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Interviews

Hugh Padgham - The Sound of Success

Interview | Music Technology, Apr 1987

Still in his early 30s, yet a man who's worked with The Police, Genesis, Bowie and McCartney, Padgham is one of the most successful young producers in the world. Paul Tingen coaxes him into revealing a few secrets.

Hugh Padgham - Production Masterclass With Hugh Padgham

Interview | Recording Musician, Oct 1992

Hugh Padgham takes us behind the scenes to explain the tricks and techniques used in the recording and mixing of Phil Collins' 'In the Air Tonight'.

Hugh Padgham - Sting & Hugh Padgham

Interview | Recording Musician, May 1993
Recording 'If I Ever Lose My Faith In You'

Throw a bunch of talented musicians and a world-class producer into a 16th century mansion, add some juicy gear, shake 'em about and what do you get? Ten Summoner's Tales, if you're lucky.

Hugh Padgham

Interview | Sound On Sound, May 1988

Hugh Padgham has worked with some of the best contemporary artists - The Police, Genesis, Sting, Peter Gabriel, Hall & Oates, and Phil Collins, to name but a few - and has earned his place in the recording industry history books through his sensitive, innovative, and inspired sound engineering and production work. How did he do it? Brian Jacobs finds out...

Hugh Padgham

Interview | Home & Studio Recording, Jan 1985
Producer Extraordinaire

The genius behind the 'Phil Collins drum sound' reveals how he got started in the industry, his production philosophy and life at The Townhouse.

This artist was mentioned in these other (non-interview) articles:-

The Producers

Feature | Recording Musician, Apr 1993

A complete history of record production accompanied by quotations and anecdotes from no fewer than 18 of the world's leading producers.

The Best Producers In The World

Feature | One Two Testing, Jun 1984

Nominated by Steve Levine, Steve Lillywhite, Peter Collins, Hugh Padgham, Swain and Jolley

Seven from '87

Retrospective | Music Technology, Jan 1988

A look behind the scenes at some of MT's own out-takes: quotes from the famous, letters from the punters and photographs from the "rejected" file. So we all make mistakes...

How It Works: the Noise Gate - Part 10

Feature | Topic: Effects Processing, MIDI, Sound Fundamentals | Sound On Sound, Oct 1988

What is a Noise Gate? What on earth is a MIDI Noise Gate? David Mellor supplies the answers and explains some standard and not so standard gating techniques, with special reference to the BSS Audio DPR 502 MIDI Noise Gate.

Music Maker Equipment Scene

News | Electronics & Music Maker, Apr 1982

Smoke: The Gossip Column

News | Making Music, Apr 1986

All the snippety little secret bits of musicians' gossip that no-one else would print

The Strongroom

Feature | Topic: Recording Studios | Sound On Sound, Aug 1989

In the dog-eat-dog world of professional recording studios, the Strongroom has proved that you don't necessarily need an SSL mixing desk to stay in business! Paul Calderon pays a visit to this thriving centre of creativity.

Peter Gabriel - Passion

Feature | Topic: Recording Studios | Sound On Sound, Sep 1989

Mark J. Prendergast explores the recording process that surrounded Peter Gabriel's new album 'Passion' and takes a peep inside Gabriel's Real World studio complex.

Reverb Techniques

Feature | Topic: Effects Processing | Home & Studio Recording, Jan 1985

Reverberation - the key to professional recordings - is fully explained. How it's created, and how to use it.

Index To Articles

Index | Home & Studio Recording, Feb 1985
September 1983 - January 1985

All articles ever featured in HSR from September 83 to January 85 listed for your delectation.

The Producers

Feature | International Musician, Jun 1986

Chas de Whalley chews the fat with Howard Grey, the young turk behind some of UB40's and Scritti Politti's finest moments

Gates

Feature | Topic: Effects Processing | Making Music, Nov 1986
What's A Gate?

A gadget that only lets certain sounds through — geddit? Deeper analysis on page 20.

Making the Most of...

Feature | Topic: Recording | Home & Studio Recording, Jul 1985
Recording Electric Guitar

How to get the best in your studio from an electric guitar.

XTC - 4 On 6's - Dave Gregory

Feature | One Two Testing, Dec 1982

Recording Bass Guitar

Feature | Topic: Recording | Recording Musician, May 1993

What's to know? You just wipe the rust off the strings, plug it into the desk and bob's your uncle. Don't you? Er... not quite.

This artist was mentioned in these interviews:-

Hugh Padgham - Production Masterclass With Hugh Padgham

Interview | Recording Musician, Oct 1992

Hugh Padgham takes us behind the scenes to explain the tricks and techniques used in the recording and mixing of Phil Collins' 'In the Air Tonight'.

Hugh Padgham - Sting & Hugh Padgham

Interview | Recording Musician, May 1993
Recording 'If I Ever Lose My Faith In You'

Throw a bunch of talented musicians and a world-class producer into a 16th century mansion, add some juicy gear, shake 'em about and what do you get? Ten Summoner's Tales, if you're lucky.

Hugh Padgham

Interview | Sound On Sound, May 1988

Hugh Padgham has worked with some of the best contemporary artists - The Police, Genesis, Sting, Peter Gabriel, Hall & Oates, and Phil Collins, to name but a few - and has earned his place in the recording industry history books through his sensitive, innovative, and inspired sound engineering and production work. How did he do it? Brian Jacobs finds out...

Hugh Padgham - The Sound of Success

Interview | Music Technology, Apr 1987

Still in his early 30s, yet a man who's worked with The Police, Genesis, Bowie and McCartney, Padgham is one of the most successful young producers in the world. Paul Tingen coaxes him into revealing a few secrets.

Hugh Padgham

Interview | Home & Studio Recording, Jan 1985
Producer Extraordinaire

The genius behind the 'Phil Collins drum sound' reveals how he got started in the industry, his production philosophy and life at The Townhouse.

 

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