Music Technology, Oct 1992
By a babbling Brook
Electronics & Music Maker, Aug 1986
A Canadian guitarist with a low profile but a high pedigree pays a visit to Britain. Tim Goodyer finds out about the infinite guitar and the infancy of FM synthesis.
Sound On Sound, Jun 1990
Inventor of the 'infinite guitar', this Canadian born player's haunting multi-layered guitar parts have graced the works of such luminaries as Brian Eno, Jon Hassell, U2's Edge, and Daniel Lanois, though Michael Brook's own music has yet to receive the recognition it deserves. Mark J. Prendergast reports.
This artist was mentioned in these interviews:-
Sound On Sound, Feb 1989
Part 2: Mark Prendergast continues his in-depth look at the formation of Eno’s new record company, Land Records, and the use of electronics in his music.
Sound On Sound, Aug 1987
Mark Prendergast interviews this French-Canadian engineer/producer about his long-standing production partnership with Brian Eno and his recent involvement with Peter Gabriel and U2.
Sound On Sound, Jan 1989
Mark Prendergast begins a two part in-depth appraisal of the thoughts, words, music and art of one of the most influential artists of the last decade: Brian Eno.
Sound On Sound, Dec 1986
The Eno collaborator and leading exponent of American minimalist music, Harold Budd, discloses the fascinating background to his new solo album 'Lovely Thunder', his love of the piano and his strange union with the Cocteau Twins. Mark Prendergast attends the masterclass and takes notes.
Music Technology, May 1991
They began the '80s as Japan, now they're starting over as Rain Tree Crow. Tim Goodyer catches synthesist Richard Barbieri and drummer Steve Jansen for a frank discussion of music and personalities ten years after Tin Drum.
Music Technology, Nov 1992
Floyd, Eno, Gabriel... Grid?
New Grid on the block
Music Technology, May 1993
Meat Beat Manifesto are to music what Andy Warhol was to art - but they've already been famous for longer than 15 minutes. Phil Ward follows them to a Peel session and to their studio in Swindon, and finds that Meat is not, in fact, necessarily murder.
This artist was mentioned in these other (non-interview) articles:-
The World About Us - Part 2
Topic: Recording Studios | Music Technology, Nov 1992
The other half of the World
The World About Us - Part 1
Topic: Recording Studios | Music Technology, Oct 1992
Real World music
Music Technology, Oct 1992
Sound On Sound, Apr 1989
Mark Prendergast presents a general overview of record labels, artists, and recordings that make up the exciting area of new electronic and experimental music in the late 1980s.
Sound On Sound, Jan 1987
What is 'New Age' music? Who plays it, and why is it apparently so popular? Our resident musicologist Mark Prendergast traces its development back to the work of 'new music' composers Arnold Schoenberg and Erik Satie.
Topic: Sound Fundamentals | Music Technology, Feb 1988
Been puzzled by references to just intoned or even tempered scales, or wondered exactly what the DX7II's "microtonality" is all about? Robert Rich has the answers.
Topic: Recording Studios | Sound On Sound, Sep 1989
Mark J. Prendergast explores the recording process that surrounded Peter Gabriel's new album 'Passion' and takes a peep inside Gabriel's Real World studio complex.