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Interview | Music Technology, Feb 1988
His successful production of U2 has brought musical sage Brian Eno back into the public eye. John Diliberto finds out what's become of his oblique strategies and how he approaches the latest technology.
Brian Eno - The Life Of Brian - Part 1
Interview | Electronic Soundmaker, Oct 1984
Part 1 of a two part in-depth interview with Brian Eno and his latest collaborator Harold Budd.
Brian Eno - The Life Of Brian - Part 2
Interview | Electronic Soundmaker, Nov 1984
The conclusion of our Eno exclusive.
Interview | Sound On Sound, Jan 1989
Mark Prendergast begins a two part in-depth appraisal of the thoughts, words, music and art of one of the most influential artists of the last decade: Brian Eno.
Interview | Sound On Sound, Feb 1989
Part 2: Mark Prendergast continues his in-depth look at the formation of Eno’s new record company, Land Records, and the use of electronics in his music.
Interview | Sound On Sound, Oct 1990
Breaking The Silence
Brian Eno, is undoubtedly one of the most influential figures in electronic music, yet his creative energies have recently been directed into other people's music. Now, with the release of one solo and one collaborative album approaching, he gives a rare interview to Mark Prendergast.
Interview | Music Technology, Oct 1993
In our exclusive interview, the great domed one himself waxes ambient on remixing, jazz, Sinatra, computers, the Eventide H-3000 and his own original definition of a new, environmentally sound music
Interview | The Mix, Sep 1994
Wise words from the master of modern production
This artist was mentioned in these other (non-interview) articles:-
History of Electronic Music - Part 7
Feature | Electronics & Music Maker, Sep 1982
Feature | Topic: Live | Music Technology, Oct 1993
MT goes backstage at U2's multimedia spectacular and discovers the technical realities behind Eno and the band's vision. Engineer Dave Lemmink unveils the system that redefines stadium rock
Feature | Sound On Sound, Jan 1987
What is 'New Age' music? Who plays it, and why is it apparently so popular? Our resident musicologist Mark Prendergast traces its development back to the work of 'new music' composers Arnold Schoenberg and Erik Satie.
Feature | Topic: Marketing / Promotion, Music Business | Electronic Soundmaker, Mar 1985
Record label spotlight on the innovatory people who bring you Brian Eno and numerous others.
Feature | Sound On Sound, Feb 1990
Visions of Arcadia
Via engineering and production work with Brian Eno, Peter Gabriel, Robbie Robertson and U2, Daniel Lanois has unmistakenly imprinted his personality on the sound of the Eighties. Recently he released his own solo album, ‘Acadie’; Mark J. Prendergast runs through the tracks.
A History of Electronic Music - Part 6
Feature | Electronics & Music Maker, Jun 1982
Into the Seventies
Review | Music Technology, Oct 1991
Personal Music System
Casio's curious Rapman is already regarded as a toy by many a music cynic - but it's captivated pros like Manu Katche and Peter Gabriel. Tom Robinson reviews it - and buys it.
The A-Z of Analogue - Part 6
Feature | Topic: Vintage Instruments | Music Technology, Jan 1994
This month, Elka Eminent to Everitt Orgatron.
Feature | Music Technology, May 1994
Feature | Sound On Sound, Apr 1989
Mark Prendergast presents a general overview of record labels, artists, and recordings that make up the exciting area of new electronic and experimental music in the late 1980s.
Feature | Topic: Recording Studios | Sound On Sound, Aug 1989
In the dog-eat-dog world of professional recording studios, the Strongroom has proved that you don't necessarily need an SSL mixing desk to stay in business! Paul Calderon pays a visit to this thriving centre of creativity.
Feature | Topic: Recording Studios | Sound On Sound, Sep 1989
Mark J. Prendergast explores the recording process that surrounded Peter Gabriel's new album 'Passion' and takes a peep inside Gabriel's Real World studio complex.
Feature | Topic: Tape, Vinyl, CD, DAT | Music Technology, Jan 1989
Ever since the invention of the wax cylinder, listening to recorded music has been a passive experience; now CDs are capable of holding MIDI and other performance data. Bob O'Donnell looks at the changing face of music.
Review | Sound On Sound, Apr 1990
The Virgin Guide To New Music
Editorial | Music Technology, Nov 1989
The non-musician has taken a lot of stick from his educated counterparts, yet he's contributed a lot to musical progress. What separates musicians and non-musicians?
Retrospective | One Two Testing, Jan 1984
The pick of 1983's equipment releases.
On The Beat - Part 10
Feature | Topic: Drum Programming | Music Technology, May 1990
Part 10 of this rhythm programming series covers a selection of fascinating rhythms indigenous to the exotic countries of South America. Nigel Lord gets a studio tan.