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Working with Boss Micro-Rack Effects | |
Article from International Musician & Recording World, September 1986 |
David Kenny gives these units the once-over
David Kenny gets his brain in gear for an in-depth look at some more Micro Studio effects.
While experimenting with the Comp/Lim I tried a couple of set-ups which are not mentioned in the manual which you may find useful. These revolve around the use of the Key or 'Trigger Input'. Signals sent to this input can open the gate or expander section. Set the Roland TR505 Rhythm Composer to play a rhythm pattern using a short sound such as Rimshot/Cowbell and sending it to the key input with the front panel controls set as shown in Fig 1.
A problem I often encounter when trying to gate a snare drum while recording an entire kit is that another sound (eg bass drum) will open the gate. The new Preamp/Parametric EQ RPQ-10 can solve this problem. (4)
Cube Boost |
Prophecies Spring 1984 - Advertisement Feature - Sequential Pullout |
Company Report - Yamaha |
Computer Music - The Next Generation |
![]() Review |
SBX-80 - The Time Keeper |
Little Things That Count |
The Sync-ing Feeling |
![]() How To Do Tricks With Time |
Why Settle for Second Best? |
![]() Microware Launch 24-Track MIDI Composer |
The Inside Story |
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On The Rack
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Browse category: Studio/Rack FX > Boss
Roland Newslink - Autumn 1986
Topic:
Gear in this article:
Studio/Rack FX > Boss > RCL-10 Compressor/Limiter
Studio/Rack FX > Boss > RPQ-10 PREAMP/EQ
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Feature by David Kenny
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