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Interviews
 Robert FrippInterview | Sound On Sound, Mar 1988A man continually in search of magic moments in the perfect quality of music.He's played guitar with the best - David Bowie, Peter Gabriel, David Sylvian, Talking Heads, Brian Eno and, of course, King Crimson - and he's also worked away from the public eye, pursuing truths other than the rock and roll life. Mark Prendergast discovers that Robert Fripp's insights are of interest to more than just guitarists. |
 Robert Fripp - Retiring FrippInterview | International Musician, Jun 1975 |
We found these other (non-interview) articles that are linked to this artist:- |
Robert Fripp - Fripp CityNews | Making Music, Nov 1986 |
This artist was mentioned in these other (non-interview) articles:- |
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 New Electronic & Instrumental Music In The Late 1980sFeature | Sound On Sound, Apr 1989An overviewMark Prendergast presents a general overview of record labels, artists, and recordings that make up the exciting area of new electronic and experimental music in the late 1980s. |
 Editions For YouFeature | Topic: Marketing / Promotion, Music Business | Electronic Soundmaker, Mar 1985Record label spotlight on the innovatory people who bring you Brian Eno and numerous others. |
BatrachophrenoboococosmachiaFeature | Topic: Music Theory | Electronics & Music Maker, Mar 1982Ben Duncan presents philosophies on the effects of music. |
Fripp CityNews | Making Music, Nov 1986 |
The Art Of RepetitionEditorial | Music Technology, Nov 1989The non-musician has taken a lot of stick from his educated counterparts, yet he's contributed a lot to musical progress. What separates musicians and non-musicians? |
 Roland D-50 - Part 1Review | Sound On Sound, May 1987Is the future Linear?Does Roland's new LA synthesizer mean the end of FM is in sight? Martin Russ falls in love with the world's first ever Linear Arithmetic synthesizer whilst trying to find out... |
 Hot Valves!Review | Sound On Sound, Feb 1986Dynacord MIDI AmplifierThe marriage of valve and MIDI technology in Dynacord's Reference 500 guitar amplifier results in an astonishingly good design as Ian Gilby discovered. |
 A History of Electronic Music - Part 6Feature | Electronics & Music Maker, Jun 1982Into the Seventies |
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 Electronic Music For FilmsFeature | Topic: Composing for Business, Video / Film / Picture | Electronics & Music Maker, Jan 1982Richard Mitchell explains his use of electronic music for film. |
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 DOD R-910 Digital DelayReview | Home & Studio Recording, Aug 1984 |
 49 Hot Signal Processing TipsFeature | Topic: Effects Processing | Sound On Sound, Jun 1989The more imagination you apply to signal processors, the more you can get out of them. Craig Anderton presents 49 tips that take you beyond stock effects and into new ways of creating your own sonic signature. |
 PortapeopleFeature | Topic: Home Studio, Recording | One Two Testing, Jan 1983Home recording heroes. |
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 Studio DiaryFeature | Topic: Recording Studios | International Musician, Aug 1975 |
 Busker BloodvesselFeature | Topic: Live, Performing | Making Music, Aug 1986Going BuskingShould you do it? Can you legally do it? Have you got the right sort of songs to do it? |
 Ibanez DM1100 Digital DelayReview | Electronics & Music Maker, Jul 1984Just when you thought all DDLs were the same, Ibanez come up with a budget model that still manages to incorporate a maximum delay time of over three-and-a-half seconds. Review by Paul White. |
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