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John Cage - 20th Century Americans - John CageInterview | Music Technology, Apr 1993John Cage eavesdropped on the strange noises coming from his own imagination. Geoff Smith and Nicola Walker Smith eavesdrop on the wise words emanating from the man himself, in one of the final interviews of his trailblazing life and the last in MT's exclusive series on modern American composers. |
We found these other (non-interview) articles that are linked to this artist:- |
John Cage - The Rest Is SilenceFeature | Music Technology, Oct 1992An AppreciationJohn Cage - The life & the legacy |
This artist was mentioned in these other (non-interview) articles:- |
The Development of Electronic Music - Part 1Feature | Topic: Composing / Art | Electronic Soundmaker, Jul 1984Says it all really |
The World About Us - Part 1Feature | Topic: Recording Studios | Music Technology, Oct 1992Real WorldReal World music |
The New Age Music ConundrumFeature | Sound On Sound, Jan 1987What is 'New Age' music? Who plays it, and why is it apparently so popular? Our resident musicologist Mark Prendergast traces its development back to the work of 'new music' composers Arnold Schoenberg and Erik Satie. |
John Cage - The Rest Is SilenceFeature | Music Technology, Oct 1992An AppreciationJohn Cage - The life & the legacy |
A History of Electronic Music - Part 1Feature | Topic: Composing / Art | Electronics & Music Maker, Dec 1981Part 1 looks at the early growth of this vitally important area of music today. |
New MusicFeature | Sound International, Oct 1978BooksEddie Cochran-White dispels those post-summertime blues with some cherished memories of recent good reads. |
Karlheinz StockhausenFeature | Sound On Sound, May 1992Electronics Into LightKarlheinz Stockhausen has had a profound influence on modern music from the 1950s onwards, and pioneered the use of electronics to create genuinely new music. Mark J. Prendergast reviews his career. |
Interactive MusicFeature | Topic: Tape, Vinyl, CD, DAT | Music Technology, Jan 1989Ever since the invention of the wax cylinder, listening to recorded music has been a passive experience; now CDs are capable of holding MIDI and other performance data. Bob O'Donnell looks at the changing face of music. |
Hot House FlowersShow Report | Music Technology, Oct 1990BMF REPORTThe excessive heat in London's Olympia gave the latest hi-tech gear a run in the "who's hottest" stakes at this year's British Music Fair. Simon Trask sweats it out. |
How East Met WestFeature | Topic: Design, Development & Manufacture | Music Technology, Nov 1986New technology has already brought the music industries of East and West closer together, but how has that affected the music itself, and what will happen as the two cultures get closer still? Gary Larson gives his viewpoint. |
Animating Film SoundFeature | Topic: Composing / Art, Video / Film / Picture | Sound On Sound, Jun 1986Catch a glimpse of what goes through the mind of a Newcastle musician commissioned to provide a suitable soundtrack for an animated film whose subject matter revolves around a woman living alone in a high-rise block of flats. John Goodenough relates his experiences. |
A History of Electronic Music - Part 6Feature | Electronics & Music Maker, Jun 1982Into the Seventies |
The Secrets of Computer Composition - Part 1Feature | Topic: Algorythmic Composition | Music Technology, Mar 1989The question "can computers write music" has never been more important than it is in 1989; what is an algorithmic composition program, and will it ever replace the human composer? Ian Waugh composes himself. |
Sydney Harbours RadicalsFeature | Music Technology, Feb 1988Sydney Music ConservatoriumMusic technology Australian style. To prove that there's more to the Australian music scene than the Fairlight, Jonathan Puckeridge pays a visit to the Sydney Music Conservatorium. |
Bopping With The BBCFeature | Topic: Computing | Electronic Soundmaker, Aug/Sep 1984A six page feature that shows you how to make music with the aid of the BBC Micro |
Zyklus MIDI Performance SystemReview | Sound On Sound, Feb 1988What the hell's a MIDI Performance System? David Mellor does his level best to explain. |
A History Of Electronic Music - Part 2Feature | Topic: Composing / Art | Electronics & Music Maker, Jan 1982 |
Editions For YouFeature | Topic: Marketing / Promotion, Music Business | Electronic Soundmaker, Mar 1985Record label spotlight on the innovatory people who bring you Brian Eno and numerous others. |
Spectro Sound StudioFeature | Topic: Education, Recording Studios | Electronics & Music Maker, Aug 1982A look at Newcastle’s ‘open access' electro-music studio. |
Electronic Music - A Philosophical DefenceOpinion | Electronics & Music Maker, Oct 1982Standing at one of the most exciting crossroads in musical history we look at the pros and cons of electronic music. |
New Electronic & Instrumental Music In The Late 1980sFeature | Sound On Sound, Apr 1989An overviewMark Prendergast presents a general overview of record labels, artists, and recordings that make up the exciting area of new electronic and experimental music in the late 1980s. |
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