One Two Testing, Dec 1983
Anne Dudley rearranges the alphabet.
Electronics & Music Maker, Mar 1983
Tangerine Dream's rhythm man describes his sequencer set-up
Electronics & Music Maker, Jan 1984
One of the foremost composers of electronic film music, here he talks about his celluloid career and his more recent excursion into the world of popular music producing, and his own Danse Electronique.
Music Technology, Oct 1989
Someone whose career in music began before the invention of the tape recorder will have witnessed a revolution in music technology. Peter Ridsdale shares the experiences of a man who has spent a lifetime composing for pictures.
Music Technology, Dec 1989
While many of us dream of a career writing music for films, a select few are actually doing it. Lawrence UlIman talks to Gary Chang, a resident Hollywood scorewriter.
Sound On Sound, Jan 1988
The art of writing music for popular television in the last few years may have been single-handedly redefined by Jan Hammer. His upbeat, rocky soundtracks to the hit TV series 'Miami Vice' (along with a few of the chart hits used in the show) have now produced two albums of instrumental music. Ed Jones finds out how they were done.
Music Technology, Oct 1990
A long-time member of the MIDI establishment, Jeff Rona is a musician who gets more mileage out of computers than most. Scott Wilkinson listens in on Mac, PAN, digital editing and Jon Hassell's latest LP.
Sound On Sound, Nov 1988
Mark Prendergast talks with trumpeter, composer, and synthesist Mark Isham about new technology, David Sylvian, Van Morrison, Windham Hill, and his solo career as one of Hollywood's more interesting film soundtrack composers.
Home & Studio Recording, Sep 1983
Sound On Sound, Jan 1987
Nobody has advanced the application of technology in music more than Peter Gabriel. His pioneering use of the Fairlight CMI helped popularise that instrument and give credence to sampling as a creative recording practice. Yet his music has never fallen prey to the technology trap - his latest album So remains a soulful collection of songs heavily reliant on technology but applied with subtlety. Ray Hammond talks to the great man about the album, new technology, Otis Redding, and his role as musician.
Electronics & Music Maker, Jun 1986
In a career spanning nearly 20 years, Gabriel has done everything from fronting Britain's best-known pomp rock band to manipulating ethnic music using modern technology. Dan Goldstein talks to a man of many talents.
Topic: Composing for Business | Music Technology, Jul 1988
There's more than one way to a living out of music. Nicholas Rowland talks to the Pync Brothers about writing and recording music specifically for use in TV and radio advertising jingles.
Sound On Sound, Feb 1986
Like many keyboard aces of the Seventies, Rod Argent too has turned his talents toward writing music for films and television, his most recent venture being the music for the highly acclaimed BBC TV series 'Soldiers'. Here he explains to Ian Gilby the procedures involved.
Electronic Soundmaker, May 1984
From records to retailing
International Musician, Mar 1975
Music Technology, Aug 1987
Japan's most respected technopop pioneer has recently finished an album that breaks new ground for him - it involves live musicians. He discusses his new LP and his other projects with Paul Tingen.
Music Technology, Jul 1992
Ryuichi Sakamoto was a founder of the YMO before becoming one of David Sylvian's favoured partners. Now, fresh from a Japanese and a series of film scores he tells Tim Goodyer about his latest LP.
Music Technology, May 1988
From his Vox Continental days with Elvis Costello, to a regular spot on Jonathan Ross' The Last Resort, and now on to film scores, Steve Nieve has retained an objective approach to technology.
Music Technology, Apr 1987
As film music becomes a more popular means for composers to earn a living, Tim Goodyer talks to soundtrack expert Steve Parsons about his work on the new British film, 'Empire State'.
Electronics & Music Maker, Apr 1985
...was the title of The South Bank Show's much-criticised electronic music extravaganza of a couple of months back. Here the programme's musical consultant, composer Tim Souster, argues the case in favour of the show's content.
Electronics & Music Maker, May 1981
Music Technology, Jun 1993
Wendy Carlos still loves digital synthesis. Through her pioneering soundtrack work on movies like Tron, and her synthesised interpretations of the classics, she has done as much as Jarre, Kraftwerk and Eno in making synthesisers both respectable and popular. She also used to be Walter Carlos. Daniel Rue investigates