mu:zines is the result of thousands of hours of effort, and will require many thousands more going forward to reach our goals of getting all this content online.
If you value this resource, you can support this project - it really helps!
Interview | International Musician, May 1975
Interview | Sound On Sound, Jul 1986
Contractual hassles have kept musician/producer Bill Nelson hopping from one record label to another since the demise of Be-Bop Deluxe, yet he has still managed to record some exemplary albums using the facility of his 16-track home studio. Ian Gilby finds out how he put his new album together.
Interview | Electronic Soundmaker, Apr 1985
Bill Nelson's been out of the public eye recently, touring America and refurbishing his studio. Now he's back and talking to us.
Interview | Home & Studio Recording, Dec 1984
Bill lays bare his recording techniques and reveals the innermost secrets of his home studio 'The Echo Observatory' which has recently been upgraded to 16 track status. Now being used to record tracks fora forthcoming Nelson masterpiece.
Interview | Electronics & Music Maker, Nov 1982
An innovative multi-instrumentalist both in and out of the studio, from Be-Bop Deluxe to 'The Love that Whirls'.
Interview | Electronics & Music Maker, Aug 1983
An in-depth interview with this multitalented musician/composer/producer who reveals the techniques used on his new LP and explains how to use the E-bow to best advantage
Interview | Home & Studio Recording, Jan 1985
The conclusion of our in-depth look at Bill's home 16 track studio in Yorkshire.
Interview | Making Music, Aug 1986
A home recordist amongst home recordists traces his own history through tape recorders he has used.
Interview | Music UK, Apr 1983
Bill Nelson talks Synths Vs Guitars with Gary Cooper
Interview | Sound On Sound, Mar 1991
A Musical Luminary
Bill Nelson remains largely unheard of by the record-buying public, yet his influence on modern musicians has been considerable. Nigel Humberstone visits him at his home studio in Yorkshire.
Interview | International Musician, Apr 1975
Interview | International Musician, May 1986
Tony Horkins confesses a closet liking for the king of Canadian A.O.R. Let the kids rock...
Interview | International Musician, Mar 1975
In praise of the man and his music
Interview | Electronics & Music Maker, Dec 1982
With nearly 25 years in the music business, Cliff puts his music making into perspective.
Interview | International Musician, Sep 1975
Dave Gilmour sheds varying degrees of light on himself and the band.
Interview | Micro Music, Jun/Jul 1989
Vie Marshall raps with the bad young brother himself about Ataris, Creator and reader-friendly manuals
Interview | Electronics & Music Maker, Oct 1986
...Is one of Britain's most inventive jazz keyboard players, with a myriad of different strings to his performing bow, and an unusually open-minded approach to new technology. Simon Trask listens to what he has to say.
Interview | Music Technology, Feb 1988
His time with Rainbow, Whitesnake and Ozzy Osbourne has made Don Airey a rock institution (rather than putting him in one). Tim Goodyer talks to him about music and machinery.
Interview | Electronics & Music Maker, Feb 1984
Keyboard player to Rainbow, Black Sabbath and now Ozzy Osbourne, Don talks to Tim Oakes about his keyboards, how to Bark At The Moon, and life on the road with a werewolf...
Interview | One Two Testing, Sep 1984
beat in the bahamas
Interview | One Two Testing, Oct 1984
the fruit of guitarmanship disclosed
Interview | Sound International, Jun 1978
No doubting the Thomases from Elvis Costello and the Attractions.
Interview | Music Technology, Feb 1992
Felton Pilate's success spans "traditional" funk to the rap revolution - just now he's writing, producing and playing keys for Hammer. Nick Batzdorf raps tech with the Hammer man.
Interview | International Musician, Nov 1985
The blurred fingers of the guitar star focussed by the blurred gaze of Richard Walmsley
Interview | One Two Testing, May 1984
Why a pink Strat is Gazzer's fave