turned round to him, thinking it was his voice and guitar coming from it. Charlie quickly connected it to the main system's mixer, instantly improving Farlow's performance. That took care of the sidefill. Chapman came on later with Family, pushed the speaker to centre stage in front of him, took off his jacket, rolled it up and put it under the speaker to tilt it upwards, and thus was bom the wedge monitor — though it wasn't developed usefully till the mid-1970s. Historic day!
1969 Engineer Dinky Dawson does the first out-front mix for a Fleetwood Mac gig at London's Lyceum using a multicore cable brought back from the States.
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Promotion Contenders |
PA Column |
PA Systems (Part 1) |
Overtones - Gig Tactics |
Street Sounds - Busking |
Armed Struggle in Bath |
Deaf Defying - Going Deaf? (Part 1) |
Van Ordinaire (Part 1) |
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Feature by Tony Bacon
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