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Interviews

Kate Bush

Electronics & Music Maker, Oct 1982

Not only vocalist, composer, dancer, choreographer, but also producer for her new album 'The Dreaming', Kate talks about her approach to composition and her newly acquired Fairlight CMI.

Kate Bush - The Sensual World of Kate Bush

Sound On Sound, Apr 1990

Recording engineer Del Palmer has worked with Kate Bush for almost 13 years. Here he provides an insight into how this innovative lady works in the studio and the background to the recording of her hugely successful album, 'The Sensual World'.

This artist was mentioned in these interviews:-

Andrew Powell

Electronics & Music Maker, Oct 1983

This premier producer, conductor and arranger discusses his solo album 'The Best of the Alan Parsons Project'

British Electric Foundation - Second Foundation

Music Technology, Nov 1991

Putting Heaven 17 in the past, Martyn Ware has masterminded a definitive meeting of classic singers, classic soul songs and state-of-the-art technology. Tim Goodyer listens to Words of Quality and Distinction.

Robert Fripp

Sound On Sound, Mar 1988
A man continually in search of magic moments in the perfect quality of music.

He's played guitar with the best - David Bowie, Peter Gabriel, David Sylvian, Talking Heads, Brian Eno and, of course, King Crimson - and he's also worked away from the public eye, pursuing truths other than the rock and roll life. Mark Prendergast discovers that Robert Fripp's insights are of interest to more than just guitarists.

Roland Kerridge - Pushing The Beat

Music Technology, Dec 1990

Once he prayed to the beat behind Re-flex, he's since become versed in high technology and worked with artists as diverse as Kate Bush and Mory Kante. Ollie Crooke talks to a rhythm programmer extraordinaire.

Art of Noise - Art & Science

Music Technology, Apr 1988
JJ Jeczalik

With the title track from the film Dragnet currently on release, the Art of Noise are still newsworthy. Paul Tingen talks to JJ Jeczalik about sampling, Frankie Goes To Hollywood and court cases.

Blancmange

Electronics & Music Maker, Mar 1984

With their second album just released, Neil Arthur and Stephen Luscombe take a rest to talk here about the trials of their rise to fame, and their musical and equipment plans for the future. Dan Goldstein (a trifle agog) listens in...

Daniel Lanois - The Magic of Daniel Lanois - Part 2

Sound On Sound, Sep 1987

In the concluding part of our in-depth interview with this French-Canadian engineer/producer, Mark Prendergast discovers how Lanois recorded the 'So' album with Peter Gabriel and more about his co-production with Brian Eno of U2's 'The Joshua Tree' and 'Unforgettable Fire' LPs.

Duncan Mackay - Duncan Mackay: Going Solo

Electronics & Music Maker, Jul 1981

Incognito - Breaking Cover

Music Technology, Sep 1991

Ten years ago Incognito's first LP heralded a new British jazz funk movement; today their second celebrates a world-wide dance movement. Tim Goodyer asks Bluey Maunick if the song remains the same.

It's Immaterial

Music Technology, Sep 1990

In the battleground that is the record business, one band have managed to find the space to be one of the most individual and resourceful of British talents. Nigel Lord talks uncommerciality in an Immaterial world.

Katrina Bihari - The System

Electronic Soundmaker, May 1985

Spotlighting Katrina Bihari.

Larry Fast

Electronics & Music Maker, Jun 1983

A prolific American synthesist interviewed

Mark Isham - Blowing Technology's Horn

Sound On Sound, Nov 1988

Mark Prendergast talks with trumpeter, composer, and synthesist Mark Isham about new technology, David Sylvian, Van Morrison, Windham Hill, and his solo career as one of Hollywood's more interesting film soundtrack composers.

Peter Gabriel - Technology's Champion

Electronics & Music Maker, Jun 1986

In a career spanning nearly 20 years, Gabriel has done everything from fronting Britain's best-known pomp rock band to manipulating ethnic music using modern technology. Dan Goldstein talks to a man of many talents.

Peter Gabriel - Peter Gabriel - Behind The Mask

Sound On Sound, Jan 1987

Nobody has advanced the application of technology in music more than Peter Gabriel. His pioneering use of the Fairlight CMI helped popularise that instrument and give credence to sampling as a creative recording practice. Yet his music has never fallen prey to the technology trap - his latest album So remains a soulful collection of songs heavily reliant on technology but applied with subtlety. Ray Hammond talks to the great man about the album, new technology, Otis Redding, and his role as musician.

Rain Tree Crow - Sons Of Pioneers

Music Technology, May 1991

They began the '80s as Japan, now they're starting over as Rain Tree Crow. Tim Goodyer catches synthesist Richard Barbieri and drummer Steve Jansen for a frank discussion of music and personalities ten years after Tin Drum.

Richard Burgess - Burgeoning Burgess

Electronic Soundmaker, May 1985

Producer, performer, catalyst. Richard Burgess has been a musical traveller most of his life - we finally catch up with him.

Richard Burgess - New Horizons

Music Technology, Nov 1986

He was once electronic drummer with jazz-rockers Landscape. Now he's a successful producer for the likes of Spandau Ballet and Colonel Abrams, but the search for new ways of using new gear goes on.

Rupert Hine - The Thinking Man's Guide To Production

Electronics & Music Maker, Jun 1986

One of Britain's most versatile producers talks about working with Howard Jones, forming a new band, and the importance of communication. Paul Tingen listens.

Tony Banks

Sound On Sound, Sep 1989

Keyboard player Tony Banks has been the foundation stone of Genesis' music for almost two decades now but has not experienced the same level of success in his work outside Genesis as past and present members of the band, Phil Collins, Mike Rutherford and Peter Gabriel. With two solo albums and numerous film scores behind him, Banks is set to bounce back into the limelight with a fresh, new solo project. Brian Jacobs poses the questions...

Hugh Padgham

Sound On Sound, May 1988

Hugh Padgham has worked with some of the best contemporary artists - The Police, Genesis, Sting, Peter Gabriel, Hall & Oates, and Phil Collins, to name but a few - and has earned his place in the recording industry history books through his sensitive, innovative, and inspired sound engineering and production work. How did he do it? Brian Jacobs finds out...

We found these other (non-interview) articles that are linked to this artist:-

Kate Bush - Video Review

Electronics & Music Maker, Mar 1982

Kate Bush - Electro-Music Transcription: 'The Dreaming' by Kate Bush

Electronics & Music Maker, Oct 1982
An original Electro-Music Transcription

Listening to this album/single track alone, the music appears complex and hard to analyse. With this score in front of you, the picture instantly changes and the skill of the composer is revealed.

 

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