International Musician, May 1975
Electronics & Music Maker, Nov 1982
An innovative multi-instrumentalist both in and out of the studio, from Be-Bop Deluxe to 'The Love that Whirls'.
Home & Studio Recording, Dec 1984
Bill lays bare his recording techniques and reveals the innermost secrets of his home studio 'The Echo Observatory' which has recently been upgraded to 16 track status. Now being used to record tracks fora forthcoming Nelson masterpiece.
Electronics & Music Maker, Aug 1983
An in-depth interview with this multitalented musician/composer/producer who reveals the techniques used on his new LP and explains how to use the E-bow to best advantage
Electronic Soundmaker, Apr 1985
Bill Nelson's been out of the public eye recently, touring America and refurbishing his studio. Now he's back and talking to us.
Sound On Sound, Jul 1986
Contractual hassles have kept musician/producer Bill Nelson hopping from one record label to another since the demise of Be-Bop Deluxe, yet he has still managed to record some exemplary albums using the facility of his 16-track home studio. Ian Gilby finds out how he put his new album together.
International Musician, Apr 1975
International Musician, Mar 1975
In praise of the man and his music
Electronics & Music Maker, Dec 1982
With nearly 25 years in the music business, Cliff puts his music making into perspective.
Micro Music, Jun/Jul 1989
Vie Marshall raps with the bad young brother himself about Ataris, Creator and reader-friendly manuals
Electronics & Music Maker, Oct 1986
...Is one of Britain's most inventive jazz keyboard players, with a myriad of different strings to his performing bow, and an unusually open-minded approach to new technology. Simon Trask listens to what he has to say.
Music Technology, Feb 1988
His time with Rainbow, Whitesnake and Ozzy Osbourne has made Don Airey a rock institution (rather than putting him in one). Tim Goodyer talks to him about music and machinery.
Music Technology, Feb 1992
Felton Pilate's success spans "traditional" funk to the rap revolution - just now he's writing, producing and playing keys for Hammer. Nick Batzdorf raps tech with the Hammer man.
International Musician, Nov 1985
The blurred fingers of the guitar star focussed by the blurred gaze of Richard Walmsley
Recording Musician, May 1993
Recording 'If I Ever Lose My Faith In You'
Throw a bunch of talented musicians and a world-class producer into a 16th century mansion, add some juicy gear, shake 'em about and what do you get? Ten Summoner's Tales, if you're lucky.
Home & Studio Recording, Mar 1989
Jethro Tull's main man takes us behind the fish farmer exterior and into his home studio.
Home & Studio Recording, Nov 1983
Jethro Tull’s leading light opens the door to his new ‘home studio’.
One Two Testing, Nov 1983
Joan Jett turns the landing lights on her guitar collection
Speaks from the heart.
International Musician, May 1975
Sound On Sound, Aug 1986
Best known as a top Flamenco guitarist, Juan Martin has recently released a sensitive album that combines classical guitar with the ethereal textures of Mark Isham's synthesizers. Robin Lumley questions him about this unlikely collaboration and discovers the best ways of miking up classical guitars into the bargain.
International Musician, Jun 1975
Sound On Sound, Apr 1990
Recording engineer Del Palmer has worked with Kate Bush for almost 13 years. Here he provides an insight into how this innovative lady works in the studio and the background to the recording of her hugely successful album, 'The Sensual World'.
Electronics & Music Maker, Oct 1982
Not only vocalist, composer, dancer, choreographer, but also producer for her new album 'The Dreaming', Kate talks about her approach to composition and her newly acquired Fairlight CMI.
Sound On Sound, Aug 1987
The legendary German synthesist speaks out about technology and technique in this exclusive interview - his first in four years!
Electronics & Music Maker, Mar 1983
Rated as the world's top solo synth performer, Klaus explains how he composes on stage and in the studio