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Stock, Aitken & Waterman - Production LineInterview | Music Technology, Jun 1987The words "Stock, Aitken & Waterman" have adorned 50 hit singles in the last two years. Tim Goodyer finds there are two secrets to their success: determination and new technology. | |||
Stock, Aitken & Waterman - Three Men in a BoutInterview | Making Music, Nov 1987 | |||
This artist was mentioned in these interviews | |||
Norman Cook - Cookin' The MixInterview | Music Technology, Sep 1988The distinctly eighties phenomenon of remixing is playing a significant part in the development of today's popular music. Tim Goodyer discusses the art of remixing with Norman Cook. | |||
Phil Harding - The Empire Strikes BackInterview | Music Technology, Oct 1988Who helped make Climie Fisher's single a hit? And the Pet Shop Boys', and Depeche Mode's, and Bananarama's? David Bradwell investigates the latest action in the Stock, Aitken & Waterman production stable. | |||
Big Audio Dynamite - BAD AttitudeInterview | Music Technology, Oct 1988From their initial sampled success with 'E=mc2' Big Audio Dynamite have gone on to further explore the use of dialogue and sound effects in pop music. David Bradwell talks technology and photography with keyboardsman Dan Donovan. | |||
Pete Hammond - Master Of The MixInterview | Music Technology, May 1989As PWL's in-house mixer, Pete Hammond can claim to have had a hand in even more chart singles than Stock, Aitken & Waterman. David Bradwell finds out what makes a hit record. | |||
Inside The KLFInterview | Sound On Sound, Apr 1991Mark J. Prendergast looks behind the anonymous front of the KLF, riding high on the success of 'What Time Is Love' and '3am Eternal'. | |||
Deacon BlueInterview | Phaze 1, Jan 1989 | |||
Something To Bragg AboutInterview | Phaze 1, Feb 1989a crash course in career-building from the bard himself | |||
Beats International - International RescueInterview | Music Technology, May 1990When Norman Cook walked away from The Housemartins he walked into hi-tech record production and remixing: now he's topped the charts with Beats International. Tim Goodyer talks to a computer convert. | |||
Coldcut - What's That Noise?Interview | Music Technology, Aug 1990Responsible for establishing artists like Yazz and Lisa Stansfield, Coldcut also have a reputation for being one of the most innovative production teams around. Tim Goodyer learns about their new LP and the future of computer graphics. | |||
Fon - Force MajeureInterview | Music Technology, May 1989From Sheffield's tradition as the home of industrial funk, come the Fon Force. David Bradwell talks to the men behind the cream of modern northern dance music. | |||
S' Express - A Night In The StudioInterview | Music Technology, Feb 1989Their '88 acid house hits took Britain's clubland by storm, but now S' Express are taking their sampling a stage further. Tim Goodyer enjoys the trip. | |||
This artist was mentioned in these other articles | |||
Studio By DesignFeature | Topic: Recording Studios | Music Technology, Feb 1988Orinoco StudioAnother studio receives a visit from a roving MT reporter. This time the intrepid Dan Goldstein drops in on South East London's Orinoco Studios. | |||
Copycat CrimesFeature | Topic: Copyright, Sampling | Music Technology, Sep 1988Sampling and the law: where do you stand when you plug your record deck or CD player into your sampler? David Bradwell investigates the legal position and the attitudes of the music industry. | |||
The ProducersFeature | Recording Musician, Apr 1993A complete history of record production accompanied by quotations and anecdotes from no fewer than 18 of the world's leading producers. | |||
Mime ArtistsEditorial | Music Technology, Jun 1990To mime or not to mime, that is the question. Just when does miming stop being a convenient practice in presenting music TV programs and start to have an effect on the music itself? | |||
CommuniqueFeedback | Music Technology, Oct 1989It's old favourites time, with Stock, Aitken & Waterman and sampling ethics the main topics of debate in MT's letters page. Is sampling really the aesthetic and ethic of the age? | |||
Product PerfectEditorial | Music Technology, Feb 1989Question: when is a song not a song, and a musical instrument not a musical instrument? Answer: when they're products. Is the music industry terminology robbing music of its personality? | |||
Seven from '87Retrospective | Music Technology, Jan 1988A look behind the scenes at some of MT's own out-takes: quotes from the famous, letters from the punters and photographs from the "rejected" file. So we all make mistakes... | |||
The lexicon of loveFeature | The Mix, Apr 1995 |
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