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Slowly - Non-stop trip hop be-bopInterview | The Mix, Dec 1994 | |||
This artist was mentioned in these interviews | |||
PlaybackInterview | Electronics & Music Maker, Sep 1985Sleuth journalist Tim Goodyer tracks down video nasties Kevin Godley and Lol Creme in a disreputable part of town. Raymond Chandler would turn in his grave. | |||
The DMC StoryInterview | Topic: Music Business | Sound On Sound, Nov 1993Tony Prince & The Disco Mix ClubThe ingenuity and foresight of DJ Tony Prince resulted in the creation of the DMC record label, the hub of the thriving UK dance remixing scene. Wilf Smarties talks to Tony about how and why the label was set up and persuades remixer Phil Kelsey to take us through a typical remix. | |||
The ManagersInterview | Topic: Music Business | International Musician, Jan 1985Aswad's top ranking hombre meets Mikey Hrano | |||
David MitchamInterview | Topic: Composing for Business, Video / Film / Picture | Home & Studio Recording, Dec 1985Producer & ComposerJanet Angus talks to Dave about making the change between audio and video recording and the issues and problems involved. | |||
Stockhausen - Part 1Interview Series | Sound International, Oct 1978A rare interview with the noted composer and lecturer in the month of his 50th birthday. | |||
Brian Eno - Brian Eno: Thoughts, Words, Music and Art - Part 1Interview Series | Sound On Sound, Jan 1989Mark Prendergast begins a two part in-depth appraisal of the thoughts, words, music and art of one of the most influential artists of the last decade: Brian Eno. | |||
David Griesinger - Illusions of SpaceInterview | Recording Musician, Aug 1992The Man Behind The Lexicon SoundDavid Griesinger pioneered the research behind the Lexicon digital reverb sound. He discusses his ideas with Paul White. | |||
David Sylvian - Master CraftsmanInterview | Sound On Sound, Mar 1987Since the break-up of his group Japan in November 1982, David Sylvian has been slowly widening the base of his music to encompass both ethnic and avant-garde sounds. Mark Prendergast gathers the facts on the change of style. | |||
Holger CzukayInterview | Electronics & Music Maker, May 1982An in depth interview with this amazing character who is now recognised as one of the world's most inventive and original electro-musicians. | |||
Keith Emerson - Emerson/MoogInterview | International Musician, Jun 1975 | |||
The Beat Goes OnInterview | Electronics & Music Maker, Feb 1986As Britain’s brightest electro-poppers climb back up the charts against all the odds, Tim Goodyer talks to Larry Steinbachek about beat, music composition on a QX1, and facing the world with a new voice. | |||
The Music SystemInterview | Electronics & Music Maker, Mar 1986The quiet man of systems music tells Simon Trask why his work is so often misunderstood - and why tomorrow's 'serious music' won't be possible without computers. | |||
Keyboard MusicInterview | Sound On Sound, Mar 1990One of the pioneers of the German electronic music scene, Hans Joachim Roedelius's use of electronic keyboards to treat sound, create atmospheres, and provide sonic backdrops has evolved through collaborations with the likes of Conny Plank, Peter Baumann and Brian Eno. Mark J. Prendergast discovers more about the man and his music. | |||
Hit Man HagueInterview | Sound On Sound, Mar 1992Stephen Hague has demonstrated considerable talent as a producer of classy electronic pop, riding the faders for the Pet Shop Boys and New Order. But his recent work on albums by Robbie Robertson and Siouxsie & The Banshees shows that he has more strings to his bow. Paul Tingen lends an ear. | |||
A Room Of My Own: Nort & Epichead StudioInterview | Topic: Home Studio | Sound On Sound, Apr 1993 | |||
Isao TomitaInterview | Electronics & Music Maker, Feb 1983An exclusive interview with this world famous synthesist of classical music and an exploration of his science fiction fantasy, The Bermuda Triangle | |||
Klaus Schulze on ComposingInterview | Electronics & Music Maker, Mar 1983Rated as the world's top solo synth performer, Klaus explains how he composes on stage and in the studio | |||
Francis MonkmanInterview | Electronics & Music Maker, Mar 1983From Curved Air to Sky, and beyond with the Synclavier II | |||
Hugh PadghamInterview | Home & Studio Recording, Jan 1985Producer ExtraordinaireThe genius behind the 'Phil Collins drum sound' reveals how he got started in the industry, his production philosophy and life at The Townhouse. | |||
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