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Al DiMeolaInterview | Sound International, Feb 1979talks to Ralph DenyerWell... what can you say? You know how good he is and what a writer our Ralph D is. But don't let's give the game away: read on! |
Alex HarveyInterview | International Musician, May 1975 |
Bill Nelson - Getting The Holy Ghost AcrossInterview | Sound On Sound, Jul 1986Contractual hassles have kept musician/producer Bill Nelson hopping from one record label to another since the demise of Be-Bop Deluxe, yet he has still managed to record some exemplary albums using the facility of his 16-track home studio. Ian Gilby finds out how he put his new album together. |
Bill Nelson - A Full NelsonInterview | Electronic Soundmaker, Apr 1985Bill Nelson's been out of the public eye recently, touring America and refurbishing his studio. Now he's back and talking to us. |
Bill Nelson - Echoes From The Observatory - Part 1Interview Series | Home & Studio Recording, Dec 1984Bill lays bare his recording techniques and reveals the innermost secrets of his home studio 'The Echo Observatory' which has recently been upgraded to 16 track status. Now being used to record tracks fora forthcoming Nelson masterpiece. |
Bill NelsonInterview | Electronics & Music Maker, Nov 1982An innovative multi-instrumentalist both in and out of the studio, from Be-Bop Deluxe to 'The Love that Whirls'. |
Bill NelsonInterview | Electronics & Music Maker, Aug 1983An in-depth interview with this multitalented musician/composer/producer who reveals the techniques used on his new LP and explains how to use the E-bow to best advantage |
Bill Nelson - Echoes From The Observatory - Part 2Interview Series | Home & Studio Recording, Jan 1985The conclusion of our in-depth look at Bill's home 16 track studio in Yorkshire. |
Bill Nelson - Peak AidInterview | Making Music, Aug 1986A home recordist amongst home recordists traces his own history through tape recorders he has used. |
Bill NelsonInterview | Sound On Sound, Mar 1991A Musical LuminaryBill Nelson remains largely unheard of by the record-buying public, yet his influence on modern musicians has been considerable. Nigel Humberstone visits him at his home studio in Yorkshire. |
Billy Bragg - Something To Bragg AboutInterview | Phaze 1, Feb 1989a crash course in career-building from the bard himself |
Billy Idol - Idol HandsInterview | International Musician, Jul 1986William Tells all to Philip Bashe |
Brian MayInterview | International Musician, Apr 1975 |
Bryan Adams - The Adams FamilyInterview | International Musician, May 1986Tony Horkins confesses a closet liking for the king of Canadian A.O.R. Let the kids rock... |
Carlos Santana - SantanaInterview | International Musician, Mar 1975In praise of the man and his music |
Cliff RichardInterview | Electronics & Music Maker, Dec 1982With nearly 25 years in the music business, Cliff puts his music making into perspective. |
Colin Hay - Hay DayInterview | Making Music, Aug 1987 |
Dave Gilmour - Pink FloydInterview | International Musician, Sep 1975Dave Gilmour sheds varying degrees of light on himself and the band. |
David Bowie - The Boy Keeps SwingingInterview | International Musician, Jan 1985A little Tonight music from the thin white one, his band, his producer, Uncle Tom Ziggy and all |
Derek BInterview | Micro Music, Jun/Jul 1989Vie Marshall raps with the bad young brother himself about Ataris, Creator and reader-friendly manuals |
Django Bates - Django LiveInterview | Electronics & Music Maker, Oct 1986...Is one of Britain's most inventive jazz keyboard players, with a myriad of different strings to his performing bow, and an unusually open-minded approach to new technology. Simon Trask listens to what he has to say. |
Don Airey - Living in the PastInterview | Music Technology, Feb 1988His time with Rainbow, Whitesnake and Ozzy Osbourne has made Don Airey a rock institution (rather than putting him in one). Tim Goodyer talks to him about music and machinery. |
Don Airey - Wizard Of OzInterview | Electronics & Music Maker, Feb 1984Keyboard player to Rainbow, Black Sabbath and now Ozzy Osbourne, Don talks to Tim Oakes about his keyboards, how to Bark At The Moon, and life on the road with a werewolf... |
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