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Interview | Electronic Soundmaker, Aug 1985
Bruford & Moraz
Dissecting an unusual fusion
Interview | Electronics & Music Maker, Nov 1982
The first of our articles with this principal multikeyboard player gives you his background as a solo performer as well as his work with Yes and The Moody Blues.
Interview | Electronics & Music Maker, Jan 1983
Talking about improvisation and The Moody Blues
Interview | Home & Studio Recording, Dec 1985
Having been involved with a bewildering number of projects in the past, Patrick Moraz and Graham Edge, keyboardist and drummer with The Moody Blues talk about their current work.
Interview | Electronics & Music Maker, Jul 1985
Moraz and Bruford Embrace the New
Patrick Moraz and Bill Bruford, two of music’s best-established virtuoso players, talk about their two-year relationship and a new LP. Interview by Dan Goldstein.
This artist was mentioned in these interviews
Interview | Music UK, May 1983
Whitesnake's Jon Lord talks gear & Technique with Gary Cooper
Interview | Home & Studio Recording, Oct 1985
Paul White talks to Tony Visconti about his career, his production methods and his plans for the future.
Interview | Music Technology, Jun 1987
He was once the driving force behind Genesis, Yes and King Crimson, but now this brilliant percussionist has turned his attention to jazz - and new technology. Tim Goodyer talks to him.
Interview Audio | One Two Testing, Nov 1983
Is there life after Limahl? Yup. The four shy boys take turns to explain how they do it, and what they do it on.
Interview | Sound On Sound, Nov 1986
At 28 Seigen Ono is one of Japan's leading producer/engineers whose recording credits include working for David Sylvian, Robert Fripp, Ryuichi Sakamoto and Lounge Lizards. He is also the creator of some of the highest quality instrumental music yet to be classified under the New Age music banner. Mark Prendergast discovers what he and his music are all about.
We found these other (non-interview) articles that are linked to this artist
Feature | Electronics & Music Maker, Nov 1982
This is probably the only published piece for panpipes and synthesisers that you'll come across!
Music Review | Electronics & Music Maker, Dec 1982
Future Memories Live
We analyse his 'Future Memories Live' LP.
This artist was mentioned in these other articles
Feature | Topic: Vintage Instruments | Sound On Sound, Jun 1993
The Mellotron: A Historical Perspective
The A-Z of Analogue - Part 10
Feature Series | Topic: Vintage Instruments | Music Technology, May 1994
This month: Hohner
Competition | Home & Studio Recording, Sep 1985
H&SR names the winners and Mark Fishlock reports on the proceedings.
Retrospective (Gear) | Topic: Vintage Instruments | Music Technology, Dec 1991
It should have been the prince of polysynths, but it flopped. Peter Forrest looks back at the disappointment that accompanied the Polymoog and offers the '90s perspective.
Photographing Sound - Part 1
Feature Series | Topic: Sampling | Sound On Sound, Dec 1985
The Art of Sampling
Part 1: The Art Of Sampling. Keyboard programmer Paul Wiffen offers valuable advice on squeezing the most out of your sampler.
Feature | Topic: Sampling, Synthesis & Sound Design | Sound On Sound, Jun 1987
Expander modules may be the modular synths of our age, but are they as good? Steve Howell explores the Akai VX90 and provides some guidance on how it can be used with Akai's range of sampling machines.
Feature | Topic: Marketing / Promotion, Music Business | Electronic Soundmaker, Mar 1985
Record label spotlight on the innovatory people who bring you Brian Eno and numerous others.
Editorial | Electronics & Music Maker, Jul 1982
Editorial | Electronics & Music Maker, Nov 1982
Editorial | Electronics & Music Maker, Dec 1982
News | International Musician, Feb 1986
The monthly miscellany gets stuck into the trivia
Review | Electronics & Music Maker, Feb 1983
Feature | Topic: Vintage Instruments | Electronics & Music Maker, Feb 1983
An instrument which has shaped today's electro-music