Vocals and electronic music in unique combination

Contractual hassles have kept musician/producer Bill Nelson hopping from one record label to another since the demise of Be-Bop Deluxe, yet he has still managed to record some exemplary albums using the facility of his 16-track home studio. Ian Gilby finds out how he put his new album together.

Bill lays bare his recording techniques and reveals the innermost secrets of his home studio 'The Echo Observatory' which has recently been upgraded to 16 track status. Now being used to record tracks fora forthcoming Nelson masterpiece.

Bill Nelson's been out of the public eye recently, touring America and refurbishing his studio. Now he's back and talking to us.

An innovative multi-instrumentalist both in and out of the studio, from Be-Bop Deluxe to 'The Love that Whirls'.

The conclusion of our in-depth look at Bill's home 16 track studio in Yorkshire.

An in-depth interview with this multitalented musician/composer/producer who reveals the techniques used on his new LP and explains how to use the E-bow to best advantage

With nearly 25 years in the music business, Cliff puts his music making into perspective.

The charismatic singer, composer and lyricist rejoins the former members of Japan for their first LP in ten years. Tim Goodyer talks technology, philosophy and improvisation with David Sylvian.

It's two years since the former japan frontman made his solo debut, but a new double album showcases both Sylvian's unique songwriting and his interest in ambient, instrumental music. Exhaustive interview by Tim Goodyer.

Since the break-up of his group Japan in November 1982, David Sylvian has been slowly widening the base of his music to encompass both ethnic and avant-garde sounds. Mark Prendergast gathers the facts on the change of style.

Scottish band Danny Wilson were led by Gary Clark, who regards his debut solo album Ten Short Songs About Love as his finest work to date. From conception to birth, it was made entirely at home. Phil Ward drops in on the basement studio, and finds both album and proud father doing very well

Gary Moore

Why a pink Strat is Gazzer's fave

The blurred fingers of the guitar star focussed by the blurred gaze of Richard Walmsley

Breaking a prolonged silence, one of the eighties' most successful solo pop songwriters talks to Tim Goodyer about his new home, his new album, and an ever-expanding collection of synthesisers.

Howard Jones was the first keyboard player to successfully exploit the new technology to the full by regularly performing solo concerts with nothing but MIDI instruments as his backing band. In this rare interview, Brian Jacobs talks to Howard about his music, recording, his decision to produce most of his new album himself, and his growing admiration for an instrument he once said he would never use.

Synthing with Mr Jones.

Recording 'If I Ever Lose My Faith In You'

Throw a bunch of talented musicians and a world-class producer into a 16th century mansion, add some juicy gear, shake 'em about and what do you get? Ten Summoner's Tales, if you're lucky.

Jethro Tull's main man takes us behind the fish farmer exterior and into his home studio.

Jethro Tull’s leading light opens the door to his new ‘home studio’.

Joan Jett turns the landing lights on her guitar collection

Speaks from the heart.

Ian Gilby visits The Garden Studio and learns how John Foxx composed and recorded tracks from his recently released album 'In Mysterious Ways'.