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Depeche Mode - Modes of OperationInterview | Electronics & Music Maker, Aug 1986After five years at the top of the electropop tree, Basildon boys Martin Gore and Alan Wilder talk tech with Paul Tingen. |
Depeche Mode - The Basildon BondInterview | Electronic Soundmaker, Apr 1984 |
Depeche ModeInterview | Electronics & Music Maker, May 1982In contrast with the main feature we take a look at one of today’s modern commercial, electro-music bands. |
Depeche Mode - When The Wave FormsInterview | One Two Testing, Nov 1982NAME: new album/new equipment/sound techniques/change of style/gig horrors... LIST |
We found these other (non-interview) articles that are linked to this artist:- |
This artist was mentioned in these other (non-interview) articles:- |
Muted ResponseFeature | Electronics & Music Maker, Feb 1984Daniel Miller, head of Mute records, has taken the label to a very successful conclusion with some massive UK hits. He tells of the joys and despair of the British record industry, and his work with electronic music. |
Concert ReviewsMusic Review | Electronics & Music Maker, Dec 1983Judie Tzuke, Tangerine Dream, Depeche Mode, Dio |
Absolute - Absolute PrecisionReview | Electronic Soundmaker, Jul 1985UMI-2BSequencing interface for the BBC |
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PatchworkFeature | Topic: Synthesizer Patches | Music Technology, Oct 1988Optical Media International Universe of Sounds Vol 3 for Emax, DPX1 and Emulator II joins our regular selection of readers' own synthesiser patches in MT's regular Patchwork column. |
PatchworkFeature Downloads | Topic: Synthesizer Patches | Music Technology, Jun 1989A review of the Desert Island sample library for the Ensoniq EPS joins a selection of readers own patches for the Korg M1, Ensoniq SQ80 and Yamaha TX81Z in this month's Patchwork. |
Studio DiaryFeature | Topic: Recording Studios | International Musician, Feb 1985It's that time of the month again... |
Roland MC50 Micro ComposerReview | Music Technology, Jan 1991Having pioneered the Micro Composer in the '70s, Roland reaffirm the position of the hardware sequencer in 1990 with the MC50. Simon Trask is fatally attracted. |
Studio Of The MonthFeature | Topic: Recording Studios | International Musician, Nov 1985The Workhouse StudiosThe Workhouse schows Schwartz itsch schuperschtudios |
Techno PopRetrospective | Music Technology, Aug 1991The Fall and Rise of Technology in MusicSteering this magazine through the '80s made Dan Goldstein a prominent character in the music industry. Putting aside 90 Minutes he gives a personal view of the last decade in music, technology and Music Technology. |
Time to ExpandFeature | Micro Music, Apr/May 1989Once you've got your sequencer up and running you're gonna need some extra sound sources. Paul Wiffen guides us through the MIDI Expander jungle |
XR-300Review | Micro Music, Mar 1990 |
We Are The ManagementFeature | Topic: Music Business | Music Technology, Nov 1988Who are the music biz' management, and do you really need them? David Bradwell talks to the people who take care of the stars and their affairs. |
RSF Kobol ExpanderReview | Electronics & Music Maker, Mar 1983 |
Kawai K3Review | Sound On Sound, Dec 1986Digital Wave Memory SynthesizerA digital wave memory synthesizer to be precise. Kawai may well be the world's largest supplier of acoustic pianos but does their forte also lie in the hi-tech field? Mark Jenkins investigates. |
PatchworkFeature | Topic: Synthesizer Patches | Electronics & Music Maker, Oct 1984Readers send in details of their own synth sounds and how to play them. |
Advanced Music SynthesisFeature | Topic: Synthesis & Sound Design | Electronics & Music Maker, Jul 1983Sample and Hold |
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