mu:zines is the result of thousands of hours of effort, and will require many thousands more going forward to reach our goals of getting all this content online.
If you value this resource, you can support this project - it really helps!
Interview | One Two Testing, Dec 1983
Anne Dudley rearranges the alphabet.
Interview | Electronics & Music Maker, Mar 1983
Tangerine Dream's rhythm man describes his sequencer set-up
Interview | Electronics & Music Maker, Jan 1984
One of the foremost composers of electronic film music, here he talks about his celluloid career and his more recent excursion into the world of popular music producing, and his own Danse Electronique.
Interview | Topic: Composing for Business, Video / Film / Picture | Home & Studio Recording, Dec 1985
Producer & Composer
Janet Angus talks to Dave about making the change between audio and video recording and the issues and problems involved.
Interview | Music Technology, Oct 1989
Someone whose career in music began before the invention of the tape recorder will have witnessed a revolution in music technology. Peter Ridsdale shares the experiences of a man who has spent a lifetime composing for pictures.
Interview | Music Technology, Dec 1989
While many of us dream of a career writing music for films, a select few are actually doing it. Lawrence UlIman talks to Gary Chang, a resident Hollywood scorewriter.
Interview | Sound On Sound, Jan 1988
The art of writing music for popular television in the last few years may have been single-handedly redefined by Jan Hammer. His upbeat, rocky soundtracks to the hit TV series 'Miami Vice' (along with a few of the chart hits used in the show) have now produced two albums of instrumental music. Ed Jones finds out how they were done.
Interview | Electronics & Music Maker, Feb 1986
In an exclusive interview, this longstanding keyboard hero and Miami Vice music maestro discusses keyboard technique, and what it’s like to achieve mass recognition after years of obscurity. Annabel Scott takes note.
Interview | Sound On Sound, Mar 1993
Jan Hammer Talks Tech
Interview | Music Technology, Oct 1990
A long-time member of the MIDI establishment, Jeff Rona is a musician who gets more mileage out of computers than most. Scott Wilkinson listens in on Mac, PAN, digital editing and Jon Hassell's latest LP.
Interview | Sound On Sound, Nov 1988
Mark Prendergast talks with trumpeter, composer, and synthesist Mark Isham about new technology, David Sylvian, Van Morrison, Windham Hill, and his solo career as one of Hollywood's more interesting film soundtrack composers.
Interview | Electronic Soundmaker, Jun 1985
A contemporary composer drawing inspiration from the classics
Interview | Electronics & Music Maker, Oct 1985
An ex-music critic turns prolific avant garde composer and finds himself in demand from the Time Out fraternity. Dan Goldstein talks to the man everyone calls a systems music composer—wrongly.
Interview | Sound On Sound, Jan 1992
Although Michael Nyman's name and music became known through Peter Greenaway's extraordinary films, Prospero's Books may see not just the peak but also the end of their creative partnership. But Nyman has other strings to his bow, as Mark J. Prendergast discovers.
Interview | One Two Testing, Oct 1985
Milton Keynes adman draws up Draughtsman's Contract
Interview | Home & Studio Recording, Aug 1985
Muff Murfin talks to Paul White about his career to date and proffers some useful advice for people trying to break into the jingle market. He also explains why with studios in the Midlands, London and Ibiza, he needs to expand.
Interview | Home & Studio Recording, Sep 1983
Interview | Sound On Sound, Jan 1987
Nobody has advanced the application of technology in music more than Peter Gabriel. His pioneering use of the Fairlight CMI helped popularise that instrument and give credence to sampling as a creative recording practice. Yet his music has never fallen prey to the technology trap - his latest album So remains a soulful collection of songs heavily reliant on technology but applied with subtlety. Ray Hammond talks to the great man about the album, new technology, Otis Redding, and his role as musician.
Interview | Electronics & Music Maker, Jun 1986
In a career spanning nearly 20 years, Gabriel has done everything from fronting Britain's best-known pomp rock band to manipulating ethnic music using modern technology. Dan Goldstein talks to a man of many talents.
Interview | Music Technology, Jan 1994
Phil Ward Xplores the Real World of CD-ROM and multimedia
Interview | One Two Testing, Jan 1985
drum parts and recording arts
Interview | Topic: Composing for Business | Music Technology, Jul 1988
There's more than one way to a living out of music. Nicholas Rowland talks to the Pync Brothers about writing and recording music specifically for use in TV and radio advertising jingles.
Interview | One Two Testing, Jan 1985
session guitar from Heaven 17 to Art Garfunkel
Interview | Topic: Computing | Electronics & Music Maker, Apr 1986
If you're a frustrated synth programmer looking for an outlet to use your talents, you could become a soundtrack writer for computer games. Matthew Vosburgh meets one of Britain's best.
Interview | Sound On Sound, Feb 1986
Like many keyboard aces of the Seventies, Rod Argent too has turned his talents toward writing music for films and television, his most recent venture being the music for the highly acclaimed BBC TV series 'Soldiers'. Here he explains to Ian Gilby the procedures involved.